How to write a graduation thesis on water pollution?

The directness, intuition and immediacy of literary images in the image age are not only supported by traditional paintings and sculptures, but also expanded by media technologies such as photography, TV movies and computers, and have now become the most important objects of public communication, information dissemination and entertainment consumption. Image culture not only surpasses the written culture in audience coverage and audience selection, but also the traditional written media itself is increasingly dependent on the charm of images. All kinds of books and magazines pay attention to typesetting space, the modeling of cover image and the pursuit of illustrations. More and more newspapers publish photography, comics and other video works, all of which show the expansion of video culture. In today's popular e-mail, some characters are also treated as "images", such as: expressing happiness, using: (expressing sadness, using:) expressing love, etc. Abstract words have gained image modeling. Nowadays, among primary and middle school students, it is more popular to use a large number of graphic symbols to replace some complex, ambiguous and vague words (for example, to use peach-heart graphics instead of "even in academic papers, more and more charts and various academic conferences and the use of multimedia tools in classrooms prove that images have become more and more important communication symbols. Indeed, in a sense, we are in an image, or an image-oriented era. The image age and the challenges faced by literature. E-mail sent by students, text changes. Although we can list many reasons why words are superior to images, just as we can list many reasons why images are superior to words, we should admit that iconicity not only seriously competes for literary audiences, but also affects the quality of literature. It is in this context that a new artistic genre-photographic literature came into being in the image age. It attempts to combine images with literature, abstract figures with images, linear narrative time with modeling and composition space, to create a literary photography and photographic literature, and to find an artistic space with mixed advantages between literature and photography, words and images. It should be said that this desire and effort is a positive response to the times. Of course, photographic literature is a new thing after all. Its growth needs a process, and its vitality needs to be tested. How to combine photography with literature and how to maintain artistic tension between words and images is not simple 1+ 1. Today's cultural consumers or recipients are different from the past. Because people have been in contact with all kinds of written and audio-visual media so frequently, they have accepted more and more good cultures and gained more and more experience in space appreciation and narrative aesthetics. Obviously, if we continue to create photographic literature in the way of cartoons in those days, it is undoubtedly a contempt for the aesthetic maturity of the audience. It is important that photography and literature should become a complementary, interactive and tense relationship, rather than a descriptive, overlapping and synchronous relationship. On the one hand, images and words should have artistic imagination and creativity. On the other hand, the combination of graphics and text should create new meaning space and produce new reading pleasure. And this may be what some photographic literature does not have. If you want to have the morphological characteristics of photographic literature, you must have travel notes, biographies and other themes, leaving sufficient space for the combination of photography and literature. Stylistic awareness is a sign of genre maturity. The maturity of photographic literature also needs to explore a conscious style concept. How to provide a vivid reality, presence and experience for abstract words through images, how to provide a profound sense of expression, symbolism and abstraction with words, and how to find an artistic tension that is both interrelated and independent in words and images will become a common problem in photographic literature. However, the space of photographic literature is enormous. When we see that so many people will take photos in almost any place where the meaning of life can be found, and so many people are willing to exchange their daily feelings and experiences with others in the chat space provided, I think photographic literature will have its own sufficient reasons for existence and development, but perhaps it is not necessarily the patent of professional elites, and it is likely to become a real form of the public: people use their own captured life images and emotional memories and experiences of these images.