Example how to create a lively atmosphere in sports scenes during camera editing

The movement of the subject

The factors that constitute the screen movement The movement of the camera

The editing rate

To achieve the coherence of movement: correctly grasp the subject The rules of movement connection

Correctly grasp the connection rules of camera movement

Perform distinct rhythm effects

The connection of moving shots is also an important part of shot assembly. . Since the lens exists in different states, some are moving and some are still, certain rules must be followed when assembling the lenses.

1. Assemble lenses according to the movement status of the main body of the picture

The movement of the main body of the picture refers to the movement of the main body of the picture in a fixed lens (the lens captured by a fixed camera focal length and camera position) Movement state. There are two types of splicing methods.

1. Stillness connected to stillness: a static subject is connected to a static subject. This is often encountered in film and television editing. For example, huge apples meet lush fruit trees. The majestic teaching building is followed by the tower with the big clock, etc., which are all static subject pictures followed by still subject pictures.

2. Movement follows movement: the subject of movement follows the subject of movement. It can be divided into the action connection of the same subject and the action connection of different subjects

2. The external movement of the lens and the lens assembly

The external movement of the lens refers to the use of push, pull, shake Shots captured using sports photography techniques such as moving, following, and throwing. The movement caused by this shooting technique is called external movement of the lens.

3. Matching of color and tone

When selecting lenses and connecting lenses, it is also necessary to consider the unity and matching of tone and tone, and maintain the overall color and tone. The consistency makes the picture style unified.

Section 4, "Matching" Principle

"Matching" means that the upper and lower shots should have a smooth, consistent or corresponding relationship when assembled, so as to maintain Visual coherence, thus conforming to people's daily visual psychological experience. This "matching" is reflected through various elements such as the location of the task, line of sight, direction of movement, action, color, tone, scenery, etc., as well as the selection of splicing points.