The main content of Ba Jin in Spring Silkworm is for everyone to see.

Lz silkworm belongs to Mao Dun, not Ba Jin. Oh, I made a mistake by accident.

"Spring Silkworm", see the sixth volume of Chinese, a textbook for full-time ten-year primary schools (Trial Edition), People's Education Press, 1979 Edition. Work after liberation. The family headed by the mother worked hard to raise silkworms in order to make a living and pay tuition for the author's younger brother and sister. It shows mother's diligence and interest in labor. Because the life it reflects is far away from the present era and students don't like it very much, this article is no longer selected by the curriculum standard of compulsory education in the latest primary school textbooks.

China silent film. Produced by Star Film Company 1933. Based on Mao Dun's novel of the same name, it was directed by Cheng and filmed by Wang Shizhen. The main actors are Yan Yuexian, Zheng Xiaoqiu and Gong Jianong. The film tells the tragic story of sericulture farmers in eastern Zhejiang, China, falling into bankruptcy step by step under the imperialist military and economic aggression. In terms of art, the film depicts the hardworking, simple, honest and kind-hearted qualities of the silkworm farmer Bao Tong's family and the spirit of hard work and struggle for survival with true, natural and vivid brushstrokes. In order to achieve the real artistic effect, the star company spared no expense to set up the location, and also hired sericulture experts as consultants. This is China's first attempt to show a new literary work after the May 4th Movement, which has had a far-reaching impact on China's film industry. In the early 1930s1965-1938+1930, in the countryside around Hangjiahu Lake in Zhejiang, people in the village began to get busy as soon as they passed Tomb-Sweeping Day. Farmers here mainly make a living by raising silkworms, which is a good season for raising silkworms. Everyone is excited and nervous about this year's work. Silkworm farmer Bao Tong and his family are also busy nervously. His family failed to raise silkworms last year. This year, he plans to do a good job and even borrow usury to buy mulberry leaves to feed silkworms. So, he guarded the silkworm eggs day and night, for fear that something would happen. According to the tradition of sericulture, there are many taboos in sericulture. Old Bao Tong was superstitious about these taboos. He was jealous of this and that all day. The eldest son, A Si, is simple and honest, and the daughter-in-law's fourth aunt is dissatisfied with old Bao Tong's conservative housekeeping style, but she is helpless. The youngest son gave old Bao Tong a headache. He is young and lively, and he doesn't believe his father's superstitious taboos at all. Not only does he often associate with Liubao, the most beautiful girl in the village, but he also often laughs and fights with Lotus, Mrs. Gen, who is called the "unlucky star". Lotus used to be the maid of a large family in the city, but the villagers looked down on her and dared not associate with her. It happened that the silkworm baby of Gensheng's family broke down this year, and everyone in the village thought it was because of the "rush" of the lotus. After that, no one dared to talk to her. But Dodo kept secretly contacting her despite her father's opposition. Lotus is also a person who has seen the world and never believes the accusations of the villagers. In order to get back at the old Bao Tong family, she deliberately sneaked into his silkworm room to "rush" the silkworm babies in old Bao Tong, and happened to be hit by many bulls, but many bulls were silent. Old Bao Tong later learned about it. He was worried all day, but strangely, his silkworm flowers still grew well this year, which made a stone in his heart finally fall to the ground. Under the careful care of silkworm farmers, the cocoon has gained a bumper harvest. However, the dumping of foreign fabrics in China has greatly reduced the value of silk. At this time, the Japanese army attacked Shanghai, and the silkworm factories in various places closed, and the silkworm shops did not open scales. People had to lower their prices and choose to sell in Wuxi. Old Bao Tong reluctantly sold his silkworm, and after calculation, even the mulberry leaves were not enough ... "Spring Silkworm" was adapted from Mao Dun's famous novel, reflecting the bankruptcy experience of the southern rural areas of China under the oppression of imperialism in the 1930s. This is the first time that China's new literary works have been put on the screen since the May 4th Movement. It brought brand-new contents to China films at that time, and made the films begin to undertake the functions of "salvation" and "enlightenment" together with other literary forms such as novels at that time. The realistic content depicted in "Spring Silkworm" is in sharp contrast with the commercial martial arts films that were popular in China at that time and were full of ghost films and pornographic films. Its criticism of society and realism attracted the attention of the audience and the literary and art circles. Therefore, the film is called "the miracle of the film industry from 65438 to 0933" and criticized as "a bold and enterprising attempt by the producers! It shocked the film industry in China and appealed to the audience in China. On the other hand, the significance of the film lies in that, with the addition of new literary advocates, "Spring Silkworm" has also become the first batch of films with relatively standardized literary scripts in China film industry, which is of great significance for improving the quality of film art [1]. The inspiration for the creation and interpretation of "Spring Silkworm" comes from a news in the newspaper that "there was a bumper harvest of spring silkworms in eastern Zhejiang this year, and silkworm farmers went bankrupt one after another". The work is based on the water town in the south of the Yangtze River, with sericulture as the main line. This paper describes the tense and hard work of the old sericulture family, which won an unprecedented harvest of spring silkworms, but instead owed money to sell the land, resulting in "mulberry field loss 15 bears leaves and owes 30 yuan", reflecting the cruel social reality of rural economic depression and farmers' bumper harvest in the early 1930s. The work not only gives a true description of the reality, but also shows the decline history of modern rural areas in China from the perspective of an old farmer through the memories of the past by old Bao Tong. The greatest achievement of the work is to shape the image of old Bao Tong. From the industrious and simple character of old Bao Tong, we see the soul of workers; From his stubborn opposition to reform, to foreign devils, foreign goods, foreign waterwheels and even to the change of foreign silkworm eggs, we can also see that the ultra-stable economy has caused the backward and narrow concept of small producers. As for the countless rules and regulations that he is obsessed with the worship of God, he carefully peeks at the changes of garlic on the wall, he respectfully prays for the harvest of the kitchen god, and he is afraid that his son's contact with the "White Tiger Star" lotus will "infect bad luck", all of which show the souls of the older generation of farmers in China in the 1930s in the form of old treasures. Growing up in dilapidated rural areas is an important image that is complementary to old Bao Tong. Not only did he not have the dream of "getting rich" like old Bao Tong, but he also grew more and more skeptical and critical. He believes that "it is impossible to turn over even if you fall your back hard." The contradiction between father and son between him and old Bao Tong represents a new trend of change among farmers. The life of sericulture farmers full of earthy flavor, the interesting labor feelings of sericulture farmers and the beautiful and quiet scenery of water villages all show strong local colors, which makes this work unique in Mao Dun's novels.