The Role of Ansai Waist Drum in Jiaozhou Yangko Creation

This is an article praising the stirring life and majestic power. 1. The excitement and catharsis of life are "a group of young people" and "as simple as that sorghum". On the Loess Plateau, what a magnificent, bold and fierce dance-Ansai waist drum! "The afterlife", a young life, is in full swing, dazzling and boiling with the passion of life. Young life is "simple", unpretentious and ostentatious, as unpretentious as "sorghum", healthy and natural; This life is primitive, unadorned, pollution-free, impurity-free and complete. This kind of life surges on the Loess Plateau. The ancient gullies and criss-crossing lands bear such a young, warm and perfect life, and the Ansai waist drum gives them a form of catharsis. 2. The "younger generation" full of vitality by irresistible forces, "looks very calm and quiet", and life is accumulating passion, waiting for the outbreak. Sure enough, they made a determined effort as soon as they started fighting, and their forgetfulness died. "Once the passion of life is released, nothing can stop the gushing of power. Here comes: "like a shower, it is a hurried drum; "Like a whirlwind, it is a flying tassel; Like a frog, it is a jumping step; Like a spark, it is a flashing pupil; Fighting tigers is a powerful charm. " Man is no longer a conceptual "man", but a simple carrier of life and strength. Only by venting and venting, spraying and spraying, people and life are one, and strength is one. "This waist drum makes the cold air heat up immediately, makes the quiet sunshine splash immediately, and makes the sleeping world excited immediately." The fiery energy emitted by these rotating lives scorched everything around them. Life is like thunder and lightning, and everything becomes small. Only the energy of life is roaring between heaven and earth, "there is no room for bondage, no room for fetters, no room for occlusion". Such a life, such power, who is willing to bind, who can bind? Life has become "such a rush to break free, break through, break open!" " "-great, vigorous, passionate, rough, maybe a little wild, even destructive, but it is a true, primitive and natural expression of life. What could be more precious, exciting and amazing than this power? -"the arms, legs and whole body of the younger generation are playing vigorously, playing fast and playing ups and downs." Their movements are not as delicate, neat and rhythmic as the dance on the stage, but their strength comes, "shocking you, burning you and threatening you." It makes you feel the existence, activity and strength of life so truly. What will people do in the face of such a life and such power? -Some people may think that this kind of life is too naked, too overbearing and too outrageous, but it will break the layers of hard shells on people, let life vent between heaven and earth, and make people "leave everything behind" and "be happy and full of imagination", so that people can understand why people are people and why life is life. 3. Primitive Energy The author endowed Loess Plateau and Ansai Waist Drum with the catharsis of life and the eruption of power, which has far-reaching significance. "On the Loess Plateau, you have raised these energetic young people, and only you can bear such a thrilling battle!" Compared with the Loess Plateau, the author thinks that "Jiangnan water town is fragile glass, and there is no such waist drum", and then thinks that "there is no such thick soil layer except the Loess Plateau!" Why does the author have a soft spot for the Loess Plateau? In the author's view, people on the Loess Plateau are simple, calm and quiet, and still retain the vitality of life. Compared with Jiangnan, where the commodity economy is developed, they are less impetuous and less sophisticated. Thick soil contains primitive life and turbulent power, while Jiangnan, a water town, has passed away and changed a lot. 4. writing characteristics this article has achieved a perfect unity in content and form. (1) Long short sentences often use short sentences to express their contents. For example, "a group of young people in their prime" simply shows the enthusiasm and generosity of young life; Forgotten, Dead effectively shows the boiling of life and the unstoppable gushing of strength. Other sentences, such as "the flag of the falling sun", "only heard rumbling, rumbling, rumbling" and "the pounding of hooves is getting louder and louder", are all impassioned. (2) Passion parallelism This article uses parallelism extensively. There are parallelism within sentences, between sentences and between paragraphs, which not only appear alternately, but also appear continuously, such as "Reminding people of …" and "The more you fight, the more malicious you are", all of which use three parallelism paragraphs in succession, just like a river that leaks thousands of miles. A lot of combination brush strokes are neat and neat, like "showers", which is a kind of drum-urging; Like a whirlwind, it is a flying tassel; Like a frog, it is a jumping step; Like a spark, it is a flashing pupil; Fighting tigers is a powerful charm with high momentum; Others are progressive, such as "it shocks you, burns you and threatens you", which makes people breathless. (3) Fast-paced words keep a fast pace from beginning to end. Parallelism one after another, climax one after another, leaving no room for breathing. The fast pace makes the content more enthusiastic and exciting, and fully demonstrates the charm of life and strength. ● About practice 1. Read the full text repeatedly. The purpose of this topic is to make students understand the rhythm and rhyme of the article. Second, talk about your "no fetters, no fetters, no obstacles." It's the kind of power that breaks free, breaks through and knocks open. The purpose of this topic is to let students experience the expression of life and strength. See "Text Description". Thirdly, parallelism is widely used in this paper, including intra-sentence parallelism, inter-sentence parallelism and paragraph parallelism. Try to illustrate with examples and talk about the role of parallelism in expressing the thoughts and feelings of the article. The purpose of this topic is to guide students to understand the unity of content and form of the article See "Text Description". Taste and explain the meaning of the following statements. The purpose of this topic is to let students deeply understand the connotation of the article. 1. What surprises you is that farmers can release such magnificent energy by wrapping their bodies in clothes and digesting the bodies of old pumpkins with red beans and horns! Perhaps many people think that the farmers on the yellow land have been tortured by the wind and frost of the years and the barren land and lost their vitality. Jiangnan, a water town, is fragile glass, where you can't beat such a waist drum. The flowing water in the south of the Yangtze River has dissipated the vitality of life, and there is no "thick soil" to bear such primitive vitality. When it came to an abrupt end, the world was strangely silent, which made people feel strange to her. People have been impressed by the power of life and are boiling. When the waist drum comes to an abrupt end, people are not used to such a quiet and deserted world. There is a crow far away in my ear. When the drums stop, people are still immersed in passion, just like the silence after the heat. The silence at this time contrasts with the "cock crow" (which can also be considered as real writing). ● Teaching and learning suggestions 1. To guide students to learn this text, we should grasp the central point of venting life and strength, so that students can deeply understand the life force praised by the author. Second, we should understand the author's comments on the Loess Plateau and Jiangnan around The Big Bang Theory, and don't make unnecessary disputes. Third, we can compare and read the contents of unit 1 "Fear of life" and "Love of life". ● Relevant information 1. Author's brief introduction Liu Chengzhang, a native of Yan 'an City, Shaanxi Province, 1937. 196 1 graduated from the Chinese Department of Shaanxi Normal University. He is currently the vice chairman of Shaanxi Writers Association and the executive director of China Prose Society. Six collections of essays have been published, among which "Sheep Think of Clouds" won the first Lu Xun Literature Award. Second, "I read Liu Chengzhang" and Zhang Cheng have never met, only a few letters. I have read some works. He is a great player. The "prose" in his works does have an atmosphere and a great realm-like the vast loess plateau; Like the whirlwind and shower of Ansai's waist drum! Here, let me simply "read" this person and his article. Liu Chengzhang made his debut very early: in the first year of high school, a bunch of his new poems (nine in all) were selected in Selected Poems by young writers in the province-in this way, he was crowned as a "poet" and made his debut in the literary world. Later, he changed from a "poet" to a "poet" and became fascinated with lyrics writing; Later, he became a professional playwright. He turned to writing "prose" after the "new period". Yes 1982 (he was 45 years old at this time). As the saying goes, "people reach middle age", but he started "middle-aged reform": from then on, he devoted himself to writing prose! His creative track, from "poetry" to "ci" and "drama" and finally to "prose", created and perfected him. He later said: where is a person's "outstanding talent"? I often don't even know myself. I have no choice but to "try" several art forms (the process of trying is the process of understanding and discovery) in order to finally find out where my artistic "cells" are. After "trying" the above various art forms, he said: "It seems that I am more suitable for prose creation"; "However, my previous efforts in writing poems, lyrics and plays were not in vain. They all come in handy in prose. " This statement is correct. The "prose" he later wrote was really "regenerated" from the spirit of his original poems, words and plays-not a "copy" of the external appearance, but an "application" of the internal essence. Bring vitality and originality to your "prose"! He wrote the most and the best prose is the so-called "amorous feelings-verve prose". The earliest publication of Zhuan Jiu Qu inspired him and made him step out of the key step of "middle-aged political reform". But unfortunately, looking back, this not only means some "characters" (such as Ye Ye, Dabei, Fu, etc. There are traces of "weaving", which seems to be intentional; Moreover, the finishing touch at the end of the article also made people read the "Yangshuo flavor" and fell into a rut, indicating that it was not completely independent in art. According to my own thinking, he was enlightened in 1985 (called "the year of ideas" by the literary and art circles), and his artistic feeling was suddenly enlightened. Old memories, high heels resounding through the streets of Suide and so on are quite wonderful. Look at Old Yellow Wind, how wonderful it is! It is still on the other side of the mountain (at least ten miles away) and has not been blown down, but its "power" has been felt. Look again when you come: "Large tracts of crops are lying on the ground. The bird hit the rock. Chicken flies dog jumps over the wall. " Oh, my god. There are tons of dirt and sand everywhere. As the sky turned dark, the sun "became like a broken basin soaked in the turbid Yellow River". Is anybody there? "It's like being pushed by a giant hand. I can't stand, I can't walk, I can't control myself, and my insides are shaking, like an egg in Huang Er. " This "old yellow wind" blowing in northern Shaanxi-also known as "black boy wind", "son horse wind" and "donkey wind"-is a unique "male wind", which is really unique to Zhang Wa! Of course, writing "wind" is also writing "people" and "spirit" of people. When the old yellow wind is bullying, look at those men and aunts, but they are so calm, calm and laughing! This is the real "soul of northern Shaanxi", which is consistent inside and outside and sets each other off! After reading this article, we should know that the "natural environment" of this treasure land in northern Shaanxi is vigorous and wild; Its "humanistic spirit" is more optimistic, humorous and heroic. At the end of this article: "Isn't it like a rotten red armband?" What a genius stroke! "High heels resound all over the streets of Suide", the oldest town in northern Shaanxi, now shows the most modern and beautiful scenery. Writing "regional customs" can touch "characteristics of the times", and this article can be described as an example. Later, Ansai Waist Drum (1986) raised his prose to a new height. The charm of Ansai waist drum is shocking. If Jia Pingwa's Shaanxi Opera is a symbol of Qin people's spirit, then Liu Chengzhang's Ansai Waist Drum is that he discovered and captured the vitality and charm of northern Shaanxi people from the dance and drums of Ansai Waist Drum! Ansai waist drum is a fiery ode to the vitality of the people in northern Shaanxi, and it is a poetic hymn with heavy connotation in the Loess Plateau. Later, his article "Mao Mao" written on 1988 took this poetic pen and ink a step further-it was simply a prose poem with excellent meaning and rhyme. While praising the landforms and customs of northern Shaanxi, He Miaomiao organically unified and combined landscapes with figures, legends and reality. After reading Mao Mao, I thought about it and suddenly realized that the original height and wonder of Mao Mao was precisely because it was transformed by a simple and noble soul! 1994, he wrote "Lift the Raft Tree", which is the masterpiece of this kind of prose, making this kind of "amorous feelings-verve prose" shine brilliantly in the history of contemporary prose. In my humble opinion, the boldness of vision and the high level of this work are unprecedented! The rafter is actually a willow in northern Shaanxi. However, the willow is not flattering, but vigorous and upward. Every branch can be made into a rafter, and every tree can be cut down by sixty or seventy trees. "If you cut it, you cut it, and it's endless." If you add up its lifelong dedication, every tree is a forest! Obviously, this is a tragic dedication on barren land! Liu Chengzhang discovered the "rafter tree" and found himself at the same time. He wrote that this willow tree waited alone for thousands of years. "The Pacific Ocean is so deep, it is not as good as this willow tree!" When meeting each other, the author used big splash ink, big freehand brushwork, freely, dripping and carefree. The degree of spiritual liberation, spiritual freedom and free and easy writing of Lift Raft Tree are all first-class. "Northern Shaanxi was born and raised in northern Shaanxi, because your soul leads this place"-as far as "writing northern Shaanxi" is concerned, I'm afraid no one can write better than Liu Chengzhang. When he writes about northern Shaanxi, he pursues "soil" (that is, nationalization and localization): poetic soil and spiritual soil, which is close to "believing in heaven". This captures the "soul" of northern Shaanxi and shows the "qi" of his prose! Not only Lao Ji, Ansai Waist Drum, Shan Mao and Tuofu Tree are real "artistic essays", which are unforgettable to read; Even short essays, such as Fu on Mizhi, Paper-cut in Northern Shaanxi, Looking at the Terracotta Warriors, and Freehand brushwork on Loess, can be prepared artistically. I think, only when "Prose with Charm" is a great success in northern Shaanxi, can "Zhangwa" have no regrets! What's more, he wrote some lyric prose that exposed himself. However, the number of such works is not too large, and the influence is not as great as the above works. Among them, "Tiger Shoes" was written at the earliest, which was the story of wearing tiger shoes for the first time when I was just born with a "full moon". At that time, the narrative "theme" was so small, and the story was purely "heard" and put a lot of effort into "retelling", but it still felt empty and untrue when read; The deliberate prominence of "Tong Ma" (Liu Zhidan's wife Tong Guirong) also weakened the dominant position of "I". Much better than the following "Pressing the sedan chair": It tells an old story when I was six or seven years old-I lost the right to "press the sedan chair" as a boy because I went to my new home with my remarried mother. At the painful moment of being depressed and hurt, a girl named Qin Juan, ten years older than "me", made a wish: when she got married, she promised to invite "me" to press the sedan chair. Later, as promised, I treated a "my" heart disease. The sedan chair is impeccable in style-it can also include tiger-headed shoes and when we are like beads and eggs. They are all autobiographical and childlike (suitable for children and teenagers to read). I think these articles about "childhood" can be regarded as autobiographical essays. Broaden it a little, I think Three Chickens can also be counted in it: it is about his three children, and it is "overlooking" and full of affection. Broadly speaking, On the Ancient Land seems to be inclusive. It is about the interdependent and inseparable relationship between "I" and "mother". Looking up is really an emotional ode to mother! These essays, coupled with the cries of fresh blue and grass, make me feel like Yunfeng, Huohulu, the feeling of laundry, and the affection outside China. , are not so "in place" in artistic expression of deep and true self. He does have some profound understanding. For example, he once said, "Don't forget me"; Which chapter is' I' and which chapter is new! From writing things that belong to me alone (such as those "amorous feelings-verve prose" in northern Shaanxi), he did it; From the perspective of strengthening the consciousness of "self" and expressing the deep humanity of "subject", he has not done enough. This is a little strange. Why is this? I think there are two things that I am afraid of: first, there is a contradiction between "self" and "self" in his mind (as most people who have been educated for 17 years like him do), and he often takes an evasive and downplayed attitude towards "self"; Second, his own life, experience and psychology are very complicated, and some of them are quite "hard to say". Actually, this is not a problem. If we can open the window paper with the courage of "telling the truth" and "painting", his unique "self" mind can better reflect the real life of this era, but it may be outstanding. God-given opportunity, don't give up! Of course, he also has some other essays, some of which are still wonderful, such as Cats, Revelation of Wild Things, Hukou Waterfall and Visiting My Aunt, so I don't need to say much here. (Liu Xiqing, taken from 19991October 5, Literature and Art Daily 1 16) III. Appreciation of Ansai Waist Drum This is a hymn of life and strength. In the article, Ansai waist drum is not only the carrier and symbol of human vitality; It itself is the condensation of human vitality, the most full and thorough performance. In this way, the author will naturally devote all his enthusiasm and pen power to singing and praising. If one song and two praises are hard to achieve incisively and vividly, there are still three songs and three praises. In the author's pen, it is almost impossible to tell which is the form and the content, and which is the object and the subject. The two have truly achieved a seamless unity. Don't take tedious, boring and weak long sentences, but take concise and powerful, crisp and loud short sentences; There are no long and complicated paragraphs, and a few words are self-contained. Parallelism is widely used and has various forms: parallelism within sentences, parallelism between sentences and parallelism between paragraphs, and it can be connected up and down and staggered. It not only directly describes the majestic energy released by this waist drum, but also renders its strange effect from people's feelings, people's associations and the surrounding environment such as mountains and the echo of the earth. From beginning to end, it uses a dynamic description of marching, rather than a static description, so that the movement of the human body and the sound of the waist drum stimulate and dissolve each other in the same tense, and the two are combined into one, and the art forms a whole representing the source of life and the spring of strength. -all these formal pursuits have created a fast pace, blazing atmosphere and overwhelming momentum in the article, which just complements the life force of the person the author wants to praise. Ansai waist drum belongs to the Loess Plateau. Only people who live in this land can create such a miracle and use it to release their inner strength. The writer is from Shaanxi Province. From his description, we can see his infinite yearning and love for the Loess Plateau and Ansai waist drum. Only in this way can he write heartily and beautifully. This article is similar to Qiao Liang's Plateau, My China Color. If Qiao Liang's works are the overall grasp of the Chinese nation's personality characteristics, then Liu Chengzhang's Ansai Waist Drum is to objectify and concretize it. If readers can read these two works together and compare them with each other, they will certainly have a deeper understanding of the true nature of our national character and the expression of its vitality. (Jin Mei, selected from Contemporary Volume of China Prose Appreciation Library, Baihua Literature and Art Publishing House, 1993 edition) Fourth, Ansai waist drum, an appreciation instrument, is often used to create momentum, render atmosphere and express feelings. There are "western" and "national" because of different regions and nationalities, and there are wind music because of different structures and playing methods. Ansai waist drum is a must in the Loess Plateau, and its rough, vigorous and dynamic style is integrated with the local natural environment, geographical features and folk customs. Another point is quite interesting: it is the combination of man and drum, and no musical instrument can require the combination of man and musical instrument to reach such a height. People's performance and musical instrument "performance" are completely blended and complement each other. Therefore, the performance of success is that people borrow the drum potential, drum the power of others, and they are hearty and smooth. The essay "Ansai Waist Drum" just captures this feature of "Ansai Waist Drum" and puts the description of people and drums in the same position. At first, people were quiet, as quiet as pure sorghum. The wind blows the leaves, which shows their quietness. The same is true of drums, which are "dull" and "never seem to ring". Hundreds of drummers on the Loess Plateau with sorghum as the background are destined to have an extraordinary performance! Suddenly broke out and exploded. The author used metaphor to create this magnificent, bold and fierce battle: showers, cyclones, frogs, sparks and tigers. Waist drum has changed people's feelings and aroused people's association, and the highest state of all this is "breaking free"-"bondage", "breaking through"-"fetter", "knocking open"-"blocking". Real poetry needs to be sung repeatedly, which is a tradition since the Book of Songs. Repetition and parallelism are necessary means to create rhythm, render atmosphere and express feelings. It should be reminded that "repetition" is not "repetition", nor is it the simple appearance of the same word, sentence or paragraph more than twice. In Ansai waist drum, every sentence "What Ansai waist drum" has a new feeling, new connotation and new scene. What is an Ansai waist drum determines the basic pitch, color, atmosphere and main spiritual trend for the whole article. No matter how you shake it up and down, how long your hair is, and how you fly, you can't go too far. This is one of the writing routines and the root of the article "this way" rather than "that way". The "spiritual connotation" of this article is also here: "No fetters, no fetters, no obstacles. This is a kind of power to break free, break through and open! "These two closely connected paragraphs are the unchanging souls flowing in all actions, situations and chapters. Every sigh and discussion in the future will never leave it. Please pay attention to the following places: "magnificent passion rumbles ..." In a passage, "the occurrence and relief of labor pains ..." expresses the excitement and pride of the motherland entering a new era after the reform and opening up; " Apart from the Loess Plateau, where there is such a thick soil layer! "It can be understood as a metaphor for the splendid history of the Chinese nation for thousands of years, and it is a solid premise and foundation for the nation to stand on its own feet and strive for greater glory; The appearance of four short paragraphs and short sentences in short paragraphs has played a role in deepening the theme, warming up feelings and enhancing strength. It was quiet at the beginning and "another planet" at the end. This sudden outbreak and sudden stop arrangement is obviously not ingenious. Its direct effect is that the main part becomes more fiery, lively and imposing because of the silence at the beginning and end. The connotation of "Ansai waist drum" is extremely rich, but different people can have different understandings of "endless poetry". Feel the rhythm, momentum, color, youthful vitality and the pure pleasure of reading. References:

This is an article praising the stirring life and majestic power.