Traditional Culture Encyclopedia - Photography major - Tips for group portrait photography
Tips for group portrait photography
Tips for group portrait photography 1. Small aperture and continuous shooting mode.
When taking a group photo, in order to ensure that everyone's face is clear and sharp, don't forget to narrow the aperture, you can try shooting with F8- 13, otherwise the aperture is too large, which may blur some people's faces.
Once again, continuous shooting mode is recommended, because many people will inevitably encounter blinking, improper movements or weird facial expressions. So you can choose the perfect one as the result after shooting. If unfortunately there is no "perfection", at least "matter" can be spelled "perfection"!
2. Pay attention to the height difference between the characters.
This is the most basic composition method in group portrait shooting, especially when shooting family portraits. If you find that your children are about the same height and your parents are much taller, try the standing posture in the above picture to make the shooting look more natural and relaxed.
In the case that the height of the subject is not much different, if you can stand on the uneven ground such as stairs and slopes, you can of course achieve the effect relatively simply. If you stand on the flat ground to shoot, please squat or squat in the front row if necessary, so that the tall man standing behind can also show his full face.
Before you press the shutter, you'd better scan it again to see if you can see everyone's face.
3. Let the subject naturally put down the performance.
If the group photo in the queue feels dull, the natural and open composition is certainly a good choice, but it will test the photographer's guiding ability. If you meet people who like to try different shooting styles, photographers can use all their imaginations, break away from the shackles of tradition, and set up scenes for everyone to run to the camera, jump on the beach, walk home after school, brainstorm in group meetings and so on.
Pay attention to the light
In the light part, if shooting outdoors, it is best to avoid shooting in an environment with very strong sunlight. On the one hand, it is easy to leave unnatural shadows on people's faces, on the other hand, it is easy to make the subject feel tired or heatstroke when the temperature is high.
If shooting indoors, inexperienced friends may choose to set up a shed lamp, but this will often lead to the result that people close to the lamp are too bright and those farthest from the lamp are too dark. There are also some novices who stand the lamp too close to the subject, causing someone's shadow to be reflected on the person next door. When shooting indoor group portraits, if you want to use shed lights, please use more than one to ensure that the light on everyone is uniform. Furthermore, the position of the shed lamp should be placed near the camera and keep a certain distance from the subject.
5. Let everyone look familiar.
When taking a group photo, there is often a state of "giving and receiving", which may be better in family photos, but such an "embarrassing" feeling often occurs when taking a group photo of a company unit or a student. At first, everyone stood together and stood very open, which made the picture look loose and had no sense of team. In this case, as a photographer, you need to speak and coordinate. If you have enough time, you may be able to reduce the embarrassment among photographers through some simple group games before shooting.
6. Show the photographer's confidence and professionalism
It's normal for many people to get together to take pictures, and it's normal for chaos to occur. At this time, the photographer should show your confidence, control the scene with a professional eye, and tell everyone how to stand, where to stand, who to change positions with, who to go forward, and so on. And guide everyone into the shooting state, which also saves them time to argue.
7. Use triangle composition skills
Triangular composition is a common composition criterion in photographic painting composition, which is not only useful in shooting objects, but also very practical in group portraits. The triangle formed by the face of the employer or the posture of the employer is a reference structure.
8. Vividness of holding the ball
When taking a group photo, trying some dynamic postures can really make the photo look vivid, but when pursuing natural dynamics, don't forget to consider safety factors, especially when the subject has children. If some movements are difficult for children, it may not only cause strange picture effects (children's expressions are uncomfortable, etc.). ), and even cause harm.
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