What's the next sentence of Hai Wu Han Xian Shan?

The next sentence of the sea fog and the cold fairy mountain: Call Huaner half asleep and half awake.

The next sentence of the sea fog and the cold fairy mountain: Call Huaner half asleep and half awake. Title of the poem: Lilac Knots Yizeshang Begonia. Real name: Wu Wenying. Posthumous title: Li Shangyin, Wu Mengchuang. Font size: Junte is the dream window, and the old age is the sleep Weng. Time: Song Dynasty. Ethnic group: Han nationality. Place of birth: Siming (now Ningbo, Zhejiang). Date of birth: about 1200. Time of death: about 1260. Main works: Three Crimes of Crossing the River, Wind Entering the Pine, Huanxisha, Jie Lianhuan, Jie Lianhuan, etc. Main achievements: the famous recluse poet in Southern Song Dynasty.

We will give you a detailed introduction of "Sea Fog and Cold Fairy Mountain" from the following aspects:

First, the full text of "Lilac Jieyi Ze Shang Begonia" Click here to view the details of "Lilac Jieyi Ze Shang Begonia"

The red shadow is higher than the silver candle.

I used to swim at night and get drunk. Wen Qiong is tired of brocade.

Yan and Wen Xue were stunned and the court was overturned. After Ma Si left,

In the autumn wind, in the dream of my hometown. Wu Shuang Rong Xiao,

Steal the meaning of spring flowers with a deep sleep. Not bad.

The sea fog in the fairy mountain is cold, and Huaner is half asleep and half awake.

Shallow lips, blushing,

When you hurt yourself. The moon hung coldly outside the curtain,

Swing towards the sun. With Chun Qing constantly,

I still miss my eldest son.

Two. notes

Sleep: One is "sunny day".

Cold: one is "like".

Lips: One is "insult".

Cold hanging curtain outside the moon: a book with "light" instead of "cold"

Day: One book is Li.

Zi: There is a book called Zi.

Third, Wu Wenying's other poems.

Looking for wine since the 9th near Langtaosha, Ruihe County, Zhu Yingtai, beginning of spring, except for the night, the wind is loose and the water is hidden. Fourth, appreciate

"Lilac knot", the epigraph name, is named after Li Shangyin's poem "A banana does not show a lilac knot". Double tone, ninety-nine words. The first part has nine sentences and five rhymes; Ten sentences and five rhymes in the back film.

"Fragrant fragrance" is translated into Li Shangyin's poem "When guests wake up in the middle of the night, they will still enjoy the residual flowers and red candles". The word "Zeng" points out that this is a reminiscence of night trips to begonia flowers. The poet recalled that once he was drunk at night, once he went to the garden to see the red begonia in the evening with a high silver candlestick. I saw the crabapple tree swaying in the candlelight, and the aroma of red flowers all over the tree was intoxicating. "Drunk" is not only drunk, but also drunk by flowers. The word "Zheng Jinwen" carries forward the past and then remembers the past. It is said that in the flowering days of begonia, the host used brocade barriers to protect begonia. Due to effective measures, begonia bloomed more luxuriantly. The poet said: I have also seen Yan Er interspersed among white flowers such as pear trees. Because it is natural, the white petals are knocked off by Yan 'er one by one, covering the steps in front of the court. After two comparisons, it can be seen that the owner has a special liking for begonia flowers. "Ma Si" two sentences, return to reality. It is said that the autumn wind invaded the skin, awakened the poet who saw Fujian in his dream and found himself still in the garden of his former residence. Wu Shuang said that the autumn frost of Wu came to this ancient garden with the dawn, which made the poet's mind more sober. Only then did he know that the flower viewing in the garden just now was just his love for Huameng.

"Still like" six sentences, using people as a metaphor for flowers. "Huaner", Yang Yuhuan, this word is too real. Poetic personification uses the artistic conception of Bai Juyi's poem "Song of Eternal Sorrow": "Then he heard a narrative about a charming island on the sea, which is a part of the invisible world, and exquisite immortals move back and forth, and one of them is too real". The begonia flower in front of me seems to be out of place, Yang Yuhuan. As a result, the poet had all kinds of illusions: he seemed to have boarded an illusory fairy island surrounded by sea fog and awakened Yang Yuhuan, who was half asleep and half awake, with a bright smile. I found that Yuhuan raised her lips slightly, as if to tell her life experience at an untimely time. "Outside the curtain" two sentences, write the scenery in reality. The poet said: Looking at the night scene in the garden through the curtain from the room, I saw the pale moon hanging high in the air, and I found that the swing swing swing that my lover had played in the past was still standing there. Seeing things as people, the swing is an old thing that my wife used. Now, although she has left, the poet always thinks of her immediately when he sees the past. This can not help but make people sad. There are many references to swinging in the words of the princess in the dream window, such as "The wind enters the pine": "The wasp frequently pounces on the autumn rope, and then the hand is fragrant." It can be seen that the swing in the garden is real. In the sentence of "Huai", the poet faces the begonia tree, recalling the glorious past and the happy days when he made friends with his lover, adding a thick nostalgia.

Poetry of the same dynasty

General Cao, Xiaqutang, Tengwangge, mistress attacked his wife and complained about the cold, and Tang Meishan's poems were also played as notes, with the title Cherish, abandoned as the value of rice crossing, seeing off guests, exclamations and titles.

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