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The two most classic films, The King's Man and The Soul of Venice, are directed by Italian director luchino visconti, and Nicola Bandaruco and the director are adapted from the novel The Soul of Venice by Nobel Prize in Literature winner and German writer Thomas Mann, which is an artistic film that combines film and literary narrative achievements. Thomas Mann was the Nobel Prize in Literature winner of 1929 and one of the greatest German writers in the 20th century. As a writer, Thomas Mann has more literary aesthetic concepts than ordinary writers, and also has the same personality traits as most artists. His literary works, whether novels, novellas or essays, mostly discuss the viewpoint of "human nature". The film 197 1 adapted from the novel won the 25th anniversary prize of Cannes Film Festival.

Visconti is a famous director in the period of Italian neo-realism. In the process of adapting this novel, he changed Sembach's identity as a writer in the novel and became a composer. The starting point of film narration began when Sembach arrived in Venice. The story is set in the years before the First World War. The German composer Orsenbach came to Venice with the pain of losing his daughter (alluding to the classical composer Mahler), hoping to get a sense of self-cultivation. After arriving in Venice, Orson Bach met Tacchio, a beautiful young man. His face like a Greek statue made Orson Bach lose himself in excitement (based on the extension of Plato's thought). But then Venice was shrouded in cholera, because the official deliberately blocked the news. Although Orsenbach gradually discovered this amazing crisis, he followed the footsteps of Daqiu in order to see Tacchio more, even regardless of his own safety. He didn't want to leave Venice, which was shrouded in plague, and eventually died in Venice because he ate ripe strawberries.

In Visconti's films, poor, backward and low-level human feelings are always presented in black and white images; On the other hand, color image is a rich, elegant and complex expression medium of thoughts and feelings. In addition, in his later films, the concept that human beings are the temporary shadows of the flowing moment of the story and the concept that movies are moving images were added, which made the characters in his later color films almost present the shape of puppets, only part of the movie set, while the images were more static. The lengthy lens and camera tracked slowly from all angles, pushing the "telescopic" lens forward, and the non-action characteristics of the movie characters. Just as they are posing for people to take pictures, the images in the play sit motionless like colorful postcards, allowing the audience's eyes to absorb static images as a whole, thus creating the ultimate idea of a pure "beautiful" work. This pursuit of "beauty" was played until the climax of the plot with the help of the adagio movement of Mahler's Fifth Symphony in the soundtrack. abstract

The untouchable artists Kong Ji and Changsheng were originally jugglers in the market. The monitor sold Kong Ji to the squire's master, and Brother Changsheng tried his best to rescue him. After being intercepted, the monitor tried to break Chang Sheng's leg, and Kong Ji stabbed the monitor in the back at the crucial moment. The monitor died, and Kong Ji and Changsheng had to flee to Hanyang.

Changsheng and Kong Ji began to perform comedies satirizing King Yanshan and Zhang Lvshui in the street. They were all very popular and were arrested by the eunuch Chu Shan for disrespecting the king. When they were punished with sticks, they were fearless, loudly reprimanded the officials for being fatuous and asked them to perform in front of the king, and they were allowed. They couldn't make the king laugh during the performance, but Kong Ji, who has always been gentle, used his quick wits to make the king laugh. They were immediately entertained by the king in the palace, and Kong Ji was favored by the king for her beauty.

However, the minister let them take the opportunity to constantly remonstrate with Wang Jin. Soon, they rehearsed a scene in which harem women killed each other because of jealousy. Unexpectedly, Yanshan remembered that his biological mother was poisoned by jealousy and immediately killed two Harlem. So there was a rumor in the palace that the player lured the king to kill. Two ministers tried to shoot Kong Ji in the name of hunting, and Changsheng rescued him in time. Wang also rushed to the scene and killed the minister on the spot.

Then, Zhang Lvshui cooperated with Nei Gong and forged Kong Ji Notes to defame Yanshan and Green Water. In order to stop the killing of Yanshan Mountain, Changsheng admitted that he was the author of the libel book ... Changsheng angrily accused Wang of playing with women enough and turned his eyes to men ... Outside the prison gate, Kong Ji listened to his brother's story, and tears fell down ... Kong Ji cut his wrist with his favorite brother. Rescue ... The rebels broke into the palace, and Kong Ji and his brother performed a play for themselves. At the moment when the palace door opened, they struggled on the rope and jumped into the air, and the film ended. ......

[Summary]

First performance, risk your life.

During the reign of Wang Jun, the 10th king of North Korea, the tyrant Yanshan was ignorant, which led to rampant corrupt officials and miserable people. Masked dancer Zhang Sheng (Woo-seong Kam) could not bear to be fooled by the people around him, and went to Hanyang with his good friend Kong Ji (LEE JOON GI) to seek development. Because of their extraordinary talents, their dance dramas satirizing Yan Shanjun (Jin-yeong Jeong) and his concubine Green Water (Jiang Chengyan) are very popular. The performance was an unprecedented success, but it was dragged to the Forbidden City for playing Yan Shanjun.

The second performance is to gamble if you want to live.

"If the king laughs at our performance, we are not making fun of you." "If the king doesn't laugh, you will be put to death." The promise of longevity and rhetoric made Yan Shanjun laugh, but when it came to the performance, nervous emotions affected his play and he could never make Yan Shanjun laugh. At this time, Kong Ji, a young and gentle student, used his quick wits and performed his unique funny stunt, which made Yan Shanjun laugh. Yan Shanjun was very satisfied with their performance and decided to leave them in the "Happy Paradise" where masked dancers lived in the palace.

The third performance, gambling for the dead.

They were very excited when they entered the palace. During the performance, he also performed a dance drama satirizing corrupt officials, which made Yan Shanjun very happy. However, Yan Shanjun found that a minister watching the performance didn't laugh, so he called the minister a corrupt official and punished him. At this time of the performance, the atmosphere was particularly tense. After that, they rehearsed a scene in which harem women killed each other because of jealousy. Unexpectedly, this reminds Yanshan of his birth mother, who was given death by my late king because of jealousy. The angry Yanshan killed two women of the late king on the spot! Every performance turned the scene into a sea of blood. Zhang Sheng, who has lost interest in acting, wants to leave the palace. But Kong Ji doesn't know why he wants to stay. In order to get rid of the masked dancers, some traitors began their plot, and the green water, which is usually jealous of Kong Ji Zhangsheng's favorite princess, also began her plot plan ...

[Highlights]

Reasons for Paying Attention to The King's Man

1. The power of orthodox historical drama

The gorgeous historical drama The King's Man describes the heroes' ambitions in detail, breaks through the fields of history and novels, and is more suitable for modern people's tastes. In the film, the historical figures Yan Shanjun and Green Water, who often appear in TV series, are not portrayed as out-and-out tyrants and temptresses, but show their hidden inner loneliness and pain to the fullest.

In addition, some words of LEE JOON GI's role in the play, Kong Ji, are completely based on the original words in historical documents, so it more truly depicts the image of Kong Ji.

2. The king's performance only in the Korean era.

The film "The Man of the King" does not portray the image of the supreme power holder or the hero of the times like other films, but deduces a life that can change the established destiny into a happy road, that is, the protagonist masked dancer in the film. These people perform because they like it and live for it. They have nothing, so they have nothing to lose. If they do it again, they will still choose masked dancers instead of Wang.

3. The secret of a happy paradise, one story after another.

The power center of the country in the Korean era, politics and conspiracy coexisted, and the Korean court. The film "The King's Man" reveals the darkness behind the gorgeous court through the interpretation of masked dancers. Behind the power struggle is just the search for freedom. Masked dancers don't care about things in the palace.

The desire for freedom and persistence in rights are accompanied by life, and the conflict between nature and desire is perfectly interpreted through the historical drama The King's Man.

4. The perfect transformation of actors, forget the image of the past and pay attention to the "new actors" in the Korean era.

With gentle but firm eyes and strong attraction, Woo-seong Kam's participation in this film is his first time to play the role of a historical figure. In order to express Zhang Sheng's image as a masked dancer, all the potentials that have never been shown before have been tapped. Moreover, in order to reflect the authenticity of masked dancers, Woo-seong Kam also conducted a lot of special training. LEE JOON GI vividly depicts the image of the neutral character Kong Ji.

[About movies

"Feel with your eyes, see with your heart", the shocking charm of historical drama.

Recently, represented by Dae Jang Geum, historical dramas are more popular than ever. The film "The King's Man" is based on the Yanshan Dynasty in the Korean period, which created a masked dancer who was rarely asked by people and showed the creativity of the film. Watching the wonderful performance of the masked dancer who plays Yan Shanjun seems to let the audience vent a kind of pressure. Wang, who has everything, also envies the masked dancer who has freedom, which also expresses our yearning for freedom in real life.

The freedom that urbanites yearn for the most is interpreted by historical dramas, and the film "The Man of the Kings" will leave a deep impression on people's memory.

Introduction to the original play "II"

The film "The Man of the King" is adapted from the stage play "II". This stage play has won many honors in Korea. The play tells the story of Kong Ji, a masked dancer, who lost her essence because she was addicted to power and money, and then tried to find her original self.