Complete list of girl names surnamed Mo 2022, elegant girl names surnamed Mo

Comprehensive list of girls’ names surnamed Mo 2022

Introduction

On March 6, the “2022 Annual Competition” was directed and hosted by the Department of Radio and Television and TV Drama and co-organized by Shanghai Radio and Television Station TV Drama Script Support and Guidance Project Seminar” in Shanghai. At the seminar, "Heroes of Longyuan", "Big River", "New Year after Year", "Mother's River on the Grassland", "That City, This Family", "The Story of Police", "Aiming" and "We Are All a Family" "" and other 8 supported dramas' creative representatives shared their respective creative processes and experiences.

Producer of "The Legend of Longyuan Heroes": Adhere to the center-centered creative orientation

"The Legend of Longyuan Heroes" is a TV series with modern themes, mainly It tells the story of the "Mountain Battle" that took place in Huan County, Qingyang City, Gansu Province in November 1936. This battle was one of the major battles after the three main forces of the Red Army joined forces. It was also the final battle between the Red March and the end of the Second Civil War. This battle precipitated the Xi'an Incident and promoted the realization of the united front. It is of great significance in the history of the party and the military.

During the script creation process, the creative team carried out rich and solid practical activities, conducted in-depth research in many places, integrated into the daily life of local people, went to the fields, consulted a large number of historical documents, and communicated with local writers and Experts on party history held discussions, and it took eight years to polish the script.

The script adheres to the center-centered creative orientation, focusing on presenting the story of the people’s selfless support in the old district under the background of the Battle of Shanshan, under the conditions of lack of food and clothing and extremely difficult life, and treats food and supply issues as the story The main line breaks out of the past convention of writing about war, achieves the combination of history and heroes, and fills in the blanks for historical themes.

"The Legend of Longyuan Heroes" has four main creative features: one is the major theme, which clearly shapes the portraits of the heroes of the Red Army and eulogizes the major sacrifices and contributions to China at critical moments; The second is a unique perspective, making new explorations of historical themes in artistic creation and expression, using small incisions to present large scenes, and reflecting China's sacrifices and interests from the perspective of war supplies and logistical support, and from the perspective of the grassroots. And the sense of purpose and historical responsibility of struggle; the third is the touching plot, focusing on the shaping of characters and the display of heroic feelings; the fourth is the concise narrative and complete story form.

"Dajiang Dahe" producer Hou Hongliang: Insisting on telling good stories as the core of creation

"Dajiang Dahe" is based on Anai's novel "Dajiang Dahe". Adapted from "Jiangdong Goes". In the play, the three characters Song Yunhui, Lei Dongbao and Yang Xun respectively represent three different economic forms: state-owned economy, collective economy and individual economy, including Liang Sishen, who will appear in the second season and represents foreign capital. The play closely combines the fate of ordinary people with the changes of the times. Through the struggle experiences of these characters, it expresses China's great historical process, reflecting changes in the fields of economy, life and other fields since 1978, as well as changes in people's mental outlook. .

The main creative staff insists on telling good stories as the core of creation, and strives to restore the true history so that people of different ages can understand and be touched. Noon Sunshine is based on promoting mainstream values, and also hopes that its works will be accepted by the mainstream market, making the main theme TV series interesting and meaningful. The screenwriter made innovations and breakthroughs in the script from four levels:

First, based on the original work, the screenwriter made an adaptation to make the characters in the play more vivid, three-dimensional and more powerful. For example, Song Yunhui is relatively reserved, and most of his lines in the first half are short sentences; Yang Xun is a small businessman, and his character's language reflects the characteristics of being eloquent.

The second is to pay attention to life and scene details. The screenwriters consulted a large amount of relevant information and materials, sought truth and truth, and strived to properly handle the relationship between the themes of the times and life-oriented expressions, and accurately display the sense of the times.

The third is the spirit of persistence. "Seek truth from facts" is the ideological connotation throughout the play. The creative team insists on sincerity and sincerity in script creation, and does not avoid the weaknesses of human nature or the contradictions of the times. Reproduce the environment with the texture of the era during shooting and enhance the sense of substitution.

The fourth is to move in the direction of light. "Dajiang Dahe" is not only a true restoration of the past era, but also conveys the spirit of continuous struggle and struggle to pursue dreams in that era, allowing us to think more about today and move forward.

The creative team expanded the audience by selecting well-known actors and innovative publicity methods. The play was widely praised after being broadcast on satellite TV and the Internet. Director Mao Yu condensed the successful experience of the play into "seven good things": good schedule, good theme, good story, good characters, good actors, good texture, and good cooperation.

"New Year and Another Year" producer Sun Jin: Discover big feelings and positive energy from small characters

"New Year and Another Year" "Years" is a modern urban-themed TV series that reflects the changes in national life over the past forty years by telling the stories of several generations of typical families in Hutongs. The play was written since the resumption of the college entrance examination in 1978 and continues to the present.

The play spans a wide period of time, and the play focuses on group portraits, involving various groups of people such as university teachers, businessmen, and farmers. Most of the protagonists are people who dare to be the first in the trend of the times without losing themselves or losing their traditional virtues.

During the creation process, the main creative staff conducted solid character interviews, including in-depth interviews with people of different ages such as those born in the 1980s and 1990s, as well as people from different professions such as school professors, publishing houses, and self-employed people, in order to This insight captures the changes in lifestyles and values ??of generations over the past forty years, discovers the great feelings and positive energy of small characters, and then refines and condenses them into the story of several families and generations in the script.

In order to create a forty-year style and more realistic characters, the drama highlights daily, people-friendly and life-oriented narrative techniques, promotes traditional Chinese virtues, and pays attention to emotional authenticity and Sense of reproduction; pursuing authenticity, simplicity and nature in art, the shooting process strives to restore the sense of time, from the selection of scenes to the color of the curtains in the set.

Li Yang, the main creative representative of "The River of the Mother of the Grassland": Portrait of the times, a biography of the times

"The River of the Mother of the Grassland" is one of the contemporary works The TV series tells the story of four brothers and sisters from a family surnamed Mo in the city in the 1960s. Under the arrangement of fate, they went to the countryside and went to the prairie one after another. After many twists and turns, they accidentally joined the Wulan Muqi team, and finally became the national champion in 1980. The story of a handful of people reunited in Hohhot after a cultural performance.

On November 21, 2022, he wrote back to encourage the members of the Ulan Muqi to vigorously carry forward the fine traditions of the Ulan Muqi and always be the "Red Literary Light Cavalry" on the grassland. The play has a unique perspective. Through the background clue of Wulan Muqi, it not only fully and truly restores Wulan Muqi's classic songs and dances, but also the life style and background of the grassland from the late 1960s to the new millennium. It has high artistic value, while conveying the voice and care of the party and spreading the spirit of the times.

The play uses small cuts to reflect big themes, small characters present the big era, and small stories show the big picture. It objectively observes and praises Inner Mongolia through the eyes of three Han people, trying to understand the life of that era. The capture of details shows the positive attitude of different people, especially young people, in facing hardships and hardships, and the brotherhood of mutual support among people from different regions and different identities.

The main creative staff insists on "going deep into life and taking root" and has visited prairie and agricultural and pastoral areas many times to collect stories and experience life. During the creation, the play adopts a multi-viewpoint parallel narrative method to structure the script, attaches great importance to the inner portrayal of the characters, and uses four scenes of "Winter, Spring, Summer, and Autumn" to express the psychological and emotional changes of different characters in different stages, reflecting the complementarity of Mongolian and Chinese cultures and the construction of China. ***The ideological and cultural connotation of the same body.

Xiao Ning, producer and producer of "That City, This Family": Create with heart, emotion and hard work

Narration of "That City, This Family" In the context of Tangshan in 1976, this story tells the story of a family of nine people, with seven surnames, supporting each other, overcoming difficulties, and rebuilding their homeland over the past forty years.

The main creative staff insists on stepping out of themselves and books to find inspiration among the masses. Feel the charm of Tangshan through on-the-spot interviews, and get in-depth story materials from photojournalists who were active during the Tongda era. Fully explore prototype stories in script creation, integrate the life experiences of ordinary people, use artistic techniques to deeply process the characters and reconstruct relationships, use emotional clues to promote realism, and reflect the description from story to characters to human nature. , thus showing a deep feeling.

"That City, This Family" uses small pieces to compose the big one. It not only reflects the material and spiritual reconstruction of a city, but also shows the historical process of the Chinese people's struggle for forty years. The responsibilities it assumes, the correct values ??it leads, and the positive energy it promotes constitute the "upright" background of this drama. In addition, the play is not limited to the presentation of the coal industry, but also adds elements of different professions to show the life choices of different professional groups in the context of the times.

"That City, This Family" also innovates in subject matter. It breaks away from the traditional creation routine of disaster themes. It does not recreate tragic moments or expose the trauma left by history. Instead, it uses the narrative technique of life flow to allow the audience to see the brilliance of humanity in the face of cruel disasters and " Suffering” twists to “healing”.

During the filming process, the main creative team followed the requirements of "being good at observing, discerning, capturing the pain and suffering of life, and conveying light and hope in contradictions and difficulties" and created with heart, emotion and study. . Through local visits, the crew working on their own, and with the help of local people, we insist on authentic restoration of the scenes, props, and shapes, and strive to see the passage of time and the changes of the times in every small detail.

"That City, This Family" has achieved good results and received a good reputation from the audience after it was broadcast, explaining that integrity and innovation must be reflected and performed by the joys, sorrows and joys of small characters.

"Police Story" producer Xu Dan: Innovate perspectives to create dramas that the masses love to see

"Police Story" is a celebration of A contemporary crime drama dedicated to the 70th anniversary of the founding of the People's Republic of China.

The play adopts a new perspective, uses service police as the carrier, and maintains peace and promotes construction as the main line. It describes the work and life of a group of people including police officer Wang Hu and female police officer Zhang Buwei at the grassroots police level in Huhe City.

In order to create a good script, the main creative staff visited 110 police stations in Shijiazhuang City, Hebei Province, personally participated in and experienced all aspects of the work and life of grassroots police officers, had in-depth interactions with the police officers, and developed the script based on real stories At the same time, in order to avoid making it a running story, clues to major cases were hidden in the daily life of police officers, and one major case was used to connect the entire drama.

The drama breaks away from the presentation of heroes with facial makeup in previous TV dramas, focusing on the grassroots, following the front line in creation, and the unremitting efforts and hard work of police officers to protect the good life of the masses. The protagonist's activities in the play highlight the new image of police officers in the new era of "loyalty to the party, service, impartiality in law enforcement, and strict discipline", and express the confusion in the system, police-citizen relations, and grassroots law enforcement in the new era.

Yang Yang, chief producer of "Aiming": Based on the new era, explore new paths for the creation of the main theme

"Aiming" is a celebration of the 70th anniversary of the founding of New China Anniversary tribute to contemporary dramas on other themes. The play is based on a real historical background. By telling a thrilling story of a battle of wits and courage between two hands, the play shows from the character setting, storyline and the final fate of the characters: the victory of New China is The inevitable result of justice, China is China's hope and future. Only talent can save China, which also proves that no matter how powerful evil is, it cannot defeat the power of justice and the power of justice.

From story planning, technical demonstration, life experience, to repeated revision and polishing of the script, the creation process of "Aiming" lasted seven years, reflecting the "craftsman spirit" of creation. The main creative team has traveled to Shanghai, Zhejiang, Hunan and other places for in-depth research. They have accumulated materials through various forms such as extensive collection of historical materials, life experiences, interviews with historical witnesses, and creative seminars, and have boldly tried to change the time and space narrative style.

In terms of artistic creation, the play is based on the specific professional technology of "", incorporating a large number of technical details, and presenting fierce gunfight actions. At the same time, "Aim" abandons the inertial thinking of previous spy drama creations and boldly innovates. It sets the background of the story in a peaceful environment to distinguish it from other "war hand" works, and sets the protagonist as a human being to distinguish it from the past. War or espionage themed works.

In addition, during the filming process, the crew used advanced filming technology and was committed to improving the industrialization level of TV series.

"We Are All Family" Screenwriter Jing Yi: Creating a masterpiece that reflects integration and the spirit of the times

"We Are All Family" is the 2022 radio and television broadcast -One of the 100 key TV dramas in 2022. The drama is named after the important speech made during the inspection of Yunnan, "Everyone in China is one family, and every family must live a good life." It mainly tells the story of a few compatriots who have emerged from the epidemic in the past forty years. A story about a border village, entering entrepreneurial life in a coastal city, interacting with each other in a multicultural environment, and becoming a family.

During the script creation stage, the screenwriter actually went deep into life for practice. Since 1998, he has visited more than a dozen cities and interviewed hundreds of people who had gone to work and start businesses in the cities, deeply taking the root of creation into among.

The play focuses on the parallel expression of minority characters and Han characters in the same cultural environment. It does not deliberately exaggerate the differences and cultural elements that separate the characters. It only emphasizes the relationship between the characters in the plot and focuses on Showing the emotional resonance of the characters, it reflects that works with current themes are changing from general narratives of unity to expressions of interaction and transformation, embodying the spirit, the spirit of the times and "interaction" of "building a solid Chinese consciousness of unity", the spirit of the times and "interaction" characteristics of the new era.

In terms of production and broadcasting, "We Are One Family" has innovated and cooperated with Tencent Pictures to propose a new concept of "Internet + 56". In addition, the crew paid full attention to the ideological construction of the main creative team and established a temporary party branch during the filming. Branch members often communicated about creative ideas and plot content.

Rotating editor: Lu Yanmei

Post-editor: Shen Yating

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