Traditional Culture Encyclopedia - Photography major - How to evaluate photographer Tang Hui's portrait photography and its structure?
How to evaluate photographer Tang Hui's portrait photography and its structure?
The creative composition in portrait photography depends not only on the combination of picture elements when the photographer takes pictures, but also on the change of model posture.
For example, the photographer asked the model to erect his legs to focus on depicting the slender lines of the characters' legs. The model's head leans back and her body is supported by her hips, head and arms. This shape was born because the photographer wanted to show the beauty and characteristics of a certain part of the model's body alone. Pose modeling of this model is rarely seen in life, and it can give viewers a brand-new visual experience, so it is often used in the pursuit of novelty fashion photography.
Second, the creative composition of putting characters on the edge of the picture
There is no fixed composition, and the classical composition rule is to put the subject at the four intersections of the trisection. But composition, after all, serves the theme of the photo. When photos want to convey special emotions and artistic conception, the arrangement of subject position is changeable.
For example, the photographer puts the characters in the lower right corner of the picture, and the characters also adopt a meditation style that is contrary to the routine. This composition method, which puts the subject on the edge of the picture, is conducive to expressing the feelings of "alienation" and "depression" and has a good application effect in portrait photography.
3. Frame combination composed of loose elements
Photographers use the viewfinder as a creative platform for composition. Among them, there is a way of expression that can better highlight the main body of picture composition. Ordinary frame composition often needs frame elements such as window frames and iron frames as the foreground. When these elements are missing in the photographic scene, the photographer can use some loose individual elements in the ordinary scene and organize them by using the changes of shooting angle and model position.
Fourthly, the gap effect is produced by foreground occlusion.
Foreground is not just a balanced painting. In addition to setting off the characters, sometimes special treatment can be carried out to create unconventional performance effects.
For example, the car mirror can be used as the foreground, and the large aperture can be used to blur the mirror that blocks people. The foreground is fuzzy and difficult to distinguish, but it can better highlight the main body of the character and make the photo show the special effect of observing the character from the gap. This application of foreground ignores its own characteristics, and people can be better represented by blurring when shooting.
Fifth, highlight the creative cutting of characters' eyes.
Portrait photography is forbidden to cut characters, especially their faces, because improper cutting will destroy the integrity of the characters and make the beauty of the characters in the picture lose.
However, if the photographer can make good use of the cutting method and framing range of painting, he can still focus on the eyes and eyes of the characters through their faces. Although the face of the character is not complete in the painting, the beautiful appearance and fresh temperament of the character have been well displayed. Especially the eyes of the characters in the picture are unforgettable, and the performance effect has been enhanced unprecedentedly.
Sixth, creative tailoring, highlighting the feelings of characters.
In portrait photography, we should carefully cut people's faces and bodies. However, some photographers cut into the face and body of the characters from the central axis, which destroyed the integrity of the characters and strengthened the expression of their emotions in the picture.
The eyes of the characters are located at the edge of the picture, and there is no room for the picture in the line of sight. This kind of expression technique breaks the tradition that characters leave blank space in sight. Composition serves the theme of the photo. When a photographer wants people to express a special emotion, such as loss. When you are depressed or depressed, you can use a composition method that is contrary to the traditional theory, such as not reserving any extra space in the line of sight.
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