Bing Jun said "ice"

From the third year of Hongwu in Ming Dynasty (1370) to the fifteenth year of Yongle (14 17), Liu Zhuang was also north of Jinshui.

In the first year of Qianlong reign in the Qing Dynasty, the Eight Ancestors forbade Yong Xuan and Yong Huan to determine that the words "soldier, repairman and defender" were written by the Sixteenth Generation. Laozi, Zhuangzi, Changzhi, Su Zizhi and Sanzhi all used "Bing" (Dayuan and Sanzhi used "Xiu"; Zhongzipo and Daozhuang use "dimension"). "Catch" means "a handful of rice", which means a handful of rice. Xiaoya: "He has a legacy." Extended to "hold": if writing a straight book, Bai Juyi said, "Hold the ear in your right hand and hang the basket in your left arm." ; It also extended the duties of "in charge and presiding": such as grasping the country, governing the country, and handling it impartially; Pass on the "handle": authority, "Guan Zi": "Governing the country without losing the handle." . Therefore, "grasping" is neither an excuse for "C" nor an excuse for "bing", nor a traditional one, nor a variant, nor a so-called capitalization. "Grasping" as the handle of "C" and "C" is a fallacy.

Since the source is clear, it should be written neatly. Hereby, I accept the words for the study of kindred lovers.

Evonne (1082- 1 135), the emperor of the northern song dynasty, was the first emperor with dazzling calligraphy and painting. His calligraphy thought that "the book is expensive but thin and hard", and his brushwork originated from Xue in the early Tang Dynasty. His brushwork is mainly corpus luteum, and he also incorporates the meticulous brushwork of college painting, creating a unique style of "thin gold body" in regular script. His brushwork is thin and elastic, sharp and sharp, cadence, cadence, quite beautiful and free and easy, and has a comfortable calligraphy style.

Check the world standard (16 15- 1698), the word is good, he is a lazy old man. Xin 'an (now Xiuning, Anhui) was a scholar in the late Ming Dynasty, a famous painter, calligrapher and poet in the early Qing Dynasty. His calligraphy style is elegant and easy to escape. He studied under Dong Qichang, lived in a secluded place near Mi Fei, and was also good at writing poems. He wrote "Poems of the Book God Hall".

Zheng (1860 ~ 1938), a native of Minhou, Fujian, was born in the eighth year of Guangxu in the Qing Dynasty. His calligraphy works are regular script and official script, especially regular script, which is based on Ou Yangxun and Su Shi and thanks to the inscriptions in the Northern Wei Dynasty. His words are long and vigorous, and he is one of the calligraphers with great personality characteristics in modern times, forming a clean, vigorous and concise style. He is the author of Bank of Communications.

Yu Youren (1879- 1964), a native of Sanyuan, Shaanxi Province, was originally named Bo Xun, whose word was attractive, and was later named after "attractive" homonym "Right Ren"; Don't report "coquettish heart" and "beard Weng" In his later years, he was named "Old Taiping Man", a modern calligrapher in China. Its cursive script is the inheritance and strengthening of Huai Su grass, which solves the commemorative problem of grass and is a master of painting a monument into grass. His cursive pen is purely centered, with long and thin lines (especially much thinner than his regular script) and rounded like regular script, which is obviously the result of his deep understanding of Wei Bei. The significance of his cursive script lies in that he was the first to integrate Weibei with Xiaocaoshu, which opened up a new realm for the study of steles and a new road for later generations, so that later generations of stele scholars avoided many blind explorations and became masters of stele studies in the 20th century.

(1937 -2005), ZiShuan,No. Haicun, was called Liu Mr.five. His traditional skill is profound, and his calligraphy art is famous for its official script and regular script, which is long and thick. Calligraphy style is heavy, steady and handsome. On the basis of solid traditional skills, Li Fa gave full play to his creativity, combined with modern aesthetic consciousness, some rhythms and interests of sister art and literary accomplishment, and formed a distinctive personal style, which is unique in contemporary China book circles and is known as "Li Shu of Liu Ti".

Zhao Jiaxi (1948-), a native of Ye County, Shandong Province (now Laizhou City), loved poetry, music, epigraphy and calligraphy since childhood, especially calligraphy, and studied under Kang Bofan and Dong successively. Good at regular script, cursive script and Han Li. Regular script adopts the method of Jin and Tang dynasties, mainly Yan and Europe, and dates back to Sui and Tang dynasties. The method is rigorous, clear and beautiful, and innovative; Walking in the grass is like learning from the "two kings", close to the schools of Song, Yuan, Mi, Huang, Zhao and Wen, and pays attention to the impression and echo between stippling, which is vigorous and elegant.

Ai, the word, is the master of slow-paced Zhai. Senior middle school teacher, researcher of the Classroom Teaching Branch of the National Chinese Language Society, director of the academic committee, and author of the TV series Copywriting. He loved calligraphy since childhood, first learned from the law, then loved the two kings, and then became obsessed with cursive writing. He successively studied under Zhang Xu, Huai Su, Mi Fei and Sun. In 2007, he learned from his teacher and edited Fu Zi's Poems of Wang Yuyang, a cursive script written by Jin Gyeong.

Sun, a post-Liucun native, loved calligraphy since childhood. He never stopped studying ancient calligraphy, engaged in small script work, and studied under Dr. Zhong Taifu, the originator of regular script. He used to teach in Liu Hou school, which had a far-reaching impact on the standardized writing of children in Liu Hou.

Liu Bingjun, whose name is Hai Ting, was named Chunyu Jushi. He loved classical Chinese since childhood and is now studying literary creation, calligraphy and photography. My poor local prose and advocacy news are often seen in national, provincial, city and county newspapers and magazines. Good reading, not asking for a solution; Good advocacy, irrelevant; Show off, take great pains.

Is to remember.

(Hanyuanxuan 20 18 12 14 Yin Shi)