Traditional Culture Encyclopedia - Photography major - Where is Wei Kemin from?

Where is Wei Kemin from?

Wei kemin

Wei Kemin, male, pen name Zhu Xiao, is not the owner of Ning Bixuan. Born in September, 1947, university culture. I used to be a teacher and a civil servant, but now I'm retired. Graduated from China Calligraphy Association Training Center Gao Yanban, Zhang Rongqing Calligraphy Art Studio, China Academy of Fine Arts doctoral tutor and Tsinghua Academy of Fine Arts Qian Shoukuan Calligraphy Studio. He is currently a member of China Calligraphers Association, artistic director of Beijing Pengsheng Jinhui Auction Co., Ltd., researcher of China National Painting and Calligraphy Research Institute, deputy director of Jiangsu Federation of Literary and Art Circles Painting and Calligraphy Research Center, deputy director of Baoding Painting Academy, and chairman of Lixian Calligraphy Association of Hebei Province. Representative works: Jiangsu Calligraphy and Painting Research/Calligraphy Master/Wei Kemin Album, etc.

Chinese name: Wei Kemin

Alias: Master Zhu Xiao and Ning Bixuan.

Nationality: China.

Ethnic group: Han nationality

Place of Birth: Lixian County, Hebei Province

Date of birth:1September, 947

Occupation: calligrapher

Representative Works: "Selected Classic Works of China Contemporary Painting and Calligraphy Masters"/Small

Major achievements

1982 works entered the first regular script exhibition in Hebei Province, and later joined the Hebei Calligraphy Association;

199 1 The work won the first prize in the calligraphy and painting exhibition commemorating the 70th anniversary of the founding of the Party in Hebei Province;

In 2006, his works were selected for the first National Hard Pen Calligraphy Exhibition;

In 2006, his work won the second prize of the National Labor and Social Security System Painting and Calligraphy Photography Competition;

In 2006, his work won the Zhao Yan Stars Award (government award);

In 2006, his works were exhibited in the "Huazhong Cup" Baoding People's Painting and Calligraphy Exhibition held by China Art Museum, and were included in the Collection of Famous Modern Paintings and Calligraphy in Baoding.

In 2007, his works won the third prize of the Second Staff Painting and Calligraphy Exhibition of the 17th CPC National Congress in Hebei Province.

In 2007, his works were selected into the first national calligraphy exhibition for the elderly (China Calligraphy Association);

In 2007, Japanese parliamentarians and civil servants were invited to visit China as members of the Japanese calligraphy delegation.

In 2008, his works won the third prize of commemorating the 30th anniversary of reform and opening up and the China Poverty Alleviation and Development Painting and Calligraphy Exhibition, and he was invited to attend the award ceremony.

20 1 1 Works entered the 10th National Calligraphy and Seal Cutting Exhibition.

Artistic feature

Dozens of works have been permanently collected by People's Daily, CCTV's Art Life and the National Stadium. He has published albums such as Selected Classic Works by Famous Contemporary Calligraphy and Painting Artists in China/Xiao, Jiangsu Calligraphy and Painting Research/Famous Calligraphy Artists/Wei Kemin. His calligraphy works are beautiful, balanced and relaxed. Words are rigorous, meticulous and free and easy. Muddy as a clear spring flows down, bold and unrestrained. There are elegant scrolls, but there is no wild and vulgar wind. This is a kind of spiritual quality that overflows from his character to his pen. He has an indescribable admiration and awe for calligraphy, and at the same time he has a relieved and peaceful mind. He is in no hurry for success, nor does he pursue a temporary sensation. Always strive for and persevere. Therefore, whether in calligraphy creation or daily communication, he is extremely modest and calm, never mysterious and artificial, and rigorously restores the essence and authenticity of calligraphy art, and is good in all aspects, especially in writing, writing and cursive writing. In particular, the inscription and postscript can be mutually inclusive and nourish each other, forming a unique view of calligraphy art, and at the same time, he can deeply understand that writing calligraphy well is the key to a high level of calligraphy art.