How do you feel after watching the movie "Everything grows"?

Everything grows is said to be the best book written by Feng Tang, but it is definitely not the best work of Li Yu. It may be more like a topic than a movie. This is the current situation of movies in China. People are discussing movies more often than before, and the result is just repeating one boring topic after another. This film successfully turned Han Geng from a watermelon peel into a half watermelon, and also gave Fan Bingbing a chance to perform with genuine charm. Even an acting school like Qi Xi can challenge any China actress. However, if youth love is just a pile of human specimens soaked in formalin solution, it is still debatable to beat a few sticks as the stress of life. Not to mention the shooting technique for the time being, Everything Growing continues to step into the river of youth from To Youth, You at the Same Table to In a hurry that year. After watching the movie, the same question came up again: Whose youth is this ... China's campus youth film, we must burst the bottle and have a serious fight? Men are angry and women cry. One scum is not enough, let's pull in a few more. Love fails, youth is dead, but life must succeed. Obviously, you can be bright and innocent, but you have to be gloomy. Obviously, you can be aboveboard, and you have to play house in a small way. These movies often put the things that should be done in junior high school and high school in the university to shoot. As for the things that should not be done, all rely on contraception to get pregnant and abort. It is common for actors in their thirties to play students in school uniforms and publicize shameless hooliganism as fragile innocence. Everything grows is still about nostalgia and youth, but it abruptly pinches out an artificial tail. Due to the long school age of medical college, Han Geng put on a plaid shirt, which made the students angry. As for Fan Bingbing, it makes sense for her to play a coquettish social young woman. Character setting, no problem. The problem is how these two people fell in love. Even though the film used a confession to reflect on oneself as a scum and admitted that it was immoral to hurt women and love each other, I really didn't understand how they fell in love and loved each other to death. Love saints play fake actions, yes. Cheating is not good for other people's big ass, okay. Women's promiscuity is also full of amorous feelings, OK. I believe that these two people have true love. However, they all got to this point. In that fascinating and confusing laboratory night, they suddenly quit, and they also dug their hearts out and said a lot of generous words, so I really didn't understand. Different from other Chinese youth films, Everything is Growing actively lowers the value of love. But in the end, it wants the audience to believe that such love actually has reserved ethics. Who believes it? Don't say it's true, I see more rage. Even eating a kebab, all I think about is peeing someone else's car. There is one chance for Everything to convince me, and that is the ending. But unfortunately, the movie ended with a long face, laying the foundation for youth, especially the fact that worshipping an old man in the duty room also triggered a profound understanding of life, which is wrong. Also, the reunion after such a long separation, which was supposed to be a glorious occasion, was obviously robbed by a successful well-known bookseller, Mr. Lu Jinbo. Of course, movies also have good places. It is fast-paced and not slow. Thanks to the outstanding links such as photography, Everything is Growing has curbed the origin of "drama is not enough to make up the song" and at the same time strengthened the strong effect of hormone excess. For example, Han Geng was portrayed as an indigenous stallion who had diarrhea, and editing helped a lot. The film didn't make a hodgepodge of the elements of the times, and it also blocked the stupid advertisement implantation. There was a small detail that quietly revealed the background time. The movie theater was showing "A Chinese Odyssey Journey to the West", which was in the summer of 1996. As for those fancy peach blossom titles and restless animations, I'm afraid some people will benefit. I like the paragraphs of Han Geng and Fan Bingbing bungee jumping, which are golden and full of confusion. They keep falling, but they think they are flying when they embrace each other. At that moment, I believed that they were true love, just like the aquarium ending of To Youth, because there was only him and her in the whole world. They have been falling, but they don't want to wake up from the hot dream of youth. But such simple happiness is rare in movies. The love in Everything Growing is fleeting and can't stand extravagance. Whether it is physical attraction or pure curiosity, the beginning of such an encounter does not affect a complete love. However, once love becomes the main body, then the film should tell the audience where love is, and it is definitely not a 1,-yuan translation fee. However, I haven't seen the hero make any efforts, and he just goes to extremes. He shed crocodile tears over the past and doubted himself. He doesn't love anyone, he only loves himself. There are many unsolved problems in The Growth of Everything. Although there is no abortion and abortion in the movie, a woman wandering among men actually doesn't know about emergency contraception afterwards, and a female medical college student who has studied for six or seven years uses indigenous contraception. This mindless bridge is all for the sake of making a play. In the eyes of many China filmmakers, a university campus with a wall barrier is the most suitable place to make mistakes. Talk back, tear your nose. Cut class cheated and cheated. As long as you cherish the past, everything can be forgiven. Youth is meaningless because you have lost it.