Why can the running scenes arouse the emotions of the audience?

In fact, this is a kind of film shooting skill, not only a running shot, but also a way to incite the audience to watch movies with a moving shot.

Moving elements involving space and time has been discovered by many directors. The sense of time and rhythm felt by the audience comes from the movement of the lens.

With regard to the timeliness of camera movement, we can understand its influence by comparing the way two Japanese directors, Yasujirō Ozu and Kenji Mizoguchi, use lenses. Ozu prefers short-distance camera movements in the same direction, such as his works Early Summer and The Taste of Green Tea Overwhelms Rice. Mizoguchi, on the other hand, prefers a leisurely push-back tracking lens, which is often combined with rolling shooting. Therefore, the lens movement in Ozu's films takes less time than that in Mizoguchi's films, which is the basic difference between the two directors' styles.

More broadly speaking, because the lens movement involves time, it can produce psychological effects of "expectation" and "satisfaction" in the audience's mind.

If you want to express a cheerful and positive picture, then the characters usually run. The usual routine is-at first, only the protagonist is running, and then the number of characters is gradually increasing, and everyone runs together. Although the background is different, the running posture of the characters has not changed. If you want to express a sense of speed, maybe this is a more common way.

Therefore, the story of running well reflects a kind of value-people who constantly strive to run forward towards their goals deserve respect and support. Running is to catch up, or to catch up desperately. Running represents the effort, that is, the sweat to achieve the goal.