Traditional Culture Encyclopedia - Photography major - How to create 3D fright by decrypting the closed space at the premiere of "Shark's Mouth Escape"
How to create 3D fright by decrypting the closed space at the premiere of "Shark's Mouth Escape"
Start the performance. Todd, one of the producers, was chosen as the first stop of the world premiere of Shuicheng. Fei Erman was not surprised: "In 2009, Venice set up a 3D film award. Since then, Venice has shown a 3D movie almost every year. As a work that is confident to let the audience feel the realistic effect of 3D, I think it is most appropriate to face the global audience for the first time in Shuicheng. "
Sharks wreak havoc in supermarkets, creating a big scene in a limited space. After Spielberg's Jaws became popular all over the world, the complex movies around "shark" emerged constantly, almost making "shark" movies a genre. However, let the co-producers
Chris? brown
Chris? Brown and Todd? Fei Erman participated in the production of a film directed by a famous Hollywood movie star.
Ethan. Hawke
Starring in vampire movies
At dawn.
And it was a great success. They are also very happy to meet such an interesting script as shark's mouth escape again. "Most of the scenes in the story take place in a closed space," Todd said. "A tsunami trapped all kinds of people here. In the special environment where the ruins are constantly collapsing, the sea level is rising and sharks are constantly attacking, the subtle changes in the relationship between these people are the real part of the film. "
The crazy tsunami, the man-eating shark, the disaster that made people have nowhere to escape, are still concentrated in a closed supermarket. No wonder Todd described the process of watching The Shark's Mouth Escape as thrilling as riding a roller coaster.
3D shooting spared no effort to make the audience scream in Venice.
Since Cameron put forward the idea of the first year of 3D in 2009, 3D movies have become a trend. However, 3D brings sensory impact, but it weakens the dramatic tension of the film. Coupled with the mixed use of 3D technology, the audience's pursuit of 3D has cooled down.
At the beginning of the production of "The Tsunami Escaped from the Shark's Mouth", there was also a controversy about whether it was necessary to use 3D shooting. Last two producers, Chris? Brown and Todd? Fei Erman believes that the rational use of 3D technology to increase the immersive thriller effect is exactly what they want to create a unique Shark movie. "The shark we designed can move freely in the aisle and jump out of the water to bite people flexibly. Even if it moves peacefully in the water, it must look very aggressive. Such an effect must rely on 3D technology to achieve realistic results. " Todd said.
However, in order to create a realistic impression, "shark's mouth escape" can be said to be painstaking in shooting. Not only should the supermarket be built in the underwater studio built in the aquarium, but the design team also needs to ensure that the aisles between the supermarket shelves are spacious enough, because they need to ensure that sharks can swim freely in the supermarket shelves. At the same time, they must also ensure that large 3D shooting equipment is put down in a limited shooting space. It is reported that Ai Lisha's third-generation 3D camera used in the film is very heavy, and only one main device weighs 68kg. It is necessary to shoot from multiple angles above and below water to ensure the richness of 3D visual effects. At the same time, five or six power devices are needed to make the camera run smoothly. However, all these efforts are worthwhile, because Avatar only uses Ai Lisha's second-generation camera, and now the original producer uses a new generation of 3D photography equipment, which will definitely bring a more realistic 3D atmosphere to the audience.
In 2009, the Venice Film Festival set up a 3D film award unit for the first time to recognize the most innovative 3D films in the past year. This award is the world's first award focusing on 3D movies, and 3D movies have become frequent visitors to Venice Film Festival. Tim. Burton's
Frightened Christmas Eve
Takashi Shimizu's Scary Rabbit and other 3D movies premiered in Venice. Therefore, being shortlisted for this Venice Film Festival can be said to be the best affirmation of "Shark Escape". "
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