Can Fight Club be called a classic directed by david fincher?

Fight Club is a surreal film, full of self-awareness and personal value. In fact, the split personality of the hero shows the struggle between the socially recognized values and self-worth that everyone exists. Taylor is an imaginary self, and he gradually can't control the split of his dual personality. When society keeps putting pressure on him and depriving him of his dignity and personal existence, Taylor's revenge on society becomes more and more fanatical. ? Like david fincher's previous works, the psychological analysis of the characters is the main theme of the film, and whether or not to create special characters that can resonate with the public is the key to the success of the film. Therefore, in addition to the actor's performance, the director deliberately emphasized the auxiliary factors such as the mastery of tone and scene scheduling. Compared with Seven Deaths, the color and photography of this film are bolder and more individual. ?

First of all, the night scenes of this film are mostly low-key and hard-core (mainly black and dark gray), and the daytime scenes are mostly high-key and soft-key. Strive to create two completely different environments, showing cold realism during the day and unstable surrealism at night, thus forming a strong contrast effect in visual style. This is because the lighting engineer deliberately makes the light change little during the daytime shooting, and the overall color is green, and the color difference is small, which makes people feel bored. The light at night is full of changes, and the top lighting effect of fluorescent lamps enhances the contrast between light and dark. Fluorescent lamps are not commonly used in movies, because their fixed light efficiency is not conducive to characterization, people's facial contours and expressions can not be seen clearly, and they lack aesthetic feeling. However, Finch deliberately imitates household fluorescent lamps, whether at night or in the sun, which shows that the specific environment pursued by the director has greater psychological impact on people than the pursuit of visual beauty. For photographers, it is far more important to take comfortable photos than beautiful ones, and it is far more difficult to grasp the collocation of characters and plots than to grasp the proportion of composition. 80% photographers in China can shoot beautiful images, but they may not be able to shoot uniform images. Therefore, when it is time to shoot ugliness, you must shoot ugliness!