Appreciation of Liu Tou Taohua's Works

This word misses the sweet love that passed away. Peach blossoms are written in the open, and the emotional experience of falling in love with "new makeup" and "red powder" is written in the dark. In the way of expression, it has the characteristics of symbolism, and the images of peach blossom and pink girl are vague. Smell the fragrance like fog, misty rain and dream moment create an infinitely wonderful and affectionate realm. The use of allusions of "Liulang" and "Wuling" gives people rich aesthetic associations. The whole article takes peach blossom as the background, and the chanting of flowers is in harmony with people's writing, with beautiful charm and intense style.

The epigraph Song of Six Kingdoms is mostly associated with tragic voices, such as Li Guan's Qin Cao Ignorance, He Zhu's Young Chivalry, and Zhang Xiaoxiang's Looking at the Long Huai. Cheng Dachang, a poet in the Song Dynasty, said long ago that Song of Six Kingdoms was originally a song of advocacy, with a tragic tone, which was not the same as Yan Ci (Lu). However, Han Yuanji's Song of the Six Kingdoms is contrary to common sense, and it is actually a typical rhetoric!

It's like fighting in ancient times. Although there is a "regular method", there is a "wonderful use, one heart" (Yue Fei language). As long as soldiers have the talent of "using change", they can receive the wonderful effect of "winning by surprise" The sentimental feelings of Korean ci are expressed in the tone of short sounds to promote festivals and complex sentences.

At the beginning, the spring breeze is swaying and the heart is blooming. The meaning of "the east wind is intentional, and the stranger is the first" can be interpreted from two aspects. On the other hand, there is a special kind of "Mo Mo" in the peach blossom, which will open in the first month (see Lu You's Notes on the Old Learning Temple). So the meaning of this sentence is that when spring has just arrived, because of the benefits of the east wind, Mo Mo will open first. On the other hand, it is generally understood that "first" means to highlight the freshness of peach blossom image, which means that it occupies the beautiful scenery of spring for a period of time. The coexistence of the two theories does not hinder the understanding of the meaning of words.

The phrase "red powder is greasy, charming as drunk, leaning on Zhu Fei" is more beautiful than flowers, and flowers are gradually attracting people. Li Bai's "Qing Ping Diao Ci" said that "clouds want clothes and flowers want their appearance", which means comparing people to flowers; Here, people are compared to flowers. -Look at this peach blossom. Isn't that the beauty who is drunk in innocence and leans on Zhu Fei?

This writing not only enriches the beauty and vitality of people with still life, but also paves the way for the flowers and people below. Therefore, the memory of "last year today, people's faces and peach blossoms set each other off" is drawn: "Recalling that year, new makeup is hidden", which is a copy of the first two Tang poems. But after that, the author made a long rendering: "The waterfront, spring will be half, the clouds are warm, the bridge turns, and the west is sandwiched." The grass is soft and slippery, the horse hangs over the river, and the jade crows. I think the moth smiles and her face is thin and fat. " The time and place of meeting and the beauty's face are explained here, which is more specific and delicate than the first two Tang poems. This reflects the "biography" characteristics of Song Ci (long tune) and the "superiority" of the short sentences in "Six National Anthems". After reading these, it is not difficult for us to imagine how the poet met the beautiful woman. From such meticulous and euphemistic brushstrokes, we can easily feel the poet's deep love. However, at this time, the mood of the word suddenly changed: "The embroidery worker once looked at hate". The content contained in these two sentences actually summarizes the twists and turns of their love: "The Embroiderer who once peeped" wrote the process of his search and pursuit of beautiful women; "Hating Yiyi" wrote about his disappointment that he could not find an object or an object. The author brushed it off here, not to waste more ink. This is because this episode is not the focus of the word, it just occupies a "transitional" position in the above "amazing first encounter" and the following "acacia after parting" Therefore, the next film will turn to the second detailed description-a comprehensive description of the frustration of seeing flowers here and now instead of Iraqis.

At the beginning of the next movie, the word "vulgar" is used to transfer. Or "working together" (suggesting that he finally met her after "peeping at the door". A lot of plots are left out, which is not difficult for careful readers to understand. However, the peach blossoms we see today can no longer be compared with the beautiful flowers of the past. It has already become a red flower, and its fragrance is as thin as fog, which makes the author complain about the obscurity of spring. The next four sentences continue to say that I am facing lovesickness: "Who asked if you are thin or not?" Only flowers know that tears hang down. "Because they can't see the Iraqi people, they are emaciated and haggard because of separation. Only Taohua can testify, and she knows nothing about it, which adds a layer of gloom. The above six sentences are written from flowers to people, reflecting their sadness of dying with the falling flowers. As I write here, my mood is getting more and more disordered, so the following is mixed, which makes me feel more hurt and sad: "The swallow in front of the old church is in harmony with misty rain, flying together", which is the "lonely" feeling caused by Shuang Yan in front of the old church (including secretly using Liu Yuxi's poem "Wuyi Lane"): "People are old, and spring is long. In addition, the words "dream moment" are combined to echo the previous words "hand in hand": "Liu Lang, where there are many romantic places, the flowers will also be sad", and the peach blossoms will be detained again to express their poetic sentiment of "Liu Bang is heavy" (Liu Yuxi's "Peach Blossoms are all in bloom" and "Liu Lang is here again today" are secretly used, and Liu Chen is also used. After this lingering sigh, I finally ended up with "but the twilight is boundless, Wuling is out of water, and the past is hard to recover", pointing out the theme of sentimental past and unsustainable old dreams. Because the word "Wuling" contains allusions to "Peach Blossom Garden", it is still related to the topic of "Peach Blossom".

Generally speaking, this word takes chanting "Peach Blossom" as a clue, or tells a love story explicitly or implicitly: I first met on a beautiful day when the peach blossoms were in full bloom, then went on a long trip hand in hand on the peach blossom stranger, and then revisited the old place, only to see the peach blossoms falling but no trace of the flowers, so I could only wander on the flower path, feeling sad. When telling the story of this love, the author always sticks to the topic of "peach blossom" and expresses his sadness in a tortuous way. So to be exact, this word is a clever combination of "chanting" and "chanting" Is to borrow things to express feelings, borrow things to cherish people. Compared with Cui Hu's simple structure, it is superior in euphemism and beautiful literary talent. And this is inseparable from the author's vivid use of the unique voice and emotion of the long tune of "Six States Song Tou". Lu You's evaluation in "Korea's No Complaint Sacrifice Book" is that "putting pen to paper is a matter of course, not carving." Such as pre-Qin books, full of energy. "