Behind the scenes is no joke.

On June 10, the director of the film, Lu Weiguo, revealed exclusively to today's newspaper that No Jokes 2 will be officially launched on June 10, and the actors will be auditioned nationwide; And the script for No Jokes 3 has been written.

The investment is only 1.2 million yuan, and no joke is purely "made in Henan". All the actors in the play use Henan dialect for dialogue. Based on a real case, the film tells the story of a group of wealthy farmers in Henan who overcame various difficulties to make their own films. It is based on the event of the farmer's self-portrait film "The Devil Entering the Village".

The biggest highlight of the film lies in the interesting story. Film projectionist Cai Youcai (Li) borrowed money to shoot a film with the theme of Japanese devils entering the village. Because it was the first time to make a movie, he made a lot of jokes in the process of finding actors, not only to lose weight in Latin America, but also to "pretend to be real" and almost caused a fire. The film laughed hundreds of times and was full of "laughter".

Shooting environment

In film and television creation and production, the most important thing for a director is to grasp the overall situation. First of all, we should sort out the complex times, complex characters, vivid plots and themes shown in the script. What are you filming? How to shoot provides a solid foundation. Every department must clearly understand the profound connotation of the script.

This film shows the living conditions of farmers in modern China and their pursuit of spiritual life. Make a movie of their own-this is their right to speak. The latest movie Nao is absolutely super funny, but it is not funny for humor's sake. It is a comedy with connotation and depth, which can make the audience feel the pain of history and the changes of our new countryside in China from careful jokes. Especially in the comedy of Henan dialect, we have made great efforts to let the national audience feel the humor of Henan people and the great changes in the new countryside of the Central Plains, which is our original intention.

The film mainly tells the story of a group of wealthy farmers in Henan who overcame many difficulties and finally made a film. The biggest highlight of the film lies in the interesting story. Cai Youcai, a film projectionist, borrowed money everywhere to shoot a film with the theme of Japanese devils entering the village to commit crimes. Because it was the first time to make a movie, he made a lot of jokes during the filming process, which not only sponsored Latin America to lose weight, but also almost caused a fire because of fraud. Although they don't understand montage, they made a film with tenacity and persistence, which not only touched the whole village, but also touched this era.

The story we tell is unfolded in a specific era atmosphere and typical environment.

A typical image is always inextricably linked with the era and environment that produced it. A profound analysis and understanding of the characteristics of the times and typical environment is the premise of accurately grasping the theme and character of the film.

Shooting theme

Through the shooting process of several farmers, the play shows the value orientation of farmers in China, and puts forward a serious topic for the society, especially the younger generation, on how to treat history and war. This topic contains rich social content. How do young people view career, love and money? All this is precisely the ideological connotation of the film and the ambiguity of the theme. Complex but rich, showing the breadth of social life; Polysemy but profound, revealing the depth of social life.

With the development of the story, the polysemous theme and rich ideological implication of the film will extend and deepen in the audience's thinking. Grasping the ambiguous theme and rich ideological connotation of the theme is something that every creator should pay attention to from beginning to end. It is detrimental to the fuzziness of the theme and the richness of ideological connotation, and it is detrimental to the overall style of the film.

structural models

This is a new rural comedy in China. It is like a gloomy and meaningful picture of life, which combines the ups and downs of life. It shows the life picture of farmers in mountainous areas changing their concepts and moving towards prosperity. It involves a real specific field. It is neither a few isolated seemingly distinct characters, nor a few philosophical chapters, nor even a legendary story. As an art, it is not to complete a simple, clear and fair truth, and of course it cannot be summarized by an artistic means.

The film structure basically follows the objective narrative mode of our national tradition, which is unpretentious. However, in the analysis of characters' personality, a lot of psychological analysis techniques of modern art are borrowed. On the premise of not disturbing the concept of time and space in general, the method of time and space extension is adopted locally. In order to strengthen the clear psychological changes of the characters and see through the inner world of the characters. With this strong contrast and contrast, this film has become a unique style.

Performance style

In real life, the degree of one's feelings is generally lower than the inner experience. This is because people as advanced animals have an instinct to control their feelings.

Our nation has always been known for being reserved. Our performance style also requires implicit connotation, so that it can be in harmony with national character, national appreciation psychology and unity. Unless the plot needs publicity. It is very important for every actor to grasp the degree of performance.

Take pictures of ...

This is a comedy, and the style should not be too gloomy. Generally speaking, the tone of photography should be bright and soft.

Various schools and styles permeate and influence each other, and it has become a common phenomenon in the development of modern art that you have me and I have you. Our drama will pursue the photographic style of combining documentary with painting. It not only forces the truth of Xiao's life, but also pays attention to aesthetic feeling and rendering that matches the mood and artistic conception of the characters. The lens scheduling should be natural and smooth, the composition is not so regular and dull, and there is no sharp angle. The use of light and color should not only be true, but also conform to the mood of the characters.

Be especially careful when using zoom lenses. The spatial distortion caused by zoom push-pull destroys the depth of space and the realism of the picture. Therefore, it is generally not appropriate to use it more when shooting objective shots.

Artistic requirements

The selection of scenery, scenery, costumes, props and color design should be realistic and simple. Don't whitewash reality. All flashy and pretentious practices are futile and cannot reflect the theme.

The choice of scenes is an important link in the aesthetic embodiment of movies. Whether it is the background of the times or the regional characteristics, it is an important means to convey information to the audience and understand the plot.

Make-up pigment should be light, and skin feeling should be strong. Try to be natural and lively.

Clothing should reproduce the characteristics of rural clothing in the Central Plains, starting with the characters, with bright colors and outstanding flavor of the times.

Making a rural drama should truly reflect the rural scenery. Therefore, from character modeling to clothing, it must be simple and natural, and it must have the sense of reality of the times. Otherwise, it is difficult to guide the audience into the reflected life, and it is even more difficult to arouse the audience's voice.