Traditional Culture Encyclopedia - Photography major - Brief introduction and detailed information of 16 ward
Brief introduction and detailed information of 16 ward
Cast members often Song Chunhua Zhongnan sings Qingqing Fanghui? Tian Jin military Xu doctor Ma Qun Xiaoou Chang Baoping Deng Xiaoou assistant Xinjian? Producer of "Roster": Ma Qiao of Bi Kewu's original class, director; Deputy Director (Assistant) of Bird; The screenwriter Joe; Ginger photography; Wang Jishun's score; Wu Daming's editing; Yang Zhuoyuan; He Wei's props; Zhao Xiaolei's artistic design; Stone modeling design; Zhou Yaping's fashion design; An Lixin's light; Cong Deming's recording; Li Zhan's recording; Chen Wenyuan's set designer; Zhang (set); Ten years of wind and rain, the wind and sand on the grassland blew away her youth, and depression and loneliness replaced the high spirits of that year. She thinks that people can't communicate with each other, and she doesn't understand others. She lives alone, arrogant and withdrawn. But deep feelings are buried in her heart. The arrival of Liu Chunhua and Chen Zhongnan ignited the fire of her youth, and she saw the value of suffering with the people in a hard life.
Song Xiaoying plays educated youth and rural teacher Liu Chunhua. She is unpretentious, loves life, is full of optimism, and always cares about others sincerely and enthusiastically. Although terminally ill, she still warmed Chang Lin's cold heart with a fiery heart. ?
Background of behind-the-scenes production and creation: Joe was admitted to Beijing Hot Spring Tuberculosis Hospital because of lung disease. The patients in the ward are all educated youths like her. When Joe was confused, an educated youth patient who took root in the countryside gave her encouragement, but the patient died of illness. In the ward, Joe wrote the novel Diary Forgotten in a Hospital Bed based on his patient, and adapted it into a screenplay? .
At the end of the adaptation of the script into a literary script, Chang Lin took the initiative to leave and hinted that she had some emotional connection with Chen Zhongnan. However, the director thinks that this reduces Chang Lin's character, damages Chen Zhongnan's character and weakens the social significance of the theme. Therefore, in the filming, they tried to eliminate the misunderstanding of the emotional relationship between Chang Lin and Chen Zhongnan, and tried to adjust Chang Lin's departure as unconscious and accidental by deleting and rewriting some scenes. In the original script, Chunhua was heartbroken when she learned that she had an incurable disease. The director thinks that this treatment shows that her mind is not bright enough, so she adds rainy nights to talk about the stars, which shows that she still cares about others although she is in danger? .
Tian Jinjun and Sang made little progress in literary scripts. The director thinks that giving these two minor characters an ending is helpful to write the spiritual touch of Chunhua, so he changed it to Tian Jinjun in the film, because the awakening of Zhong Nan, Chunhua and Chang Lin shocked and inspired the writing direction. And sang qingqing also realized the meaning of life? .
Photographer Wang Jishun believes that feature films mainly reflect the theme of the script through the actors' scenes, so photographers should mobilize all possible means to accurately present the actors to the audience. A night scene of dialogue between Chang Lin and NANBERT ZHONG is the highlight of Chang Lin's attitude towards life. Usually, night scenes are taken around sunrise and sunset. Wang Jishun thinks that such a short time can't meet the needs of shooting. If we follow the previous method of underexposure or adding color correction film to simulate the night scene, it is not easy to shoot the details of the actor's facial expression. Therefore, the crew decided to use the backlight shooting method without color correction in sunlight. Finally, not only did the director get the desired effect, but also the shooting time was shortened. The X-ray room is an environment frequented by several characters in the film. Wang Jishun's film crew tried their best to present the characters' personalities in the dark X-ray room. After field observation, they found that the X-ray room often turned on red light, so they seized the opportunity to shoot. When talking with Dr. Xu, Chang Lin and Chunhua, he shot with a red light. When Qingqing imitated the doctor in front of the screen, the photographer simulated the dim and cool lights of X-rays. When Chang Lin and Chunhua talk to the doctor, they send out a strong anti-beam.
Wang Jishun thinks that an actor's face is an important part of expressing his thoughts. Therefore, when dealing with an actor's portrait photography, we should pay attention to the changes of the role's age and life experience. For example, the corner of Chang Lin has experienced a change from "cold" to "hot" for people. When filming the scene where Chang Lin coughed out of the ward at night, Wang Jishun asked the top light to come from the high side, forming a strong dark side on the actor's face and casting a shadow on the wall to show the inner irritability and pain of the character. Later, when Chang Lin's younger brother and girlfriend took Chunhua's daughter to the hospital, Wang Jishun arranged for them to meet on the sunny grass, intending to use bright and warm colors as the background of Chang Lin to set off the character's fiery mood at this time. Great changes have taken place in the age span and health status of the role of Liu Chunhua in the film. Wang Ji took more than 20 photos of Song Xiaoying from different angles and different light, watched her film Zhao Xi Street, and decided to adopt a shooting scheme with slightly tilted front, slightly tilted telephoto and plain yarn. When shooting the scene of Chunhua's girlhood in Gushi Primary School, the photographer mainly used plane lighting, added light tulle and chose more rounded lines to create her plump and smooth girlhood face. When shooting the scene of Chunhua marrying Zhong Nan, we use the flat front light, supplemented by the soft diffuse light on the side, to outline the outline, and shoot with a telephoto of 180mm to slightly compress her face, thus shaping the image of a young woman? .
Award winning record Award winning time Award winning result 1984 The 4th China Golden Rooster Award Best Feature Film Ward 16 nominated the best actress Li Ling nominated the best supporting actress Song Xiaoying to win the award? The 7th popular film won the Hundred Flowers Award Award for Best Feature Film "Ward 16"? 1983 won the second prize of the excellent feature film "Ward 16" in the excellent film award of the Ministry of Culture? Production, distribution and release information Release time of country/region China 1983 Film evaluation This film has different records from the perspectives of material selection, environmental treatment and characterization. It takes the life of educated youth as the theme, instead of writing their specific experiences in ten years of turmoil, their worries about unemployment, their experience of further education, and their common and well-known love story. On the contrary, it puts the story in a small ward, focusing on the family of four patients and one patient, connecting with the vast real world through a small ward, and the patients treated by repose are related to their experiences, lives and thoughts. Although it draws materials from a small angle, the creator's mind, vision and realm are relatively open, from small to large, from small to large. What is commendable is that the director arranges the relationship between the characters and the scene more freely, hierarchically and variably under the circumstances of small environment and few characters. Although there are traces of axe carving, it is fresh and smooth as a whole. Liu Chunhua and Chen zhongnan are the most successful and inspiring artistic images in depicting the psychological depth of the characters? . (Review by China Radio and Television Press)
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