Introduce the representative works of poets.

Tell me who you want to talk to, and I don't know who you want to know. I can only introduce two representative milestones. ...

Li Bai (701-762) was a great romantic poet in the Tang Dynasty. The word is too white, and the number is violet. His ancestral home is Ji Cheng in Longxi (now Qin 'an County, Gansu Province). Ancestors moved to Central Asia for crimes in the Sui Dynasty. Bai was born in the first year of Chang 'an (70 1), and Anxi (now tokmak, Soviet Union) was a protector of the government. About five years old, he moved with his father to Qinglian Township (now Jiangyou County, Sichuan Province) in Changlong County, Mianzhou, Sichuan Province.

Li Bai received a good family education when he was a teenager. At the age of ten, he recited poetry books, watched hundreds of schools, wrote poems and learned fencing, and had a wide range of hobbies. He wrote an excellent article when he was fifteen. After the age of 20, I wandered around Sichuan, enjoying the magnificent scenery of Sichuan, getting in touch with social life, broadening my horizons, cultivating the thoughts of loving the motherland, being bold and hearty, and loving freedom, and also planting the roots of the negative thoughts of wandering immortals.

In the 14th year of Kaiyuan (726), 26-year-old Li Bai traveled far away from home and began to roam in Anlu (now Hubei) for a period of 16 years, covering Hunan, Hubei, Jiangsu, Zhejiang, Henan, Shanxi and other regions, and covering more than half of China. The poems in this period mostly describe the natural landscape and roaming life, such as Ding Du Shouge, Yellow Crane Tower Farewell to Meng Haoran, Yue revisits the ancient times, and Hearing the flute in a spring night in Los Angeles. , mature style.

In the first year of Tianbao (742), 42-year-old Li Bai was recommended by a friend to be sent to Beijing to worship the Hanlin. At the beginning of being called, Li Bai was very excited and wrote a poem like "Go out with a smile, are we Artemisia people" ("Nanling children don't go to Beijing"), thinking that they would realize their political ambitions, but the reality ruthlessly shattered his fantasy. At that time, Tang Xuanzong was fatuous and decadent, indulged in debauchery and ignored political affairs. The poet's wish of "being wise and willing to help him" ("Dai Shoushan answers Meng Shaofu's biography") failed to come true. As a result, he was excluded, left Chang 'an in disappointment and indignation, and ended his life in the imperial city in less than two years. Although this period was not long, the poet was exposed to the inside story of court life and the corruption of the upper ruling group, and wrote many poems attacking reality, such as Antique, Difficult to Go to Heaven, Fu Liangyin and so on. These poems attacked the powerful and showed the poet's ideology, morality and rebellious spirit.

In the spring of the third year of Tianbao (744), Li Bai left Chang 'an. With disillusioned pain and indignation, he began his second roaming around Liangyuan (Kaifeng), which lasted for eleven years. "Wandering around the world, you can drink poetry and wine" (Liu's "Bachelor of Hanlin in Tang Dynasty"), but he is still very concerned about state affairs and hopes to return to the court one day. In the autumn of Tianbao's third year, he met Du Fu and Gao Shi in Luoyang and Bianzhou respectively, and the three of them went hand in hand to visit Liangyuan and Jinan. Since then, a profound friendship has been forged: "Fall asleep and get drunk, hand in hand with the sun" (Du Fu's "Seeking ten seclusion with Li Twelve"). During this period, poets created the most abundant works, and their representative works included: Dream of Climbing Mount Tianmu, Entering Wine, Popular in the North, Poems in the Garden of Liang, etc. Profound realistic exposure and strong rebellious spirit are the remarkable characteristics of this period's works.

In the 14th year of Tianbao (755), An Shi Rebellion broke out. With the desire to eliminate rebellion and restore national unity and stability, Li Bai joined Li Lin's team in Wang Yong. Unexpectedly, Wang Yong and Su Zong competed for the throne, and Su Zong eliminated Li Lin's team. Li Bai was found guilty and exiled Yelang (now Tongzi County, Guizhou Province). The poet cried silently: "In this life, fortunately, I met an Amnesty halfway and was released. The poem "Chaofa Baidicheng" describes the mood at that time.

In the 2nd year of Shang Dynasty (76 1), 61-year-old Li Bai heard that Li Guangbi led the troops to pursue Shi Chaoyi in autumn and decided to join the army. However, he returned to Jinling due to illness, saying, "Heaven takes the heart of a strong man and says goodbye" ("I heard that millions of Red Army troops were sent to the southeast cowards to apply for cutting, but I still stayed in Jinling for 19 rhymes"), and in the first year of Baoying (770).

Although Li Bai failed to realize his ideal politically, he made great achievements in poetry creation and occupied a lofty position in the history of China literature. Inherited and carried forward the positive romantic poetry tradition since Qu Yuan, and pushed the romantic spirit and creative method to a new peak.

He often uses unrestrained passion to express his ambition of fighting and his ideal of helping the poor and stabilizing the country. With a strong rebellious spirit and arrogant attitude, the poet attacked the society and whipped the powerful. Although Li Bai has no extensive contact with the people of the government, he also sympathizes with the working people. In the Song of Dingdu Lake, I wrote the blood and tears of the boatman. In Song of Autumn, I wrote about the hardships of fishermen and smelters. In his poems such as My Concubine's Misfortune, Long March and Popular in the North, he expressed sympathy for the fate of women. After the Anshi Rebellion, he lamented that "the white bones turned into a mound (one was" covering up "), and what was Shu Ren's crime" ("Giving a good butcher to Chiang Kai-shek"), and expressed that he "applied for a parcel but mourned for seven days" ("Running to the Road of Death") and "sighed four or five times in the middle of the night, often worrying about the big country" ().

He used a lot of poems to praise the magnificence of the motherland's mountains and rivers, and entrusted his patriotism. In the poet's pen, steep Shu Road, strange peaks and rocks, rushing rivers and waterfalls are all magnificent and moving.

Undoubtedly, there are also some negative emotions in Li Bai's poems, such as seeking immortality, visiting Taoism, taking medicine through alchemy, preaching and teaching, and having fun in time, which need to be identified.

Li Bai's poems are freely placed. He wants to fall into the sky, and the sky is underground. It is really illusory. Strange exaggeration, magnificent colors, fairy tales, anecdotes and legends are all integrated into the poem. But his poems are like hibiscus, not fake carvings. It constitutes its elegant and bold, magnificent and free and easy artistic style. He is best at seven-character poems and quatrains. His quatrains are regarded by later generations as a model of quatrains in the Tang Dynasty. Du Fu was deeply impressed by Li Bai, and once spoke highly of his poems: "Putting pen to paper scares the wind and rain, and the poem makes the gods cry" (Send Twelve White Rhymes).

The Complete Works of Li Taibai has been handed down from generation to generation, with more than 990 poems. Wang Qi's Notes on the Complete Works of Li Taibai in Qing Dynasty and Li Baiji's Collation of Qu Tuiyuan Zhu Jincheng. You can refer to Guo Moruo's Li Bai and Du Fu, Wang Yunxi's Li Bai Study, Yao Yao's Li Bai, and Selected Poems of Li Bai compiled by the Classical Literature Teaching and Research Group of Chinese Department of Fudan University.

Du Fu (7 12-770), with beautiful words, was born in Gongxian County, Henan Province. Grandfather Du was a famous poet in the early Tang Dynasty. In his youth, he traveled to Jiangsu, Zhejiang, Hebei and Shandong, met Li Bai twice and forged a profound friendship.

In the fifth year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (746), Du Fu came to Chang 'an. The following year, he took the imperial examination of Emperor Xuanzong of the Tang Dynasty. Due to the obstruction of treacherous court official Li, none of the candidates were admitted. Since then, there is no way to make progress and live in poverty. It was not until the fourteenth year of Tianbao (755) that he got the position of "from Wei Ling to Fu" and was responsible for guarding the arsenal. In the same year, the Anshi Rebellion broke out, and Du Fu was visiting relatives in Fengxian County (now Pucheng, Shaanxi Province). In the second year, he settled in Qiang village of Yinzhou (now Fuxian County, Shaanxi Province) and defected to Su Zong, who ascended the throne in Lingwu (now Gansu Province). On the way, he was captured by the rebels and taken to occupied Chang 'an, during which he witnessed the killing and looting atrocities of the rebels and the suffering of the people. It was not until April of the second year of Zhide (757) that he ventured to Fengxiang (now Fengxiang County, Shaanxi Province), the temporary residence of Su Zong, and was awarded the post of left. Soon after, he was demoted to join the army as secretary of Huazhou for helping to look after the house. Since then, he was very disappointed with the real politics, gave up his official position, moved his family to the west, and finally arrived in Chengdu. With the help of Yanwu and others, he built a thatched cottage on the banks of Huanhuaxi in the west of the city, named Du Fu Cottage. Later, he was recommended by Yanwu as a clerk and Yuanwailang in the collating department. After Yanwu's death, he left Chengdu and his family lived in Kuizhou (now fengjie county, Sichuan). Two years later, from Kuizhou to Jiangling and Hengyang. In the fifth year of Emperor Taizong (770), the poet died in a boat on the Xiangjiang River.

His poems are famous for their richness and variety in art, sometimes bold and unrestrained, sometimes gloomy and sad, or colorful or plain. He is good at metrical poetry and the pioneer of the new Yuefu poetry style. His poems are harmonious in rhythm, concise in wording and sentences, and "obsessed with human kindness, words are not surprisingly endless", which is a true portrayal of his rigorous creative attitude. In the history of China literature, he is known as a "poet saint". More than 400 of his/kloc-0 poems have been handed down to this day. This is Du Shaoling.

Du Fu Caotang is one of the first batch of national key cultural relics protection units, which is located on the Huanhua River outside the west gate of Chengdu. It is the former residence of Du Fu, a great realistic poet in the Tang Dynasty, when he lived in Chengdu.

Du Fu (A.D. 7 12-770), with a beautiful word, was named Shaoling Yelao, and was also called Du Gongbu because he was the inspector of the Ministry of Industry. A native of Gongxian County, Henan Province, lived in the turning point of the Tang Dynasty from prosperity to decline, and had a bumpy life and eventually failed. Because of his brilliant achievements in poetry creation, he is known as the "sage of poetry" and has spread more than 400 poems/kloc-0.

At the end of winter in 759 AD, Du Fu went into exile in Chengdu to escape the Anshi Rebellion. The following spring, with the help of his friends, he built a small house next to the beautiful Huanhua River, which is the Chengdu Caotang, which is called "Wan Li Qiaoxi House, Baihuatan Beizhuang" in his poem. He has lived here for nearly four years, leaving more than 240 poems, such as Delighting in Rain on a Spring Night, Shu Xiang and other famous works, among which "The Hut is Blown by Autumn Wind" is an eternal masterpiece.

Du Fu lived and made friends in Chengdu, and his poems, paintings and calligraphy were endless. "Two orioles singing green willows, a line of egrets on the sky. The window contains autumn snow in Xiling, and the Wu Dong Wan Li boat stops at the door. " This poem "Four quatrains (the third)" vividly depicts the spring scenery of the Bo family that the poet saw in the thatched cottage. In 765, Yanwu died of illness, and Du Fu, who lost his only support, had to reluctantly bid farewell to Chengdu.

Today's Du Fu Cottage has been restored many times, covering an area of more than 240 mu, and it is one of the most concentrated tourist attractions in Chengdu. In the thatched cottage, nanmu towering, Meizhu forest, winding streams, staggered bridges and pavilions, Chai Men flower path, winding path leading to a secluded place, elegant and beautiful garden pattern. The building starts from the main entrance, followed by the Great Temple, the Hall of Poetry and History, the Chai Men and the Hall of Ministry of Industry. Among them, the Great Temple and Chai Men are the original buildings of the thatched cottage mentioned in Du Fu's poems. In the middle of the hall of poetry and history is a statue of Du Fu, and there are couplets and plaques inscribed by celebrities of past dynasties in the hall. There is a portrait of Du Fu in the shrine of the Ministry of Industry, accompanied by Lu You and Huang Tingjian.

1985, Du Fu Caotang was renamed Du Fu Caotang Museum, with a collection of more than 30,000 books and more than 2,000 cultural relics. Including fine engraving, photocopying, manuscripts of Du Fu's poems in Song, Yuan, Ming and Qing Dynasties, as well as various modern printed editions, as well as foreign language translations in 15 languages and more than 20 Chinese paintings published in Korea and Japan. Du Fu wrote more than 1000 poems in his life, among which "Three Officials" and "Three Officials" are famous. Du Fu's poems fully expressed his deep sympathy for the people and exposed the sharp opposition between the exploiters and the exploited in feudal society: "The drunken road in Zhumen froze to death!" This immortal poem has been remembered by the people of China for generations. "Dare to love death when saving, and be afraid when you are lonely!" This is the full expression of Du Fu's incomparable love for the motherland, and it is also the reason why his poems are so popular. Du Fu's patriotic hot pillow is also very rich in his masterpieces such as Spring Hope and Imperial Army Recovering the Banks of the Yellow River. In "Three Officials" and "Three Farewells", he praised the patriotic spirit of the broad masses of people who endured all kinds of pains, and even showed readers his childlike innocence of patriotism and love for the people. Out of love for the motherland and the people, it is bound to have a strong hatred for the extravagant and dissolute face of the ruling class and the crimes that bring disaster to the country and the people. This point has been vividly demonstrated in the immortal masterpieces "Car Shop" and "Two Ways". A great patriot's concern for the country and the people is bound to be expressed in other ways. Some of Du Fu's poems about things and scenery, even those about couples, brothers and friends, are permeated with deep feelings for the motherland and the people. In a word, Du Fu's poems are an artistic record of the decline of the Tang Dynasty. Du Fu bravely, faithfully and profoundly reflected the extremely extensive social reality with the positive spirit of joining the WTO. No matter what kind of sinister situation, he didn't lose heart. In the long history of China literature, the cognitive function, reference function, educational function and aesthetic function of Du Fu's poems are unattainable.

The greatest artistic feature of Du Fu's poems is that poets often hide their subjective feelings in objective descriptions and let things impress readers themselves. For example, in Two Ways, the poet did not directly reprimand Yang's brother and sister for their debauchery, but the author's love-hate attitude has been fully revealed from their specific descriptions of clothes and diet.

Du Fu's poems are simple, popular and realistic, but they are very skillful. He also often uses monologues and proverbs to highlight the characters' personalities.

Du Fu's poems are especially good at describing details when depicting characters, such as a passage describing his wife and children in the Northern Expedition.

Du Fu's poetic style is changeable, but on the whole it can be summarized as depression and frustration. The cadence here refers to the deep meaning of the article, while the cadence refers to the ups and downs of feelings, tone and syllables.

All these have established Du Fu's supreme position as a "poet saint" in China's literary history of more than 3,000 years.

This place.