Yang Liuyuan said to Yang Shouyu

Yang Shouyu, whose real name is Hua, whose word is Bo Yu, alias Xiangyun,1was born in Yangjia Courtyard, Gujiaxiang, Changzhou City in June, 896. This department was founded by his father, Yang Ziheng. In the front yard, there are fragrant grass and stone paths, and Chinese toons are shaded. Behind the screen wall is the second courtyard with rockery bamboo and lotus pots. Behind the courtyard is the living room, the inner room and the wing, and there are cloisters around the patio. There are two flower beds, four seasons in the east and peony spring in the west. Osmanthus fragrans and Tianzhu are also planted in the small courtyard in front of the wing. Finally, the back garden is not as small and exquisite as the Jiangnan garden.

Yang Shouyu's mother Liu is Liu Haisu's aunt. Liu Haisu and Yang Shouyu are the same year, only a few months apart.

Liu Haisu's home is in Qingyun Square, not far from here. This is a good way out, crossing the bridge and river, turning a few secluded alleys, about a mile away, is the Liu family's deep house compound. Before and after the five entrances, tall buildings stand tall, with nanmu hall and courtyard paved with bluestone, just like a rich gentleman. Behind the house is also a garden, with Taihu Stone listed, flowers and trees planted everywhere, and pictures of the four seasons. This is a paradise for pleasure and a world of art.

Yang Shouyu often goes to his uncle's house with his mother, and he is also familiar with the stones in the well and the fragrant path in the garden that day, and he is more familiar with the question of whether to guess or not. Liu Haisu is Ji Fang, because he ranks high in Laojiu, so Yang Shouyu calls him Tian Wen.

Family friendship gave them childhood love, and they also had their own misfortunes when they were young. Yang Shouyu lost his father at the age of 9, that is, he lived with his mother in the Liu family. Liu Haisu 14-year-old mother died, and Yang's mother was the housekeeper of the Liu family. The two families in Liu Yang depend on each other, and the children sympathize with each other in the absence of love.

Yang Shouyu once studied embroidery with her cousin Zhuangcheng and fell in love with painting. Liu Haisu began to learn painting at the age of six, but he can draw himself in a scrawl. Seeing that the children like painters and have a certain talent, the Liu family specially invited a tutor named Du to teach Liu Haisu and Yang Shouyu painting. With the teacher's guidance, the children's progress is also fast, with flowers at the bottom of the pen, mountains and water. Yang Shouyu is very envious of the intelligence and talent of Tian Wen. A picture of a "crab" is vivid and childlike. Liu Haisu also likes her cousin's diligence and delicacy. There is a starling picture in mustard seed garden, but it was embroidered by Yang Shouyu, who is 14 years old. Its shape and spirit are both smiling and jumping out, as if talking to people.

19 10, that is, when they were 15 years old, Liu Haisu set up a Chinese painting museum at his home in Qingyun Square, which was really narrow-minded and ambitious. But it was difficult for my daughter to leave home at that time, so only a dozen girls from relatives came to the museum to study painting, and Yang Shouyu was one of them.

Specialized museums are mainly self-taught, painting or sketching in the morning, reading painting theories in the afternoon, evaluating each other's paintings, and adopting the mixed learning mode of old-fashioned academies and workshops. So Yang Shouyu had the opportunity to get along with JIU ge.

Teenagers' love is natural and can't be hidden, just like plum blossoms jumping into the snow and red apricots coming out of the wall. Liu Haisu's sister, Mu Ci, has already seen the clue.

Jiu Ge, how's Cousin Xiang?

Sea millet couldn't help face a red, just nodded.

Looking at Jiu Di's innocence and sincerity, Sister Mu Ci patted him on the shoulder and said, Don't worry, I will help you and fulfill you.

16 years old, Liu Haisu's father wants to propose for him, and Liu Haisu is full of joy. He knows that his father likes cousin Xiang. She is the best student in the art gallery. Her father came to the art gallery to see Cousin Xiang's paintings, which were not bad. She likes Cousin Xiang's cleverness and diligence, and once told her, "Jiu-Er, Xiangyun is our closest relative, so you should help her more.

Yang Shouyu naturally heard some wind, and his heart was inevitably wrinkled by a pool of spring water. She also longs for the two families in Liu Yang to love each other, but she can paint and live together with Tian Wen until the geese stay in Tang Wei where reeds are full of flowers.

Liu Jiazheng was busy shopping for dowry. Liu Haisu was still in the fog, and the answer to marriage finally came out of his father's mouth. It was originally hired by Miss Jia Lin, the daughter of Danyang Lins Bank. Like a bolt from the blue. Liu Haisu was dumbfounded, surprised and confused, but his words were clear. He was angry and burned his face.

Liu Haisu ran out to find Mukherjee.

Sister, you said you would help us, help us, but now. ...

Obviously they are a natural couple, how can they be compatible with each other? MuXiJie sighed, nine younger brother, elder sister also loathe to give up you, but what can I do now?

In fact, Yang Shouyu was already in tears. Half a month ago, she left Liu's home with her mother, who knew it well and didn't want to hurt her daughter's heart. And Shouyu has been asking, why not let her learn to paint with JIU ge. The mother felt her daughter's doubts and anxiety from her eyes, but she couldn't bear to say it.

Hua, you are a big girl ... God, he proposed. ...

Whose family? Shouyu asked eagerly.

It's Miss Lin from Danyang.

Ah-

Mother was waiting for a word of encouragement, but Shouyu leaned forward and ran back to the room, closing the door and sobbing.

Liu Haisu can't stand the injustice of fate any longer. He rushed out of the house with tears in his eyes and went straight to Yang's compound. He has a lot to say to his cousin. The doorman told him that Miss Hua had left and gone abroad to study. He didn't believe it. He stepped into the gate, but there was no response everywhere. The rockery and bamboo in the yard are still there, but the lotus jar is full of fragrant leaves, which are haggard and ugly with the heart in the west wind!

Yang Shouyu and her mother knew that Liu Haisu would come to see you. Since it is helpless, there is no need to be sad again. Besides, people are awesome. Men Yang is a prestigious family, so it's best to avoid it. Yang Shouyu studied ancient Chinese with Shi Liang's father, Professor Shi Pin. She also wants to get out of the tragedy of love and sweep away the shadow in her heart.

In order to leave loyalty and naivety to JIU ge and JIU ge forever, after much deliberation and heartbreak, she changed her name and changed Bo Yu to keep jade. She thought that God would know her pain in the future. So far away, Yang Shouyu turned her once-thought-out feelings for her relatives' children into a faint light and empathized with painting and embroidery. It seems that this is her only spiritual sustenance. Painting is her common interest with Jiuge, who regards painting as her career pursuit. After hearing that he refused to get married, Jiuge went to Shanghai to run a painting gallery and continue his career, which made Yang Shouyu very moved. She chose painting embroidery and entered the painting class of Changzhou Women's Normal School. Can't be a life partner. If you want to become an artistic bosom friend with Jiuge, this life situation has become the driving force and new vision of Yang Shouyu's life.

Yang Shouyu 17 years old that year. Among a group of lively and provocative girls, she is taciturn, quiet and reserved, self-reliant, persistent and devoted to learning. She can draw well and embroider. He is studious, courteous and courteous, which has attracted the attention of Mr. Lv Fengzi, a graphic designer and head teacher.

One day, Lv Fengzi found Yang Shouyu in his office.

Yang Sheng, young people should be lively. Why are you silent?

Yang Shouyu don't want to confide in my heart, low head, a full face of reluctance. When Mr. Lu saw it, he didn't force her to answer, so he changed the subject.

You can draw good embroidery. Who did you learn from?

Yang Shouyu talked about learning painting from her cousin Liu Haisu and embroidery from her cousin Zhuang. She speaks softly as if she were arrogant. Lv Fengzi nodded in agreement:

It is good that you have such a foundation. You should study harder and study harder. After graduation, will you be a teacher in my regular girls' school?

Sure! Yang Shouyu's eyes showed a smile and gratitude.

As an artist and educator with progressive ideas, Yang Shouyu has great respect for Mr. Lu's personality, knowledge and accomplishment. Teacher Lu gave her careful guidance and training, which enabled her to have a deeper understanding of the educational thought that goodness and real existence can only exist if there is love and beauty, and drew nutrition and strength from it, and made continuous progress, becoming a graduate with excellent academic performance as teacher Lu hoped.

19 15, Yang Shouyu was hired by Lv Fengzi as a painting technology teacher in Danyang ordinary girls' school. Here, she can continue to learn painting from Mr. Lv Fengzi while teaching, which is the artistic path she originally chose. My cousin Liu Haisu is also on the road of art, and I think my cousin will be happy with his choice, because painting is their common interest. Birds fly separately, but struggle in the same artistic sky, and art becomes their soul.

At that time, Liu Haisu had served as the vice president of Shanghai Academy of Fine Arts. The development of his career makes him satisfied, but it often leads to regrets in the past. My cousin's jade pot Bing Xin still touched him, and he never had a chance to paint plums in the snow with his cousin, so the faint fragrance-like thoughts floated in the oblique thin shadow of his heart.

As it happens, in 19 16, Lv Fengzi took over as the president of Shanghai Academy of Fine Arts and concurrently served as the president of Teachers College, so Liu Haisu naturally got this information from Yang Shouyu.

Yang Shouyu was trained by Mr. Lv Fengzi in regular schools, and made some progress in art, broadening his horizons and thinking. In teaching practice, she has independent thinking about embroidery. She thinks that embroidery and painting tools are different and should have their own characteristics. However, embroidery recorded from history to modern times is just like painting, because the traditional embroidery methods in the past all used parallel needles and parallel color lines in the same direction, which restricted the expressive force and creativity of embroidery. In order to make embroidery an independent plastic art, we should make great changes in the embroidery tool-needle and make full use of it. She started the research of embroidery stitch and explored it on a long road. After more than ten years of hard trial and error, she integrated the principle of using color in western painting into embroidery techniques. Using random stitches, colored lines with different directions and different thicknesses and lengths, it was made many times, creating a random stitch embroidery method.

1928, Yang Shouyu's first embroidery "The Old Man" appeared. For thousands of years, plane embroidery has suddenly become three-dimensional, and its rich colors, vivid descriptions, smooth lines and free and easy are refreshing, which shocked the embroidery circle in animation. Since then, China traditional embroidery has opened up a new artistic world and erected the third milestone. Its artistic transformation has had a far-reaching impact.

While Yang Shouyu was studying the method of needlework, his cousin Liu Haisu in Shanghai caused a lot of trouble. Shanghai Academy of Fine Arts opened a class of mannequin sketch, and exhibited some mannequin sketches. At that time, public opinion was in an uproar, and hypocrites were even more furious, calling Liu Haisu an art traitor and educating thieves. Later, it was repeatedly oppressed by bureaucrats, warlords and the government.

This storm has been going on for 10 years, so how is Yang Can's edict unknown? She is interlinked with Liu Haisu's artistic mind. Her husband's model is that thing, and European artists are the necessary auxiliary in her works. She should shoulder the responsibility of defending artistic truth with her cousin.

The creation of random needle embroidery created conditions for her. She challenged secular ignorance with needles and colored lines in her hands, and embroidered two female nude works, Girls and Goose and Bath, which silently expressed Liu Haisu's language with rich colors and vitality, and the beauty of human body was the best, showing the true meaning of art and the progress of ideological culture. His works were exhibited in Jiangsu Province, which caused a sensation.

There are ups and downs in artistic acquaintance. After liberation, the Shanghai Academy of Fine Arts was merged into the newly-built East China Academy of Art with the adjustment of departments, with Liu Haisu as the president. Considering the development of new China fine arts, he thought of Yang Shouyu when he set up the department. He knew that Yang Shouyu climbed the peak of embroidery without fear of difficulties and won the respect of the society with his artistic conscience, character and achievements. 1935, Jiangsu Provincial Department of Education awarded Yang Shouyu the prizes of random needle embroidery and machine needle embroidery, claiming that the embroidery method is perfect, even though there is no place in China that is good at embroidery. During the Anti-Japanese War, he moved to Bishan, Sichuan with Zheng Zheng School, and taught at Chongqing National Art College from 65438 to 0944. Yang Shouyu was approved as an associate professor by the Ministry of Education. His masterpiece "Roosevelt Xiu Xiang" was presented to American President Roosevelt as a national gift after the victory of the Anti-Japanese War (the work is now in the National Gallery of America). Liu Haisu wants to set up a painting and embroidery department in the Art College, and Yang Shouyu is the most suitable candidate. In order to be serious, Liu Haisu asked Peng Baishan, Minister of Culture of East China, who sent a letter of appointment in the name of the Ministry of Culture of East China and invited Yang Shouyu to engage in embroidery research in Shanghai.

Yang Shouyu hesitated with the letter. 1947, due to the mental shock of my mother's death during the Anti-Japanese War and long-term embroidery fatigue, I couldn't get up my right arm and left Danyang to return to Changzhou to recuperate. She loves art. Although she was ill, she didn't completely stop painting and embroidery. Her spirit does it one brace up, people have not forgotten her and her embroidery, which is really a good opportunity to promote embroidery and develop the art of embroidery. However, considering the background of the letter, when it was recommended by my cousin Liu Haisu, the water stop of the well in her heart made waves again. Liu Haisu is an influential artist at home and abroad. If you study art with him, you will certainly make great progress. However, the front edge broke early and kept jade for many years, and Liu Haisu is a married man, so it is inconvenient to get along together. She is an extremely self-respecting person. Hesitated, she declined the invitation of East China Ministry of Culture, that is, her cousin Liu Haisu.

Still the soul of art. Xie Xiaosi, a former colleague of Zheng Zheng Girls' School, became the director of Suzhou Education, advocated the establishment of embroidery school, and hired Yang Shouyu as the principal. Yang Shouyu declined, only willing to be a consultant, and then continued her art education and artistic pursuit in Suzhou Embroidery School. She didn't let Liu Haisu down.

In the early days of liberation, people's worship of leaders was a universal mentality. It is said that a peace conference in Asia and the Pacific will be held in Beijing, and Yang Shouyu sincerely hopes to defend the peace of people's leaders Stalin and Mao Zedong Xiu Xiang. 1952 She is 57 years old. Although her eyesight is declining, she still tries to improve her embroidery skills and concentrate on it after class. Six months later, she embroidered two giant statues of Marshal Stalin and Chairman Mao, hoping to present them to the conference. But I didn't know how to present it at the moment, so Yang Shouyu thought of Liu Haisu. When my cousin makes friends with people from all walks of life, there will be ways to help him express his wishes, so he asked the parties to take the works to Liu Haisu.

Liu Haisu opened two photos of Xiu Xiang and was surprised. I only heard its name before, but now I see it. In fact, what a beautiful work of art it is! He was gratified by Yang Shouyu's artistic creation and achievements, and even more moved by his cousin's persistent loneliness of keeping house and enriching life value with art, so I gladly wrote to Guo Moruo, praising Yang Shouyu's pioneering embroidery method, combining painting and embroidery with needles instead of pens and colored silk as painters, forming his own character, and recommending two Xiu Xiang for future generations of the conference.

Yang Shouyu finally got his wish, and expressed the voice of the people of China to safeguard world peace with his own works. The two leaders, Xiu Xiang, were welcomed by the participants. Later, Stalin's embroidery was given to the Soviet Union as a gift.

Watch the sunset glow in the red chamber.

Flowers bloom and fall, clouds roll and clouds relax, the anti-rightist struggle, the Cultural Revolution disaster and suffering have sharpened Liu Haisu's art and life. Yang Shouyu often sits by the window, facing Tianzhu, who is imprisoned in the yard, listening to the river beating on the bank of the soul in front of the street. In panic, it seems that Haisu's brother's eyes are facing her, and there is hope in sadness. As long as he has a little freedom, he can't give up art, so he picks up a pen and needle from time to time and has a hard time.

For decades, science and culture have a second spring. 1980 10, Liu Haisu returned to Changzhou, his hometown after a long absence, surrounded by flowers and crowds, applause and local accent. Isn't the homesickness of a wanderer a person who was born and raised in Sri Lanka? Cousin Yang Shouyu is in Changzhou. Can I meet her? Let the phantom of the soul return to the reality of life, and he revealed his thoughts to receptionist Xiaojin.

Xiaojin enthusiastically made arrangements. One sunny afternoon, they drove to Gujia Lane, Qianju Street. Liu Haisu was a little excited, but he got off and stopped. His eyes have been unrecognizable, and they are no longer the Yang's compound in memory. Hands still trembling slightly, adjusted her clothes and gently pushed open the small courtyard door.

He followed people into Yang Shouyu's bedroom, the floor creaked under his feet, and some furniture with mottled paint was an old acquaintance. Cousin lives in such an environment? He is a little sad; However, one room is neat and clean, which shows Yang Shouyu's poor self-control and gives him more respect. Looking up, he saw a slightly yellow black and white photo hanging on the wall, which he was familiar with. He is handsome, dignified and quiet, just like his cousin Yang Shouyu when he was young! 60 years, this 60 years, Liu Haisu's eyes looked around, why can't I see the shadow of my cousin Shouyu?

Yang Shouyu is in the back room between the bookcases. When she heard that she was going to meet the sea millet, she was very excited, and her heart kept rolling, so that she was a little restless and didn't think about tea and rice. She kept the time and looked forward to seeing Hai Su's brother again. But at the last minute, she hesitated, became timid, and was locked by heavy worries and strong self-esteem. So she hid in the back room and sat upright in a corner of the room on crutches. Listening to the sound of the floor, I knew there was Hai Su's footsteps. Listening to other people's words, but I can't hear brother Hai Su's voice.

In the end, Liu Haisu just told Xiaojin gently while waiting. Professor Yang may be too excited and unwell, so he can't come out to see you at the moment. ...

After Liu Haisu left, Yang Shouyu fell into the same mental pain. I really regret that I shouldn't have hurt my cousin's heart too much. After persuasion, I contacted them again and arranged for them to meet in the red room near the garden where Liu Haisu lived.

One afternoon three days later, when he was ready to leave, Yang Shouyu was at a loss and hesitated again. No, I'm not going. I am so old, what should I do? Yang Shouyu is a beauty lover, but she looks very old when she looks at herself in the mirror. Let cousin Haisu keep the impression of her youth. However, it's hard to calm down, sit there constantly stroking the teacup and meditate alone. How good is this? How good is this? To release the mental burden of missing for 60 years, this opportunity can no longer be given up. Just remember what to wear. Looking around, she is poor and has almost no decent clothes. A navy shirt is a little better, but it's too short to try on. Finally, I dug out a blue wool coat and covered it with a black wool coat, which was quite decent. Paired with blue pants and black shoes, it is simple, neat and generous. But she is still afraid of an accident, nagging: is this good? Car horns sounded outside the door.

Yang Shouyu was received by the Red Chamber, and Liu Haisu greeted him at the door. Look up at each other, but be silent. This depth of life is frozen in the air. Liu Haisu woke up from a dreamlike trance and slowly reached out and shook hands with Yang Shouyu. Yang Shouyu said, we are all old! The subtext in the words is their inner resonance. Liu Haisu patted his cousin's hand. You and I haven't seen each other for decades. How time flies!

After that, he froze in boundless meditation.

They were reminded to enter the room. After the photographer took photos of Baishi Club for Liu Haisu and Yang Shouyu, many people quit and let the two old people talk freely. ...

A touch of the afterglow of the sunset shines on the red chamber, according to this concentrated sixty years of life. A thousand years, the eternity of empathy. Also known as formal embroidery and brocade embroidery. It is a new type of embroidery suitable for embroidery appreciation. Luan Zhen embroidery was founded by Yang Shouyu in 1930s (see Yang Shouyu). Random stitch embroidery mainly uses long and short crosshairs and layered coloring to express the picture. Lively needling, smooth lines, rich colors, strong layering and unique style. Good at oil painting, photography, sketch and other embroidery works. On the basis of inheriting Yang Shouyu's needlework, Suzhou Embroidery Research Institute innovatively developed some embroidery techniques, such as true and false needlework, double-sided needlework, double-sided different needlework, double-sided three-sided different needlework and so on, which raised the needlework skills to a new level.

On random needle embroidery

Random needle embroidery was initiated by Yang Shouyu, a famous Suzhou embroidery artist in China, in the early 1930s. She used the traditional embroidery method of arranging stitches and closely connecting lines to create a short, layered and colorful crisscross technique, and embroidered figures, landscapes, still lives and animals. The appearance of random needle embroidery is a major breakthrough in China's traditional embroidery for thousands of years, and a pioneering work of the integration of western painting and Chinese embroidery, which opens up a broad prospect for a higher artistic level. Hendrick Chin A Sen, a disciple of artist Yang Jingyu, inherited the style of his former teacher. Her portrait "Happy Old Man" is embroidered with needles, and the image is bright and prominent, with a cheerful look and strong appeal. Wrinkles on the face, loose skin, fluffy silver hair, especially flowing beard are the inspiration of the whole work.

After the successful development of random needle embroidery in Su embroidery works, it is no longer all small animals, but a colorful embroidery world. Robert Ke Qiumu, a famous American photographer, was fascinated by the exquisite magic of oriental art after embroidering cedar into Suzhou embroidery.

Characteristics of random needle embroidery

Random stitch embroidery is a new embroidery art created by the combination of painting theory and embroidery theory, and it is a needle painting made by using special random stitch technique. Is to use needle and thread as a tool. Lines with different directions and colors overlap and stack to express the sense of volume, the spatial relationship between the front and rear objects and the color change. The remarkable feature of random needle embroidery is to get rid of the traditional operation method of closely connecting its needles and arranging its lines, and not stick to dogma, so that the author can freely express his thoughts and feelings. Therefore, random needle embroidery has its complicated technological requirements and becomes an extremely precious art work.

The complexity and preciousness of random needle embroidery is chaotic, reasonable and regular. Chaos is to achieve overall unity and more vivid changes. Embroiderers should use the length, thickness and density of lines according to their own intentions. Command the needle with emotion, express the meaning with line, and blend the feelings. According to the changing law of light and color, the line beauty and three-dimensional texture of the works are reflected through rich and diverse needles and lines. So that all the chaos we see from the works is reasonable and regular, which makes people feel the vitality of generation in chaos and the feeling of movement in chaos. The needle and thread are so freely overlapping, so just right.

Random needle embroidery pays special attention to color effect, which is much stronger than general embroidery. Stack the color thicker and the color effect will come out. So embroidery looks like oil painting. But it's different from oil painting. Because the silk thread is shiny, the color changes of various lines in different directions on the embroidery surface are different under the light in different directions. When the light is strong or weak, the effect changes differently when viewed in the bright and dark, and when viewed from the front and side. When two colors are mixed together in oil painting, they become another hue, and the original two colors no longer exist. The color sense of the third tone can be obtained after the two color lines overlap on the embroidery surface, and the original two tones still exist. Therefore, it is more colorful and brighter than oil painting, forming a unique style of embroidery.

The author of "Random Needle Embroidery" must have an oil painting foundation, which requires not only basic knowledge of painting, but also skilled painting skills. At the same time, I can master embroidery theory and have skilled embroidery skills. Therefore, the author must go through long-term hard training and rely on the experience accumulated in practice to engage in production. An independent embroiderer needs 5- 10 years of professional practice.

The difference between random needle embroidery and general embroidery lies in the long creative cycle. Before making it, you should draw a sketch and a color draft. You need to think about the expression method, operation steps and the effect after embroidery. When you know it, do it.

The operation is not a thorn, usually three times. The first layer should be painted with a background color according to the outline and color blocks of the embroidery draft. The lines of the background color should be thicker and longer. When the second layer is fine, we should pay attention to the top order. Generally, the large area and the object behind it are stabbed first, and then the small area and the object in front are stabbed. The last important and eye-catching work should take care of the relationship between the whole and each object. The third layer carries out fine artistic processing, focusing on the changes of lines, light and color, and unifying the light and color on the whole embroidery surface with bright and dark lines of different light colors. Show a sense of harmony between light and color. At this stage, the magic of needle, like the magic of pen, is the vitality of the art of needle painting, the embodiment of the author's thoughts and feelings, and an important symbol to measure the artistic level of the works. Therefore, at this stage, such as river transportation and color selection, we must carefully consider before we can put the needles decisively, so that each needle and thread can be properly reflected on the embroidery surface, and the lines can be vivid and unremarkable. At this stage, we should give full play to the splitting technology. According to the needs of the theme, the author should split a conventional silk thread into several branches to stab when expressing the characteristics of the combination of thickness and fineness in random needle embroidery, especially when expressing some objects such as human skin. In order to achieve a delicate effect, we should consider determining the thickness of the line. At the thinnest time, the mitosis reached 48%, which shows how delicate and difficult the operation is.

To sum up, the work flow of random needle embroidery is much more complicated than the general temptation, and each work takes a long time. For example, a portrait embroidery with a specification of 40cm×5cm takes more than three months. Some fine products took nearly a year to complete. Therefore, the works of random needle embroidery are rarely circulated in the market.

Changzhou Institute of Arts and Crafts is a professional unit that taught the skills personally by Professor Yang Shouyu, the founder of random needle embroidery, and trained a number of successful successors of random needle embroidery. Most of them have high and intermediate technical titles recognized by the state. It has become the fixed-point base with the longest development history and the strongest technical force in China. He has twice won the Golden Cup, the highest honor in the country. Over the past 30 years, the works of random needle embroidery have spread all over the world in nearly 100 countries and have been embroidered by many foreign heads of state. As a precious work of art, random needle embroidery is widely collected by people from all walks of life at home and abroad. Make great contributions to the development of traditional culture in China.

In addition, there are no other special requirements for the preservation of embroidery works except avoiding strong light irradiation and paying attention to moisture prevention.

In a word, Suzhou embroidery is the crystallization of the artist's pure artistic sentiment and wisdom. Shrinking thousands of miles to a foot wide, embroidering is full of fun, using less to win more, using virtual instead of real, and using small needles to express feelings, which is the charm of China Suzhou embroidery art.