What was the first movie that used bullet time?

The early bullet time effect even appeared before the cinema. Eadweard uses cameras placed on the track to photograph Mercedes-Benz horses. Each camera is controlled by a tight rope on the track. The shutter of the camera was triggered when the horse ran by. The original purpose was to solve an argument put forward by the governor of California: whether animals can leave the ground on four legs at the same time. Later, he put these photos on the rotating glass plate in front of the light source and synthesized a set of original animations. His animal goggles may have provided Thomas Edison with inspiration for studying and inventing movies. (Hendricks1961) Muybridge also filmed movements from all angles at the same time, and made some research on how the human body climbed the steps. The special effects used in The Matrix and other movies are basically shot in the same way. Of course, because muybridge's research has not reached the depth of later development, the aesthetic effect achieved is not the same as that of The Matrix. Another person who has made achievements in bullet time may be Doc Edgerton, a professor at MIT, who took pictures of bullet movement with a high-speed flash in the 1940s. John Woo is famous for often using slow-motion effects in movies, such as his heroic qualities and difficult detectives. These films have influenced other media, such as the computer games max payne and The Matrix series. Before the technology that can apply this effect to real shooting appeared, bullet time was a common concept in cartoons for a long time. One of the earliest examples is the subtitle effect of the Japanese animation series Mach Gogogo in the late 1960s: when the protagonist Speed jumped out of the Mach 5 car, he stood motionless in mid-air, and then the camera made an arc angle change effect from front to back. The first music video using bullet time was bjork's My Army, directed by michel gondry at 1996 [1]. In Stendhal Syndrome, a horror film shot by dario argento in 1996, CGI and a bullet were used to show the effect of bullet time. In the BBC documentary series Close Universe: Human Body (1998), Tim Macmillan used time division to show the effect of bullet time. 1994, Dayton Taylor invented a movie-based system called TimeTrack, which was applied to many TV programs. [2] This effect is also used in the movie oscar pistorius and the sequel oscar pistorius II, Blade II. 1998. The bullet time is widely known for the movie The Matrix (1999). John Gaeta and his team extended this effect by using digital technology, including modifying frame sequences and processing images with CGI. From beginning to end, this film runs through BUF's leading perspective changing technology, michel gondry's music videos and GAP (clothing brand) and other products. In 2003, the time of neutron bomb was further developed in Matrix 2: Reloading and Matrix 3: Revolution. High-resolution computer-generated methods, such as virtual photography and holographic capture, are used in the film. The virtual environment in The Matrix trilogy is based on the most advanced computer image rendering technology, which was first used in the film "The hunchback of notre dame" created by Paul Debevec in 1997, and was improved by George Borshukov, Debevec's early collaborator. Bullet Time is a registered trademark of Warner Bros., the matrix publisher. Previously, it was a registered trademark of max payne developers in the 3D field.