Where was Xia Jinshan born?

Xia Jinshan, a native of Mianxian County, Shaanxi Province, is a modern painter in China. Good at landscape painting. I studied under Mr. Zhang Zhenxue from Shaanxi Academy of Traditional Chinese Painting. 1999 held a solo exhibition in Shaanxi Art Museum. He has served as an external lecturer of Xi Academy of Fine Arts for many times. At present, he is a painter of Chinese Painting and Calligraphy Institute in the Art Development Center of the Ministry of Culture, a member of Shaanxi Artists Association, a member of China Communications Painting and Calligraphy Association, a member of China Calligraphy Art Research Institute, and an artist of An Communications Collection Office. From 20 10, a personal gallery will be established in Rongxing Art Museum of Rong Baozhai Building.

Chinese name: Xia Jinshan

Nationality: China.

Ethnic group: Han nationality

Birthplace: Mianxian County, Shaanxi Province

Date of birth: 1945

Occupation: painter

Representative works: Qinba Passage, thick soil in Weibei, after the rain in Qinling Mountains, brown in southern Shaanxi, surging crowds.

outline

Mianxian County, Shaanxi Province, born in 1945, graduated from the research class of Wuxi Calligraphy Art Institute, and worked in cinema art on 18. I studied under Mr. Zhang Zhenxue from Shaanxi Academy of Traditional Chinese Painting. At present, he is a painter of Chinese Painting and Calligraphy Institute in the Art Development Center of the Ministry of Culture, a member of Shaanxi Artists Association, a member of China Calligraphy Art Research Association, a member of China Communications Painting and Calligraphy Association, and an artist of Anjiang Communications Collection Office. 65438-0999 Shaanxi Art Museum held a solo exhibition "Xia Jinshan Painting and Calligraphy Exhibition" and published it as a product and a brief comment in the special issue of Culture and Art Newspaper. He has served as an external lecturer of Xi Academy of Fine Arts for many times. He has traveled to Tibet, Fengkai, Taibai Mountain, Qinling, Hanzhong, Ankang and other places to collect wind and sketch. Good at landscape painting.

artistic career

1993 The Chinese painting "Qin Ba Tong Tu" entered the China Traffic Painting and Calligraphy Exhibition and was exhibited in the People's Military Museum of China.

1995 China Road Cultural Calligraphy Competition won the third prize. "Weibei Thick Soil" entered the third National Urban Games Art Exhibition, and was exhibited and collected in Jiangsu Art Museum.

1996 After the rain in Qinling Mountains, Mao Dun entered the Zhejiang Painting and Calligraphy Exhibition for the centenary of his birth and was collected.

1998 participated in the China culture and art seminar "Home in Lu Hua, Hanjiang River" and won the Excellence Award.

1999 Shaanxi Art Museum held a solo exhibition "Xia Jinshan Painting and Calligraphy Exhibition" and published his works in the special issue of Culture and Art Newspaper.

In 2006, Beijing International Handicraft and Calligraphy Fair won the gold medal, and in the same year, two works were selected for the Library of Contemporary Painters in China.

In 2007, Mize Chang 'an Eight-person Painting and Calligraphy Exhibition was held in Anliangbao Building, Xi.

In 2008, Xia Jinshan Painting Collection was published.

From 2009 to 20 10, he founded his personal gallery "Seeing the Mountain is the Mountain" in Yibo City, Yu Mingxuan, Guangzhou.

From 20 10, a personal gallery will be established in Rongxing Art Museum of Rong Baozhai Building.

Main work

His main works are: Night Wind in Linjiang Village, Mountain Spring Runkou, Shannan Brown, Chunrun Mountain Villa, Shui Yang Family, Crossing the Shu Road, Autumn at the Estuary, Reed Grass House in Hanjiang River, Mountain Front, Chachuan Fishing Village, Lijiang River _ Spring and Half Time.

Publication: Xia Jinshan Painting Collection, etc.

Character review

1. Simple, clear and tasteful.

Anyone who leads his life into the art path may have different natures or sincerity, so long as he holds one of them, he can enter the Tao. The difference is that it is easy for ordinary people to enter the Tao, but difficult to keep it. They are proud of their talents, follow their feelings, or have achievements, mostly instantaneous glory, which is difficult to become a big pattern; A sincere person is easy to enter the Tao or keep it when it is difficult, make progress despite difficulties, be neither arrogant nor impetuous, and be honed for a long time, only when he has to work hard can he be understood and gradually gain something. The former is a prodigal son and lover of art and a colorful movement of life; The latter is a pilgrim and believer of art and a necessary destination for a safe life. Of course, there are both, and that is God's favorite.

Jin Shan is not a talented painter, but a devout pilgrim on the road of art. As a pilgrim, he does not talk about the level of talent, but only asks for sincere respect from the heart. If you are sincere, you will have spirituality. If you focus on small spirits and maximize them, it will pay off. Jinshan and I are fellow villagers' friends. We have known each other for nearly 30 years, and what we feel most is the word sincerity, followed by a good word and a pure word. People serve art, and Jinshan is true, sincere, perfect and pure. She is like a clear spring, living in the world of mortals, spreading that love and guarding that purity. Painting is painted by people, and character determines painting. There are high and low paintings, as well as authenticity. The height comes from cultivation, and the truth comes from nature. Appreciating art is actually reading life. You can see the popularity and spirit through the works. The popularity is pure and the spirit is positive, so the works are fresh, attractive and credible, no matter how high or low. Clear water means no fish. People are pure and virtuous. Virtue is the maintenance of talents. Only when they are big and small, will virtue finally be cultivated into a positive result without losing the right path. Jinshan has been close to art since childhood. Although she didn't receive college classroom education, she was frustrated and unemployed by self-study at the Expo. However, her persistence and efforts have reduced those utilitarian impulses and increased her defensive indifference. She regards painting as a beautiful and suitable way of life, not a so-called "career" that pursues fame and fortune. In his early years, he studied painting in Mianxian Town in the upper reaches of Hanshui River. Restricted by conditions, he followed suit, but he benefited from his hometown Shuiling Mountain and admired Mr. Fang Jizhong's painting style and personality, and his right heart was a model. After sincerely touching God, he got the opportunity to settle down in Xi 'an, the provincial capital, so he specialized in Chinese painting landscapes and calligraphy, but he was even less confident under the guidance of Mr. Zhang Zhenxue, a rural teacher. Accumulated a lot of money, won a lot of awards at the exhibition, and made a name for himself, which is known to everyone in the circle.

Jin Shanqi's paintings are law-abiding, clear and tasteful, revealing true feelings and conveying personal free breathing. Beneath the childish pen and ink, there is a pure and cool heart, such as drizzle moistening things, pleasant breeze and flavor. It is not illusory or vulgar, but it is Jinshan's artistic style to keep sincere harvest, modest expression and natural speech. This style, seemingly simple and plain, is actually chasing the wind and waves, but it is a rare quality in today's art world. Although Jin Shan entered the Taoist temple late and made her debut late, I think that as long as she persists in this style, she will become brighter and brighter in the evening and find solace in a mature and colorful self.

-Sketching Xia Jinshan calligraphy and painting/Shen Qi

2. A painter who knows destiny lives in the ancient capital and moves to rivers and mountains. He always heard the spirit of the mountain god calling him, so he went alone with a painting bag on his back. Take the Shu Road, visit Bashan Mountain, cross Wuxia Gorge, climb Lushan Mountain, cross rivers and lakes, travel all over Suzhou and Hangzhou, or climb Taibai, Lianhua Yue, not afraid of Sichuan, cross loess, face hukou, chase quicksand and collect some strange peaks and strange valleys, clear blue rocks, ancient trees and orchids, wild cloud smoke, Chengtan Waterfall, stone path grass houses, rock villages and forests, and mangyuan Changchuan.

All kinds of painting materials and scenery are given by heaven, which is a rich reward for wandering. They are full of natural lifelessness of heaven and earth, and they are full of vitality. How can we understand and feel from the busy studio and other people's pictures?

Heaven and earth gave Jinshan a painting, not only stuffed it into his painting folder and filled it with his painting paper, but also was willing to recreate the painter with its true spirit, calling him back to his true nature and becoming an integration of mountains and rivers, and then lived this real life of heaven and earth on pen and ink painting paper. To this end, I want to give an old friend an old saying: The Zen master said, "The old monk regarded mountains as water in the first ten years, but not in the second ten years."

—— Text/Diao Yongquan

artistic tourism

Seal off the wind

In 2009, in Jiangkou Town, accompanied by Xie, vice chairman of the County Federation of Literary and Art Circles, he successively went to Shili Gallery in Liandu, Fengfeng, Yangchi Ancient Village, Jiangkou Land and Water Wharf, boatman in fishing village, Xijiang Second Bridge, Tashan, market and other places to paint vivid pictures of Jing Danqing. Xia Jinshan's painters described the ancient capital of Lingnan with different pen and ink and shades-pastoral scenery, morning fog in Jiangcheng, fishermen's picnics and picturesque rivers and mountains. Calligraphy lovers from County Calligraphy Association, Poetry and Calligraphy Research Association for the Aged, Gymnasium, Yangchi Ancient Village, Guangxin Mountain Villa Bookstore and other places had a pen meeting with Xia Jinshan to learn skills, which gave calligraphy and painting photographers in our county a rare cultural and spiritual enjoyment. Xia Lao said in an interview with reporters: "There are many sketches this time, and the enthusiasm and cultural heritage of the people are very touching. I am very enthusiastic. I plan to stay for ten days and one month. Water and sky are the same here, and the mountain city is endless; The river is bigger than the city, there are more boats than cars, and the scenery is spinning; In addition, Lingnan culture is close to Central Plains culture, which is very intimate. Our "Chang 'an Painting School" painters will come here in large numbers. " This time, Xia Jinshan exhibited more than 65,438+000 paintings and 25 sketches in Lingnan. He also took the works of this trip back to Shaanxi to hold an exhibition and selected a set of paintings.

It is reported that Xia Jinshan, a native of Mianxian County, Shaanxi Province, is now a member of Shaanxi Artists Association, China Communications Painting and Calligraphy Association, China Calligraphy Art Research Institute and an artist of the traffic levy inspection office. He has studied calligraphy and painting for more than 40 years, and his works have been exhibited in Beijing, Nanjing, Zhejiang, Shandong and Xi 'an. /kloc-held a personal painting and calligraphy exhibition in Shaanxi Art Museum in October, 1999, won the gold medal of Beijing International Handicraft Calligraphy Association in 2006, held an eight-person painting and calligraphy exhibition of Mize Chang 'an in Anliang Baolou Art Museum in 2007, and published Xia Jinshan's paintings in China Ink Master Series in 2009. His works have been published in newspapers, magazines and dictionaries for many times, and have been interviewed and reported by Shaanxi TV Station, xi TV Station and Xinhuanet. (yellow) according to

June 24, 2009-Zhaoqing News Report

works appreciation