After reading 600 words in the third time in Xiao Dai.

Tiny Times 3 Review and Film Review: Innocence Behind Luxury

Let's talk about small times. I've never made a sound in this series before. I'm not interested because I haven't seen it. I can't watch it. Last year, the online abuse of the two factions in this series naturally did not participate. I accidentally saw Tiny Times 3: The Age of Golden Assassination, and I was invited, but I went bravely because I was not interested in it. After reading it, I wanted to find out, but I found the first two tutorials and summarized some opinions.

When it comes to childhood, the word "controversy" is inevitable. Last summer's "grand occasion" is vivid in my mind. In the words of scholars, small times can be called dynastic history. The film basically represents the generation gap after 70, 80 and 90. Whether it is the spirit of material enjoyment emphasized in the film or the world of handsome men and beautiful women, these expressions have been amplified beyond the film level and rose to the level of game between world outlook and values. In fact, this series promotes the enjoyment of material life. The extremely luxurious clothing accessories and various world-famous brands in the film gather here, among which the values of "money worship" and "material supremacy" have attracted controversy from netizens.

In fact, there is no need to be so online. To be fair, most of the controversial views on the internet craze focus on the stream of consciousness contained in movies, not the movies themselves. The first two films in this series earned 770 million box office, and the power of fans is endless. In fact, the "small age phenomenon" is considered from another angle. The attitude of middle school students towards the film is quite similar to that of chasing the four kings of Hong Kong when they were students in the 1980s. It is unreasonable in the eyes of the older generation, also called the generation gap.

Throughout the series "Tiny Times", the descriptions of love and material are relatively direct and idealistic, especially the third one, which is what girls at the age of dreaming yearn for. Everyone has dreamed of fashionable clothes, gorgeous dreamlike emotions and the pursuit of life and material enjoyment. Perhaps, as we did at that time, we were in the mood for love, never experienced the baptism of society and didn't realize the reference of reality. From emotion to material, all seemingly glamorous and idealized pursuits have become spiritual food, while the series of Tiny Times has captured the mentality of the dream-chasing teenagers of that era and visualized them. Everyone is frivolous, maybe it's not that the summer stalls are getting younger, but that we are getting older.

So this is the spiritual core of Tiny Times, just like a girl cartoon, it is too gorgeous to be true, and it is all a cloud. Of course, this is not a memorial archway for it, but just a matter of fact. Simple contradictions among the people do not have to rise to the class level. Of course, we should also study the film itself here. From the film's point of view, what did Tiny Times 3 leave for the audience?

Judging from the state of the first two films, we can admit that Jing M.Guo is a successful writer and businessman, but he is by no means a successful director. After all, Guo is not from a regular school. As far as the film itself is concerned, the narrative structure of the first two films of Tiny Times is fragmented, the rhythm is slow, and the lens is meaningless, which makes the film flashy. It is not too much to call it MV or slide show. This situation has changed a little in the second episode, and the narrative is relatively smooth, but it still lacks a reasonable plot conflict point. By the time the third episode Tiny Times 3: The Golden Age caught people's eyes, Jing M.Guo's directing technique was not abnormal, but it improved a lot compared with a year ago, which was worthy of recognition.

First of all, the plot conflict of the film is more reasonable. The friendship and entanglements of the four sisters were buried in the film. The twists and turns and sufferings they encountered in the second half of the film, and even the breakdown of their friendship, are by no means the appearance of the second episode without warning, but there are good reasons. Enterprise upheaval, lover's departure, self-worry, and sudden plot turning point make the characters in this film stop laughing, crying and yelling. The conflict between the characters in the film has been foreshadowed in the early stage and erupted in the second half, which makes the first half of the film relaxed and gorgeous, while the second half is tense and dark. Although director Guo's preference for gorgeous shots has caused some problems in the rhythm control of this film, on the whole, his impression of the film has improved a lot.

In the movie, the more important plot is that Zhou Chongguang, played by Cheney Chen, changed his face and a foreign model Lu Shao appeared. Such a face-changing plot is not uncommon in many film and television dramas. For example, Professor Du's Moon Embraces the Sun. We also need the funny scenes of cos "Mission Impossible" in the film, and the contrast brought by the difference between the virtual bridge and the real bridge. These are typical ways to deal with film and television dramas, which also enhance the plot of the film.

It is also very important that the theme of the film is more clear. Tiny Times 1 is equivalent to a fashion show without a theme. The second episode highlights the test of friendship, and the third episode is even more incisive. Jing M.Guo admits that in Tiny Times 3, the theme is different from the first two films. Although urban sisterhood and love and hate are still the content of the story, more efforts are made to convey the theme of "love". In fact, what he said is only half right. The main thread of love and friendship in the film is very clear. An important link, Tiny Times, has developed into the third part, which is no longer a simple gorgeous dream and money worship, but has become more realistic.

Tiny Times 3 actually focuses on the practical problems that the "sisters of the times" encounter in society, from the university campus to the society, in which they have experienced deception and betrayal. , and experienced the baptism of the first two. Social materialism and sharp contradictions make every character grow up in difficulties, and reality is put on a more important level in this film, whether it is the sudden change of the company's top management or the contrast between imagination and reality in stealing financial statements. In the second half, the emotional lines of the four sisters are also teetering under the impact of their own reality. The less important link in the first two films, the practical problem, has been improved in this film, and then extended to the emotional test in reality. Still an old saying goes, childhood is like a girl cartoon, a colorful dream. Although all kinds of luxury goods are still eye-catching in Tiny Times 3, after the baptism of the first two films, the protagonist in the film officially entered a complex society, which made Jing M. Guo's "love" more profound in the real growth. This is the highlight of this film over the previous two films.

After 90 s and 95 s, the love you want is very simple, and you can last a lifetime with one heart and one mind. Perhaps many friends of this age have never experienced social baptism, just like the dream of chasing the trend in the 1980 s. In Tiny Times 3, although love has experienced twists and turns, the hero and heroine have great conflicts in personality and concept, but they never give up looking for true love. Although this series has been reviled by people, don't forget that everyone has to go through that dream era, which is one of the reasons for the high box office of this film.

Of course, this film is also practical. My age is far from the values created in the film. I just discuss the film level. Tiny Times 3 still has room for improvement, but it has made progress compared with the previous two films. More importantly, this movie is more like or has more reason to be called a pure "movie".

Tiny Times 3 Review: This is the worst movie and the best movie.

Objective evaluation: A group of people with expensive clothes and exquisite hairstyles shuttled through the monkey farm, which was particularly chaotic. It must be the biggest joke in the world if a movie only pays tribute to the loyalty of friendship by brain powder, watches the erotic stimulation of high-end Chinese clothes from a distance, and wants to sell by a group of handsome guys to quench their thirst. Only Guo Caijie's acting is barely eye-catching, and I will hehehe, especially when Bea Hayden really just sits there. Just be ready, and don't tie your hair up, or you will really be disillusioned with your lines. Orz, a movie that doesn't reveal any essential phenomena must not be a good movie, so forget it after watching it.

Tiny Times 3 Review: Golden Age, Film Review: A few words to help you understand Tiny Times.

This is the direction of the film. It's just a simple spoiler, please feel it: we are sisters of the times-we are fine, we are a group of happy aunts-we are poor, our loved ones have passed away-we are too awesome, we are going to steal the plan-we are too awesome, we stole the plan-tear-tear-group-pretend-end.

Tiny Times 3: The Golden Age is a work of conscience in this era, because the protagonist of this film has at least one or more opportunities to be greeted by other characters. In order to consider the audience's understanding, Jing M. Guo lowered his figure, and all the role conflicts can be summarized in one sentence. In other words, in this movie, every character has his own judgment-

Coulee: I love you in Gu Yuan, and I hate you in Gu Yuan. You kept your family secrets from me, Lin Xiao.

Lin Xiao: I love you, sogou, and I hate you, sogou. You keep your family away from me.

Nanxiang: I love you in Tang, I hate you in Tang, and you are beating me and your family.

Don: I love you in Nanxiang, I hate you in Nanxiang, stylist, and I love your family.

Gu Yuan: I love you and I hate you. Diamond ring sponsors your family.

Sogou: I know you, Lin Xiao. I don't know you. Fate, I love your family.

Nell: I love you in Gully, I love you in Gu Zhun and I love you in Gu Yuan.

Gu Zhun: I love you, Nell. I love you, Nanxiang. You owe your family so much.

Gong Ming: I love you, sogou. Sogou, be good. Father, you will be angry and leave the whole family another day.

First of all, the costumes of the actors in Tiny Times 3: The Golden Age can be summarized into two types-cloak and mink. In order to make the actors put on cloaks and mink coats, Jing M.Guo spared no expense to keep them in Shanghai winter forever, skipping the other three seasons like window grilles.

Secondly, there is only one place to compare the accents of the actors in Tiny Times 3: Golden Age-the performance stage of the Bird Garden. Lin Xiao, who speaks fluently, still has a dumb voice, while in the second half of sogou, the only one has a smooth voice and hardly speaks. What's left is the stiff Mandarin, and the China accent in American TV series is just that.

Thirdly, Tiny Times 3: The Age of the Golden Mantis exposes Jing M.Guo's awe of height. High-heeled shoes, as a necessity of grade four, almost run through the whole movie, including chasing thieves, running, fighting and cursing. Is your ankle okay? Is it too simple to think about the increase of mobility in the fourth grade?

Finally, "Tiny Times 3: Golden Age" is a rare long mv crosstalk, and the toughness of song splicing is almost equal to that of music tailor Zhang Wei. If Jing M. Guo and Zhang Wei engage in a "Viagra (Guo)" combination, it will definitely shock the music world.

Tiny Times 3: Golden Age Film Review: Albino Youth

The release of the film Tiny Times attracted the attention of countless audiences and bricks. As one of the audience, I once angrily accused the film of being inferior and inferior. However, this did not stop a large number of young people from flocking to the cinema to watch this gorgeous Dream of Youth edited by Si Niang. Now it is believed that demand determines supply, and smart people like Si Niang satisfy some young people's desires, so they can make a lot of money. Nowadays, youth is like an overnight meal, and any cultural product can't wait to be labeled with the icon of youth. Now, the cultural products of youth type must add an element: cruel, right, cruel youth, which I have never traced back. Young men and women in cruel youth no longer lead normal lives. Their youth was occupied by society prematurely. They drink, take drugs, have sex and have abortions. Sometimes they commit crimes, and sometimes their families are ruined. Youth is shattered in the face of cruelty, just like watching a horror film dismembered in Europe and America, and friendship and love are just the foil of these anecdotes. When I was in junior high school, I saw Rao Xueman's Left Ear. I don't understand why these people can't live quietly, instead of living like moths to a flame and finally being burned to ashes. Now think about it, it is because of this era.

After 60, 70, exit, after 80, on the stage, who else is waiting? You may say that they are born after 90, but I want to tell you that they may be born after 90, but no one can label this group because they are all different. Everyone is pursuing individuality, refusing to be bound by collectivism and despising all sameness. They are not in the torrent of the great era, but in their own small era. Yes, they all live in their own world. This era is a hotbed of a disease called "Marisol syndrome". They regard life as their own stage, and they are the only stars. Every passer-by in life is his audience. They are eager for their plays to be praised and affirmed, and they are narcissistic (not derogatory). Imagine your young self. You should turn every day into an amazing drama. But what is the truth? No one wants to admit the fact that most people's youth is mediocre. Yes, we are educated within the system and learn repeatedly like puppets. Junior high school and senior high school all the way down, we are either buried in the pile of books or on the way to the pile of books. From the two-point line from home to school to the two-point line from dormitory to teaching building, this TM is the fate of most people's youth. It's love and little tricks, which are insignificant in this vast sea of people. This is the so-called truth of youth, and most people's youth inevitably falls from stage play to running account.

In fact, mediocrity is the greatest cruelty of youth. This cruelty frightened young people. The youth they are experiencing is so far away from their imagination. They are eager for change, so there are words like "Don't be crazy, you will get old". But when they really want to indulge themselves, they flinch. Their education and parents' teaching have kept them away from that wanton step and made them solid and insurmountable. Depressed young people can't be as youthful as live high imagined, so they can only choose those who can dream for them. So a large number of businessmen who smell the market began to supply a lot of dreams for the confused young people. Without exception, these dreams are full of dramatic conflicts and colorful. "Tiny Times" is so popular because Jing M.Guo ingratiates himself with the public and makes this youthful dream conform to everyone's fantasy. The story of Tiny Times is absurd, but its packaging is exquisite. Gossip Girl in Mirror Flowers depicts those unrealistic and beautiful visions with pseudo-literary flavor in the tone of so-called upper class. Eyes full of handsome men and beautiful women, all-round enviable faces, so smart and rich. Their lives are full of drama. It is better to fight with boyfriends and girlfriends, deal with overbearing presidents, and occasionally have a little sisterhood. Their life is to stand on the most beautiful stage and interpret the most conflicting plot, no matter how vulgar. Funny? But it at least frees you from a mediocre life for a moment, which is enough for some people.

Childhood is like sweet and greasy honey. After you tasted the sweetness of theatrical finery, you found that this candy had no core, but it did bring a thrill to your dull tongue. It tells you a lie about youth in the most gorgeous words. Youth is colorful and colorful. But the dream will wake up and the taste will dissipate. When insipid came back, I saw a group of young people fly into the cinema and continue to feel at ease and be cheated willingly.

Tiny Age 3: A Review of the Golden Age, Film Review: Tiny Age 3: The Irresistible Battle of Girlfriends.

After the cruelty of the first two films, Tiny Times 3 obviously broke the previous peace one by one in content. After the infinite transition period in the first half, the film staged a wave after wave of infighting climax, and the director completed the struggle for girlfriends with various complicated relationships.

It can be seen that the chess game of Tiny Times 3 is particularly big. The characters appeared hastily one by one, and then greeted the big battle behind them. Foreplay is well prepared. Several girls completed a wonderful fashion show to pay tribute to their girlfriends from China to Rome. Everything is a prelude to the storm warning, but with Jolin Tsai's vibrant singing and overwhelming beauty, the overall tone is overflow.

Compared with the characters in the first two films, everyone is quite three-dimensional, that is, everyone's black history is torn apart a little. From the beginning of the film, although the scene was hilarious, it did not forget to lay all kinds of foreshadowing for the wheel war behind. From the trip to Rome to pay tribute to the satirical theft scene of Mission Impossible, the truth was finally revealed at the scene of the ancient debut speech, followed by mutual accusations and doubts, and the plot.

It is not only a battle for girlfriends, but also an affectionate display of sisters and disputes between sisters. It can be said that this kind of love-hate drama is the most attractive place for girlfriends. From the vicious tongue to the betrayal of Nanxiang, as well as the obscurity of Lin Xiao, and even the injury of Tang, the plot is from easy to tight, step by step, and finally the climax drama has reached its peak, just like the running at the beginning of the film. Time sisters can stand the test, but they can't do without it after all. How their clues will develop will have to wait until the next step. For the time being, this kind of love and killing is ultimately subject to the individual.

The characters in Tiny Times 3 all have a visual sense of "If you don't die, you won't die". Everyone seems to find out some reasons for his black belly, but it is untenable in essence. But it is this kind of work that makes the characters look more real. They are no longer men and women in heaven who are indifferent and refuse people thousands of miles away, but young people with various complex emotions. The audience can still get it in this abusive mode.

After the great controversy of the first two films, Tiny Times 3 may still move forward in the controversy, but it still has irreplaceable existence value. In this overwhelming battle for girlfriends, there are still many wonderful things, and the overall impression is that there are smiles and tears. Next, the era that belongs to it will continue, with youth and girlfriends, and the story about the sisters of the times will also be printed in the hearts of a group of people.

Second edition

Tiny Times 3 Review

From Tiny Times 1, Tiny Times 2: Aoki Age to Tiny Times 3: Golden Age, the appearance of Jing M. Guo really caused a strong wind in the film industry. Gorgeous packaging, studio style, so-called money worship, three incorrect views and other things that have been repeatedly identified are constantly filled with the sensitive nerves of the audience. However, Jing M. Guo was able to transform these, firmly grasped his powerful novel fans and carried out a "myth" in the film industry to counterattack the box office. Nowadays, Tiny Times 3 has lost some momentum and its values have returned to orthodoxy. Only in the background of the film's cold winter and heavy snow will the breath of youth continue to heat up with the warm current in July.

The appearance of "Tiny Times" series is another successful exploration of the commercialization of youth movies, which makes the ignorant post-90 s fans have a collective carnival after releasing the pressure. Compared with Tiny Age 1 and Tiny Age 2: Aoki Age, Tiny Age 3: Golden Age has made remarkable progress. Although the film still has many shortcomings, it has made more or less progress in photography technology, picture, lens, art, clothing, scene, story core and expression of values.

From novels to movies, from words to images, Jing M.Guo's adaptation captures the pulse of youth commercial movies and the hearts of fans. Tiny Times 3: The Golden Age is already a commercial work for teenagers. No matter how it is interpreted, it can almost make his fans crazy about it. Tiny Times 3: The Golden Age has already entered the ranks of commercial films, which is a commercial operation of Jing M Guo and a spectacle of the film market that led the post-90s fans to revel collectively.

Although Tiny Times 3: Golden Age continues and develops Tiny Times 1 and Tiny Times 2, and moves the story background from school to society, the test of human nature in a complex society is further upgraded, which invisibly increases the difficulty of film and character expression. In addition, the addition of action elements in movies is also an attempt of Jing M.Guo-style youth commercial movies. Four sisters fantasize about stealing files, great! But stealing in reality is so clumsy that it can be said that it is collective brain-dead self-abuse. Before and after two different styles of performances, virtually pushed that kind of laughter to a climax, and the sisterhood of youth was deeply interpreted.

"Ask how the world is, and teach me to live and die together." Youth is always so addictive. Tiny Times 3: Golden Age, as the latest film in Tiny Times series, and as a representative of commercialization, has spread its youth in shopping malls. From the campus to the material world piled up with money, everything seems extremely luxurious under the lens of director Jing M.Guo, like a dream and illusory. It seems that the director uses this "emptiness" to convey his criticism of the "immortality" of the society addicted to money and money, and to convey the human redemption of emotional return behind business.

The single scene and graceful flying snow in Tiny Times 3: The Golden Thorn Age have already revealed the cruelty of youth, but the redeemed human nature can always find warmth in this cold weather. Perhaps, when youth is injured, another youth storm will strike.

Comments: Tiny Times 3 film reviews 800 words

Tiny Times 3 continues the luxury of the first two films. Although the men and women in the film have experienced the twists and turns of love, and even the characters and concepts of the male and female protagonists have great conflicts, the * * * nature of not giving up looking for true love makes this film so touching. Therefore, for the post-90s generation, Tiny Times series is like an embarrassing dream, deeply embedded in their hearts behind the bustling scenes, or what is conveyed in the movie can get their unanimous approval. The most important point is that although many of them can't really experience the luxurious scenes in the film, the love concept conveyed in the film is similar to everyone.

Youth is fleeting, and four sisters are moving from campus to the workplace. Everyone's mood is changing and they are all adapting to this society. The once innocent campus friendship no longer seems so invincible. Under the gorgeous appearance of friendship, dirty betrayal, mutual contempt and distrust still exist. This is the social reality, the friendship between people is relative, that moment does not mean that he was at that time. This is a cruel social reality that you have to face. In the film, what Jing M. Guo seems to want to convey to everyone is that life is eating meat with tears, and the most precious thing in the world is friendship stronger than gold. We have changed, but our friendship has remained in time.

While Jing M.Guo's films strongly attract the audience of a certain social class, they also arouse the extreme disgust of others. However, Jing M.Guo used a strange way to express his implicit irony intention. The film exaggerates and exaggerates love and money worship by positive means, and it explodes into considerable power, inciting the girl audience to establish a so-called "friendship" that transcends everything, and it is this transcendence that makes the groups hiding in the shadows and wearing colored glasses hold each other. Although Jing m Guo is small, he has a big heart and is very poisonous.

Tiny Times entered the third film, which is different from the first two films in that the picture is more beautiful, the plot is more funny, and the characters are more youthful and handsome. The film was full of joy from the beginning, and it was no longer everything inherent in Shanghai. This switch became a cheerful and lively song, a beautiful night scene in Shanghai.

Luxury youth, and must be cherished; Free memories seize the day.