Traditional Culture Encyclopedia - Photography major - What do you mean by objective lens and subjective lens?

What do you mean by objective lens and subjective lens?

What do you mean by objective lens and subjective lens?

Interpretation of common nouns in editing and directing

film

According to the principle of visual persistence, the images and sounds of external things are recorded on the film through photography and recording.

The technology of producing moving images and sounds on the screen by projection to express something.

cinematics

According to the principle of visual persistence, the images and sounds of external things are recorded on the film through photography and recording.

The technology of producing moving images and sounds on the screen by projection to express something.

The history of the film itself.

Film thinking is a special form of artistic thinking, which refers to the thinking activities aimed at creating films and directly related to the future screen image.

Commercial films are all films whose main purpose is to make profits.

Art film refers to a film with elegant taste, artistic skills and no profit as its sole purpose.

Scenes expand the specific spatial environment of movie plot units.

Film space has a space world embodied by the screen.

The range of the subject in the picture.

Multiple scenes in the same shot, constantly changing the picture.

Close-ups show some parts of the head or body above the shoulders of adults.

A movie picture showing the whole body or scene of an adult body.

The middle scene shows a movie screen above the knee of an adult or a regional scene.

The close-up shows a movie picture of an adult's body or object area above the chest.

The movie picture is the focal plane.

Cinematography is a general study of film, including film theory, film criticism, film history and so on.

The particularity of film time and space lies in that film is both a time art and a space art.

A relatively complete plot in a movie script.

Scene is the basic unit that constitutes the plot development process of a movie script. The characteristics of the objective lens have no obvious director's subjective color, but adopt the view that ordinary people see things.

Subjective shot shows obvious content with the director's subjective comments.

The artistic thinking activities of film and television drama writers thinking and brewing film script writing.

Film writing is a widely used form of the basic concepts of contemporary general philosophical hermeneutics and structuralist semiotics.

The screenplay is a film creation work based on the understanding, experience and evaluation of life and the use of film thinking.

The film director is the leader and general director of film art creation.

film producer

Refers to the film production, production process, funds, personnel involved,

Materials management.

the art of cinematography

Based on drama, taking objective entities as the object, using optical lenses, cameras and other major technical means,

Through the treatment of optics, color, composition and other artistic means, we can create a picture that can appear.

Mobile plastic arts image.

Portrait composition refers to the form of close-up or close-up photos of people.

Film art refers to the artistic creation designed and produced for film modeling.

Means and skills used by modeling language artists to form visual images and embody creativity.

Music specially written and arranged for a film.

The counterpoint and the image of the picture express different contents and explain the same meaning from different aspects.

Sound montage: the sound composition method of sound-picture matching in spatio-temporal dynamics.

Genre movies are movies made and watched according to the external form and internal concept.

stream of consciousness movie

A film with the purpose of knowing the world by stream of consciousness, taking stream of consciousness as the conventional mode of human thinking and creating by stream of consciousness creation method.

Mainstream movies reflect the mainstream ideology and concepts of society and have a stable box office guarantee, so investors are willing to invest in a movie.

Wide-screen movies refer to movies that are wider than ordinary standard screens.

......

What is a subjective lens?

It means a shot with a character's perspective. When the character scans or walks in the scene, the camera represents the eyes of the character and displays what the character sees. An objective lens is a lens described from the director's perspective.

Why do you say that camera shooting needs one shot at a time? What's the difference between subjective lens and objective lens?

The shooting of film and television works is based on the lens. After the shooting is completed, the useful lens groups are connected to form a work, so that a film can be split in different scenes and time periods, and the difficulty is greatly reduced.

The subjective lens is the first-person lens, and the objective lens is the third-person lens.

What's the difference between subjective shots and objective shots in animation?

Subjective lens: it is a method of lens application. This kind of lens represents a person's eyes in the film with a camera lens, and directly captures the scene he witnessed at that time.

For example, shots of people overlooking lakes, mountains and mountains or environmental background, and shots of one of them alternately, are mostly subjective shots.

Objective lens: The objective lens generally refers to the lens that the camera shoots from the viewpoint that most people have at the shooting scene. The pictures taken by this kind of lens mostly represent the eyes of the audience and refer to the scenes and things seen from the perspective of a bystander.

The main difference: the two lenses have different perspectives. The subjective shot is the first person in the article, and the objective shot is the third person in the article.

What is a subjective lens?

Subjective shooting is a scene, not a camera shooting.

Subjective shot refers to the shot that expresses the views of the characters in the film. When the character scans or walks in the scene, the camera represents the eyes of the character and displays what the character sees. Judging from the impression the lens gives the audience, there are two kinds of objective lens and subjective lens. A shot described from the director's (and audience's) point of view is called an objective shot. The shot described from the perspective of the characters in the play is called subjective shot. The subjective lens regards the camera lens as the eyes of the people in the play and directly "witnesses" the scenes of other people, things and things in life. Because it represents the subjective impression of the characters on people or things in the play, with obvious subjective color, it may make our audience feel personally and empathetically, and then let the audience communicate with the characters emotionally and get the same feelings.

Quote: In the movie Titanic, director Cameron used subjective shots many times to get the audience as close as possible to his two main characters. For example, when Jack first came to first class, the camera looked around the grand staircase from his perspective, or when the Titanic sank, the camera followed the main characters down.

Song Chong, the director, teaches you the answer to filming a microfilm assignment.

Overview of microfilm

1. 1 Microfilm production overview has been completed.

1

The () category accounts for the highest proportion of all types of micro-movies.

First, advertising

B, pure artistic expression

C, spit and spoof

D, city propaganda film

My answer: B.

2

The reasons for the blowout of microfilm do not include ().

A, fast pace of life, time fragmentation

B, technical development support

C. people's demand for watching movies has increased.

D. universal participation

My answer: C.

three

At present, the duration of microfilm is ().

Answer: 30 seconds -9 minutes.

30 seconds -300 seconds

C, 3-4 minutes

D, 8- 15 minutes

My answer: a.

four

What is wrong with microfilm is ().

A, suitable for mobile state and short-term leisure state.

B, the production cost is low

C. Business Requirements * * * Microfilm Development

D. Microfilm production is simple and does not need a complete planning and production system.

My answer: D.

five

Microfilm has the aesthetic characteristics of ordinary movies. ()

My answer: √.

1.2 Appreciation of the movie "Dragon Head"

1

What does the black cat in the film mean? ()

A, symbolizing evil

B, a symbol of fear and anxiety

C, symbolizing a new life

D, a symbol of good luck

My answer: B.

2

The statement about "leading" is wrong ().

A, use a lot of symbols and contrast.

B, the dragon head is a screenwriter's film.

C, the film expresses the praise of life.

This film shows that people are struggling under the pressure of life.

My answer: C.

three

The vague language used in the film has rich extension, while the accurate language has only simple connotation. ()

My answer: √.

1.3 The creation features of micro-movies have been completed.

1

About micro-film creation statement is correct ().

First, the story development should be detailed, and gradually enter * * *

B, the plot should be rendered and paved.

C, the details should be infectious.

D, microfilm does not need to use montage.

My answer: C.

2

Why can't microfilm be expressed by ceremony? ()

A, the length of the microfilm is too short.

B, the theme of microfilm is not so huge.

C. Microfilms are mostly small productions.

D, the high cost of ritual expression

My answer: a.

three

Microfilms have no limit on the number of characters. ()

My answer: ×

1.4 Why do entrepreneurs pay attention to the completion of micro-film advertisements?

1

Why are product-oriented and forced-instilled advertisements no longer adopted by advertisers? ()

First, content homogenization

B, not unique enough, the advertisement is flooded.

C, the audience has visual fatigue.

D, all of the above

My answer: D.

2

About microfilm advertising and advertising microfilm, the wrong statement is ().

A, advertising micro-movies create stories with advertisements as the main line.

B, Cadillac "explosive" is a micro-film advertisement.

C. Microfilm advertisements mainly focus on movie stories and implicitly express advertising information.

D, rock sugar Sydney short films are mainly micro-movies, which implicitly penetrate advertising information.

My answer: B.

three

What are the benefits of promoting products with micro-movies? ()

A, at the same time meet the audience's aesthetic, entertainment and advertising information needs.

B, save costs

C, widespread dissemination

D, not only can declare ......

What are the representative films with subjective shots?

Originally, I came to search for a film from a subjective perspective. I accidentally saw such a brainless answer above and couldn't help but say a few words. It's really interlaced like a mountain. I remember watching a horror movie, in which there were many subjective shots. Nicole's Cry of the Island. Don't think of it as Crysis.

Can we not take the camera subjectively? You'll scare the urine after reading it.

Answer: The lens of a camera is equivalent to a convex lens, that is, the light reflected by the photographed object is concentrated on the negative film of the camera after being refracted by the convex lens, and then an inverted and reduced real image can be formed on the negative film; Therefore, if the lens is generally covered, the remaining lens is convex, so a complete image can still be formed, but at this time, there is less light passing through the lens, so the image formed at this time should be darker than the original one.

What does the lens language include

Both.

We can usually see the photographer's intention through the pictures taken by the camera, because we can feel what the photographer wants to express through the lens from the changes of the theme and pictures. This is the so-called "my lens can talk", which is also commonly called "lens language". In the video world, although the speech is not the same as usual, the purpose is the same, so the lens language is irregular, as long as you express your meaning through the lens.

First of all, according to the different distance and perspective of the scene, the scene is generally divided into:

Extremely distant prospect: extremely distant lens scenery, people as small as ants.

Foresight: the far-reaching lens landscape, the characters only occupy a small position in the picture. Wide field of vision is divided into three levels according to the distance of the scene: large field of vision, large field of vision and small field of vision.

Panorama: a picture containing the whole subject and the surrounding environment. It is usually used to introduce the environment of film and television works, so it is called the widest lens.

Panorama: a film and television picture that captures the whole body of a character or a small scene, which is equivalent to the scenery in the "stage frame" of a drama or song and dance theater. In the panorama, you can clearly see the movements of the characters and their environment.

Small panorama: the actor is "indomitable" and is in a much smaller and relatively complete specification than the panorama.

Mid shot: commonly known as the "seven-point image", it refers to the lens that captures the part above the calf of a character, or is used to shoot a scene equivalent to this. It is a common scene for performing scenes.

Bust scene: commonly known as "bust", it refers to the scenery from the waist to the head, also known as "close-up in the middle".

Close shot: refers to the film and television pictures taken above the chest, sometimes used to express the scenery in a certain area.

Close-up: refers to a camera that shoots objects at close range. Usually, the head above the shoulder of the human body is used as a framing reference to highlight a certain area of the human body, or the corresponding object details, scene details, etc.

Close-up: also known as "close-up of details", it refers to the area that protrudes from the head, or a certain detail of the body and objects, such as eyebrows, eyes, bolts, triggers, etc.

Second, the camera's motion (shooting mode) push: that is, push the lens, which means that the subject is not moving and the shooting machine moves forward to shoot, and the range of view is reduced from large to small, which is divided into fast push, slow push and urgent push, which is essentially different from zoom push.

Pull: the subject is still, and the shooting machine pulls back. The viewing range changes from small to large, and it can also be divided into slow pull, fast pull and quick pull.

Shake: the camera is still, and the fuselage rotates up and down and left and right according to the chassis on the tripod, which makes the audience look around as if they are standing in the same place.

Moving: Also called moving shooting. Broadly speaking, all kinds of sports shooting methods are mobile shooting. But in general, mobile photography refers to placing a camera on a vehicle, such as a track or a rocker arm, and shooting objects while moving along a horizontal plane. The combination of panning and panning can form a panning shooting mode.

Follow: refers to following the shooting. Follow-up is one kind, and there are follow-up, follow-up, follow-up, follow-up and so on. Will combine more than 20 shooting methods such as following, pulling, moving, ascending and descending. In short, the methods of follow-up are flexible and diverse, so that the audience's eyes are always fixed on the human body and objects being followed.

L: Hold up the camera.

Put down: Put down the camera.

Bow: Bow and shoot, often used to show the overall appearance of the environment and occasions in a macro way.

Yang: Yang school often means tall and solemn.

Swing: Swing shot, that is, scanning shot, refers to the sudden transition from one subject to another as a means of scene change, without traces of editing.

Hanging: Hanging photography, sometimes including aerial photography. It has a wide range of expressive force.

Empty shot: also known as empty shot and scene shot, it refers to a pure scene shot without characters (whether people or related animals) in the play.

Cut: the generic term for the conversion lens. Any shot clip is a "clip".

Synthesis: refers to comprehensive shooting, also known as comprehensive lens. It combines several shooting methods such as pushing, pulling, shaking, moving, following, ascending, descending, leaning, leaning, spinning, throwing, hanging and flying into one lens to shoot.

Length: refers to the long lens. Film and television can be defined as a continuous picture of more than 30 seconds.

Counterattack: refers to shooting a scene of two people, and the camera shoots in the opposite direction. For example, beat ......

What is a shot with scenery but no characters?

"empty lens"

An "empty shot" is a scene shot in which no characters appear. It is an important means for directors to elaborate ideological content, tell stories, express artistic conception, change the time and space of pictures and adjust the rhythm. Empty lens includes subjective empty lens and objective empty lens. This scene uses a subjective empty lens, which shows the scenery and feelings in the eyes of the characters and deliberately renders them psychologically.