Aesthetic shooting combining static and dynamic.

A good photographic work is the crystallization of photography technology and art. In a sense, photography needs not only technology, but also vision and a photographer's unique artistic feeling. As soon as I saw this photo, I was attracted by the fighter plane that seemed to have just broken away from the shackles of the hot sun and was about to ascend to nirvana. With ingenious composition, the photographer combined the Su -24 fighter jet flying at high speed with the scorching sun hanging quietly in the air, giving people the aesthetic feeling of combining motion and static. I have arranged the aesthetic shooting about the combination of static and dynamic for everyone to share!

Aesthetic shooting with static and dynamic combination: flexibility and quality must be coordinated.

Strictly speaking, you can divide these photos into two parts:

When shooting, use large aperture (that is, fast lens, such as f2.8 or 1.8) and fast film, such as ISO400 and above, and shoot with naturally available light. Real night photos taken with tripod and shutter time 1 sec to several minutes, medium to small aperture and medium speed film can ensure the highest quality.

Many subjects in the effective light are moving objects, which is another reason why long-time exposure photography is difficult. The exposure speed of the camera must be very short, so that the camera will not shake when the shutter is released. The choice of shutter speed depends on the speed of the subject. Because it is difficult to grasp the moving speed of objects at night, it is often difficult to control the imaging effect when shooting at night. The only way is to take more photos with different settings to choose from. When shooting with a hand-held camera, the shutter speed should be kept as reciprocal as possible with the focal length. For example, if the zoom is set to 125mm, the shutter speed must be set to1125s or faster.

When you use medium-speed or high-speed film, the exposure time can be shorter, but at the same time you will find that you need to use as large an aperture as possible, which will make the depth of field very small. The optical performance of some lenses is not the best. If you need a large depth of field at the same shutter speed, you should use high-speed film.

Aesthetic shooting of combining static and dynamic: the afterglow of sunset

Shooting the afterglow of the sunset is a shooting occasion that photographers talk about, because the photos taken at this time are often very effective, and the specific operations such as exposure, framing and light control are not very complicated. It seems that pleasant photos can be taken under any circumstances, such as those with outline effect when underexposed-of course, this is not the method that photographers should use, and photographers should control the effect artificially. So how can we show more details in the background of strong light or shadow?

Generally speaking, there are the following methods:

Set the exposure correction to+1~2f, tilt the camera slightly, and enter the corresponding value in the exposure memory. Read the whole area with average brightness. If color film is used for exposure, the professional printing room can adjust the photos. For example, if you don't like a hue or hue, you can ask the printing factory to make you a new one according to your own requirements. Slide photographers had better use the step exposure method, with exposure levels of +0.5,+1,+1.5 and +2f respectively. After the film is processed, you can choose the photos with accurate exposure. Digital photographers can check the results on the LCD at any time and correct the exposure as needed. At the same time, even if you are not satisfied with the picture effect in post-processing, you can still easily use your favorite tone with the help of software. Generally speaking, you often need to change the brightness and contrast of highlights and shadows separately.

Aesthetic shooting of dynamic and static combination: night fireworks

Shooting fireworks is very simple, almost every camera can shoot, as long as the "B" or "T" long exposure setting is the premise. This setting can keep the camera shutter open continuously and record the trajectory of fireworks, thus forming beautiful lines. It is also important to have a tripod and cable release. Experienced photographers will bring a small flashlight to check the camera settings from the outside. Medium-speed movies (ISO200-400) are the best and easy to shoot. When choosing a lens, you may wish to give priority to the standard or wide-angle lens, and the lens should not be too slow (the maximum light is preferably F2.8). Because fireworks are often attractive, you must arrive at the shooting location early and choose the best shooting location. Remember, you should choose a place that is not affected by the lighting of buildings or similar objects, otherwise the photos will produce boring light.

The Aesthetic Shooting of the Combination of Motion and Static: Freeze Motion

The greatest feature of still life photography is that it can concentrate moving moments. You may not remember the picture of a movie or TV program, but you will remember a photo that touched you. This may be the greatest charm of still life photography. If you want to freeze the instantaneous action of a moving character, you need to use a higher shutter speed. For example, if you want to take a picture of a person jumping up and condense his state in mid-air into a photo, you need to use at least the shutter speed of 1/350s, and of course you need to adjust the shutter speed according to the actual situation. The best way is to practice more, so as to know what shutter speed is most suitable for shooting what kind of action. If you shoot a moving person with a telephoto lens, you need a higher shutter speed. Professional sports photographers sometimes use the shutter speed of 1/4000s to concentrate the high-speed movement of athletes.

The Aesthetic Shooting of Dynamic and Static Combination: Running Water Shooting

When shooting clear streams, waterfalls, rivers and other flowing water, in order to get the effect of flowing water, it is necessary to use a slow shutter speed, because if you use a high shutter speed to shoot, the water droplets and water flow in the picture will be condensed and cannot show the effect of flowing water. This is the most obvious difference when shooting waterfalls. Higher shutter speed can be used for the same angle, such as1125 seconds or higher; Then take a picture with a shutter speed of 1/60 seconds or less to see the effect. Many landscape photographers shoot waterfalls, streams and other landscapes with very low shutter speed, which will make the water flow produce a foggy and silky special effect. To take such photos, you need to use a tripod and a cable release device to stabilize the camera. If you use this technology when shooting people's activities, such as shooting people taking a shower, you should be careful not to use too low shutter speed. Too low shutter speed will blur people's movements and can't set off the fuzzy effect of water flow.