What is Bergman?

Reporter: Last time, Mr. Roger Lee casually turned over the question, but he answered it seriously. Originally, newborn calves were not afraid of tigers, but now these times have made me a little unreasonable. A boy was a little rude just now, please forgive me!

I have only seen one of Bergman's films: Scream and Whisper. I think the name of Yu Hua's Crying in the Drizzle is the inspiration from this, not to mention the original name of this book is Crying and Drizzle. Yu Hua said how watching Bergman's Wild Strawberry in the video hall shocked his heart. Unfortunately, young Yu Hua did not develop into a film, but became the mastermind of China's avant-garde novels in the 1980s. China's film industry can't be the master of modernist movies, but there are novel masters of avant-garde literature in the literary world, which can only be said to be caused by historical accident or necessity. It is said that young film talents are often inspired by soul and art after watching a film in the video hall, just like Yellow Land in Chen Kaige and Red Sorghum in Zhang Yimou today.

Anyway, I think Burt's film is boring, just fucking boring, so boring! There are no special montages or long shots in it. Even slow shots or close-ups look like fucking wood or dead bodies. The plot itself and the editing also lack the poetic or compact, calm or abrupt features that are common in movies. Photography is very dull, completely an amateur photographer's level, at most a stage photographer's qualification. It is unbearable that the soundtrack of the movie is so boring that it is very close to an ancient clock. Boom! Boom, boom, a suffocating sound of death. Film editing is hard-won, not plain sailing. Of course, I admit that the first few outdoor close-ups did show some qualities of photographers and editors as professional instincts. It's a pity that generate's sudden inspiration was never so short-lived as ejaculation. Therefore, even under the guidance of Swedish modernist movie master Ingmar-Bergman, this film has irrevocably become a disgusting and vomiting failure. In the early 1980s, after he finished his masterpiece Fanny and Alexander, he went to the stage play he always loved, so that no new film was released. Bo's cool drama style makes me guess that his films will undoubtedly have strong stage color and style, which is proved by shouting and whispering. Isn't this the enlightenment innovation of the film of French magician Merriat? However, Bertrand's appearance here must mean a profound retrogression.

I think as the seventh art film, it should not only have the unique artistic achievements of filmmakers, but also have commercial benefits as social returns. Lack of the former will be despised one day. Without the latter, the life of the film will come to an end. Watching Zhang Yimou's movie notes and interviews is something I have never felt before when reading literary works. There are both the retreat level of artistic wandering and the pragmatic essence of action exploration. Life may be like this, right? Virtual and real alternate, thoughts and actions alternate. When you are in financial difficulties, you work hard. When you are exhausted, you will promote art. Run for life and rely on art.

Krzysztof-Khiesz Lovsky is famous as a "film poet", but I think anyone who knows a little about art can be called a poet. Art is poetry, beauty is poetry, and beauty is a poet's favorite. Aren't Wang and Wang both film poets? Even the great Charlie Chaplin compared himself to a poet in his autobiography Inscription! Wang Xiaobo, he is a brilliant "poet". Don't think that only Beidao, Shu Ting, Gu Cheng and Haizi can be crowned as poets. Chopin is a piano poet, and Jay Chou in Taiwan Province Province is R &；; B Poet, Ling Huchong, who plays the legendary swordsman, is a prodigal poet, and Guo Xiang, who sent a farewell letter to Yang Guo, is an affectionate poet. A melancholy and decadent woman gives people a poetic temptation, and I am a fucking sad and depressed physical poet.

From the beginning, I have seen two films by Kiehl's. The first color of "tricolor" is blue pornography, and the third color is red love. I feel ok, at least not like watching Bergman's movies, wanting to fuck women, wanting to shit and pee. Maybe I'm a little rude. The reason may be watching Wang Xiaobo too much. Who asked him to say such classic words as "their world", "silent majority" and "a maverick pig" Otherwise, it's fucking interesting, just interesting. "Blue" seems to start with a "sports car in the wind", but it only shows partial photography. Floating white paper gives people an independent and popular sense of loneliness. But then a child appeared, which is obviously a symbol of family happiness. Walking in the wind outside a family of three, the camera shifted to a young man's outdoor activities. Guided by his hearing, boom! A car accident is like a touching note, mysterious and subtle, fleeting, so crisp and neat. Only that piece of white paper floating in the wind may be some meaning and hint of the heroine's fate. Every time that lonely woman touches her heart, she will be accompanied by a big song that seems to fall from the sky and suddenly rises high. That man has time, "you come to me", and then "you go". Finally, the scene and the opening changed, "Do you have time", "Yes" and "I'll come to your place". The two groups of red narratives, loyalty and betrayal, complement each other and are as sensitive and even exhausting as conspiracy and love. A retired judge's monitoring at home tells people a truth: privacy! Your name is usually called cheating. "Red" is undoubtedly a film about emotional life, an invisible communication by telephone, and a true revelation of eavesdropping. Will the development of science and technology only make modern people live more and more hypocritical and cautious? This is a complicated film. Ke Yan's family covered almost all the themes of the Ten Commandments and the first two colors, and completed this reflection and summary that satisfied him. He thinks it is time for him to fly. But he died of old age, and he had a whim. In fact, he wants to shoot "Hell, Purgatory and Paradise" from "Three Realms of Life". It's a pity that Three Realms can only be regarded as his last dream floating in the wind. There is no film poet in the world, maybe a poet-like filmmaker will be born in the world!

As a China person, I think China movies may be more suitable for our impression. Born in a culture, longer than a culture, naturally more sensitive to a culture. Don't liberal arts students who like philosophy a little now like to talk about Zhu Chengwang, Lu Kangliang and Hu Feng from Confucius, Mencius, Laozi and Zhuangzi? Of course, we should watch more western movies, but we should not stand on the taste of movie master in the world and mercilessly belittle and despise China movies, should we? People of China! Always shout a few words for China movies! Like is like, don't like is not like. Even though his "ingmar bergman" has far-reaching influence and great significance in western cultural circles, after reading his "Crying and Whispering", I always feel it is better to stay away from him. China's contemporary literature is not so good, but Mr. Roger Lee still wants to write the Memorandum of China Literature in 1980s, which shows that as a native of China, it is more cordial to write about China. Isn't Cold Light of Chinese Culture a monograph on Chinese studies? So it's not shameful to watch more China movies and talk more about China movies. Naturally, it is necessary to "fully globalize", but "completely westernized" is always bad in my opinion. Let's say Nietzsche's words: look! Those domestic movies.