What is the exposure compensation of Sony RX 1R II?

Our common cameras with automatic exposure function generally have exposure compensation function, while cameras with manual exposure need to compensate exposure by controlling shutter and aperture. What is the exposure compensation of Sony RX 1R II? The following is the exposure compensation of Sony RX 1R II. I hope it helps you.

Sony RX 1R II exposure compensation is 5EV (1/3EV step), and the exposure compensation button is 3EV (1/3EV step).

Sony RX 1R II has a built-in 2.35 megapixel XGA organic light-emitting diode Tru-Finder viewfinder, which can be ejected or retracted with a simple pressing operation. This viewfinder is made of Zeiss Tx coating and four glass lens groups, including two aspherical lenses, which can be magnified by about 0.74 times x4, and provide clear diagonal visibility and minimum distortion. The brand-new camera also has a 3.0-inch LCD screen with about 1.23 million pixels, which can be flipped up by about 109 degrees or down by about 4 1 degree, providing users with more shooting angles and position choices.

In video shooting, the advanced sensors and image processors of RX 1R II provide extremely rich details for its video recording, and can control the noise in a low range.

Summary of Sony RX 1R II exposure mode. Sony RX 1R II also has Wi-Fi transmission and NFC function, which is completely suitable for Sony's PlayMemoriesMobile application on Android and iOS platforms.

Knowledge extension: what exposure mode does Sony RX 1R II have?

Sony RX 1R II supports various exposure modes, such as automatic exposure, program automatic exposure, aperture priority exposure, shutter priority exposure and manual exposure.

A unique advantage of Sony RX 1R II is its fixed lens design, which enables the positioning of sensors and lenses to maximize the benefits brought by ultra-high resolution. The closer the two components are, the greater the angle at which light passes through the lens and reaches the sensor, resulting in an image with excellent details and resolution. At the same time, different from the focal plane of most interchangeable lens cameras, RX 1RII adopts the inter-mirror shutter, which realizes the synchronous speed of 1/2000 seconds flash and greatly reduces the overall size of the fuselage. So what exposure mode does Sony RX 1R II have?

RX 1R II also provides uncompressed 14-bit RAW image shooting capability, which maximizes the advantage of the extremely wide dynamic range of the image sensor and also supports the existing compression formats.

RX 1R II is the first product with fast hybrid autofocus capability in Sony Black Card family. Its sensor has 399 focal plane phase detection autofocus points, covering about 45% of the picture area-the most extensive autofocus coverage of Quan Huafu sensors in the world-and 25 contrast autofocus points, achieving a faster autofocus speed of 30% higher than that of RX1R. In addition, the camera adopts advanced dynamic detection algorithm, which brings high tracking performance of moving objects, so that AF-C mode can accurately track objects after focusing. It can also achieve autofocus tracking of about 5 continuous shooting images per second.

Sony micro-single photography skills

1, accurate exposure

Click the FN key on the fuselage, find the metering mode, and select the spot metering mode after entering. At this point, we will return to the viewfinder screen, where you can see a small circle. At this time, if we aim the circle at the moon, will the brightness drop? Using this mode, we can shoot such clear details of the moon.

Step 2 clear photos

Because the light source at night is very complicated, there are bright neon lights and bright places, in order to ensure the cleanliness of the picture, we generally do not use high ISO. Even with a large aperture, the shutter speed is difficult to reach the speed of taking pictures during the day. It is often necessary to shoot with a shutter of110s or even slower, and it is difficult to shoot clearly with a hand unless training is carried out.

The function of tripod is self-evident. We just need to fix the camera on a tripod to take pictures stably. Now you can see that most of the night photos are taken with tripods. With a tripod, we can slow down the shutter speed unscrupulously, or we can use a lower ISO and a smaller aperture. Small aperture, low ISO's excellent display of picture details and the special performance of stable slow shutter for moving objects can add a lot of color to photos.

In addition, when shooting with a tripod, I suggest that you can turn on another function, "Time shooting". In fact, everyone often uses this function. When we go out to play or get together and want to take a group photo, but no one can help us press the shutter, everyone will use this function. When shooting at night, it is often a slow door. This function is also very useful. The tripod is used to stabilize the camera, but when we press the shutter, we will definitely do something to the camera. After the timer shooting function is turned on, the camera will wait for a few seconds after pressing the shutter before starting shooting. During this time, the camera will stabilize itself and ensure that the photos are clearer.

3.AF-C continuous focusing

In addition to using AF-S to shoot still objects, we also use AF-C mode to track and shoot moving objects, which can easily capture irregular motion trajectories when shooting children.

Time-lapse photography skills of Sony camera

1, shooting during the day

Basically, you can set the exposure mode in the aperture priority mode, automatically select the white balance, and reduce the ISO value as much as possible. Most importantly, the shutter speed should be as slow as possible. If you shoot with a high-speed shutter of11000 seconds or 1/2000 seconds, you will get a condensed instantaneous picture. However, it is suggested to slow down the shutter speed as much as possible, for example, using a speed below 1/50 seconds, because it needs to be cut into flowing film later.

Sunset at the top of the gap. The subject of time-lapse photography is mostly landscape, so the related photography concepts and skills of landscape photography can almost come in handy in shooting. However, compared with taking a single photo, it is necessary to consider the need to combine into a film in advance when taking time-lapse photography. Nikon D3, autofocus Nicole 35mm, F2, S fixed-focus lens, M mode, F22,113s, ISO200, automatic white balance, tripod shooting.

Nikon D3, AF Nicole 35mm F2.8D fixed-focus lens, A mode, F8,1180 seconds, ISO 100, white balance 5300K, tripod shooting.

Step 2 shoot at night

I suggest you shoot in manual mode (M mode). In the white balance section, if there is light, you can use automatic white balance. If there is no light (such as mountains), it is suggested to adjust the color temperature and white balance to about 3300K, so that the picture will look blue and pleasing to the eye. If you use automatic white balance in a dark environment, the picture may appear brown or yellow tone. Before shooting, use a higher ISO (such as ISO800), aperture F5.6 and shutter speed of 30 seconds for Shoot, and observe the details of the scene and environment (such as whether the composition is stable, whether there are unnecessary objects such as telephone poles in the picture, etc.). Basically, the exposure time should not exceed 30 seconds, because with the interval time, it may take more than 40 seconds to take a photo alone, and the image connection in post-production may not be smooth, because the time difference is too large. If the exposure time is controlled within 30 seconds, the continuity of the scene will be ideal.

Nikon D3, autofocus Nicole 35mm F2 D fixed-focus lens, M mode, F 16, 30 seconds, ISO200, automatic white balance, tripod shooting.

3. Light and dark moments

At this time, whether from day to night or from night to day, the camera must record the whole process. For shooting from day to night, you can choose the aperture priority mode, first use a small aperture, and then gradually increase it (for example, from F22, F 18, F 16 to F5.6, F4), so that the shutter speed can be as close as possible when shooting from day to night. If the gap is too large (for example, 1/60s during the day and 30/60s at night), you can also try to fix the aperture and shutter speed, which can automatically improve ISO, thus maintaining the balance between aperture and shutter speed, but the disadvantage is that the image quality is degraded due to high sensitivity. In addition to the above basic concepts, I will also share the setting method with you from several aspects related to time-lapse photography.

Nikon D3, AF Nicole 14-24mm F2.8 G ED, 24mm end, M mode, F22, 1/20s, ISO200, direct sunlight (B 1M 1), shot with a tripod.

4. Number of shots

How many shots of a scene can be considered as a project file for time-lapse photography? I suggest you take at least 250-300 pictures. The number of similar pictures in the later stage can only be converted into 10 second, and because time-lapse photography is presented in a flowing way, it takes about 2 seconds to deduct the special effects (such as fading in and out) between the scene and the scene before and after editing, so the actually presented film is only 6-8 seconds. In the visual experience, a picture of about 6 seconds can keep the viewer's attention, and the same picture is played for too long, which is easy to make people feel impatient; Of course, if the captured image is particularly exciting, you can also consider playing it for a while.