20 Must-read Books of Movie Bibliography

Cinematography lays the foundation for the general aesthetic concept of film research from the perspective of comparative aesthetics. Starting from phenomenology, we can grasp the film world and study screen perception. Here are 20 selected movies I brought you. I hope you like them.

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★ Graduation thesis of film science? ★

★ English film terminology ★

★ 20 selected cultural bibliographies ★

★ Selected Educational Reading Bibliography ★

Recommended bibliography of reference books for cinematography

(1), An Introduction to Art by Peng Jixiang, Higher Education Press, 2002. -give priority to with this book.

② Wang Hongjian's Introduction to Art, Culture and Art Publishing House, 2000.

(3) Zhang Tongdao's Art Theory Course, Beijing Normal University Press, 2004.

Recommended bibliography of cinematography

Susan hayward. Key words of film research. Trans. Zou Zan, Sun Bai and Li Yueyang. Beijing: Peking University Publishing House, 20 13.

Jacques Omon and Michelle Marie. Dictionary of Film Theory and Criticism. Trans. Cui and Hu Yulong. Shanghai: Shanghai People's Publishing House, 201edition.

Budov King. On Screenwriters, Directors and Actors. Trans. China Film Publishing House. 1980.

[Su] Dolinschi's Editor's Note: Selected Papers of pudovkin, translated by Luo Huisheng, and, Beijing: China Film Publishing House, 1982.

[Su] Editor of Yurenev: Selected Essays of Eisenstein, translated by Wei and Wu Hanqing, Beijing: China Film Publishing House, 1982.

[Russia] C.M Eisenstein, Nature is not indifferent, translated by Fu Lan, Beijing: China Film Publishing House, 2003.

[Russia] C.M. Eisenstein: On Montage, translated by Fu Lan, Beijing: China Film Publishing House, 2003.

Andre bazan. On orson welles. Trans. Chen Mei. Beijing: China Film Publishing House, 1986.

Andre bazan: What is a movie? Cui Yi, Nanjing: Jiangsu Education Press, 2005.

[Germany] Siegfried Krakow: The Essence of Film, translated by Shao, Nanjing: Jiangsu Education Press, 2006.

Classic books for film majors

1. Understanding movies

As a classic in the film introduction book, Understanding Film tells us the skills of film and television communication with simple strokes, and analyzes its complex language system and elements one by one. This book has been a necessary choice for film and television practitioners and mainstream professional colleges all over the world for decades, and it is also an indispensable book for film lovers.

This book briefly reviews all aspects of film art from the typical perspective of film theory. The films mentioned in the book are all-encompassing, forming an experience spectrum of filmmakers from all over the world, including familiar faces such as Steven Spielberg in the United States, Li Zhengying in Britain, Abbas in Iran and Ang Lee in China. The author knows all about European and American films and directors, especially American films and directors. At the same time, the author also pays close attention to the films of the third world countries, and the books extensively cover Islamic films, new Asian films and African films. The author presents a brand-new movie world for readers with incisive analysis, novel and unique opinions and diverse visual impacts.

This book revolves around the core elements of film production, interspersed with hundreds of beautiful pictures and incisive explanations, plus extended reading at the end of each chapter and important vocabulary at the end of the book, so that readers can absorb the most professional film knowledge in the relaxed reading process, thus truly "knowing" the film.

2. Your script sucks!

This is a practical script writing guide book. The author combines the academic spirit of the writing course with the practical experience of screenwriters, presupposes a dialogue with readers, lists a large number of script examples including the author's own works, and explains the writing skills of Hollywood scripts. From the conception of the story itself, the creation of characters, scenes, structures and other elements, to the listing of elements such as format, equipment and rewriting habits in the writing process, and then to the revelation of the characteristics of the film industry such as conventions, habits and "insiders" when selling scripts ... 100 The author answers common questions, covering all aspects of scriptwriting process, form and content, aiming at helping all screenwriters create perfection. The language of this book is plain and sharp, witty and ironic, which makes people laugh, showing the author's vigor and vitality.

3. The core skills of screenwriters

The author of this book is a veteran screenwriter and a screenwriter course teacher in many American schools. Based on his rich creative experience accumulated for many years, he put forward ten elements to examine the story conception and straighten out the context of the screen story, thus teaching readers to realize the rationality and integrity of the narrative step by step. He advocates thinking from the perspective of a screenwriter and discussing the types of stories in the way of a screenwriter's thinking, so that the creator can clearly think about and grasp the direction of the script from the beginning of its creation; He discussed the function and motivation of the story, and devoted himself to ensuring that the script remained reasonable, thorough and unique from the original driving force of the story to the presentation of the text. This book is humorous and full of wisdom, and it is a must-read for the introduction of film and television script writing.

4. Focal plane design

This book illustrates how to transform the idea before shooting into visible images by taking the lens as a unit, such as storyboard making, temporal and spatial elements of the lens, lens scheduling principle, picture composition, transition, narrative strategy and so on. The author puts forward the traditional production technology and encourages appropriate experimental means. In addition, this book also captures the creative experience accumulated by American films from the beginning of silent films, through the golden age of sound films and Hollywood studio system, to the wave of independent production in the 1960s and 1970s.

5. Scene scheduling: the movement of images

This book is an encyclopedia of the art of war, covering all kinds of drama scenes and different photography styles. Various scheduling cases introduced in Scene Scheduling: Motion of Images (second edition of illustration revision) include gathering scenes with limited space, open space and many people. These cases not only closely focus on the behavioral motives of the characters and the dramatic elements of the story, but also have practical operability, and fully consider various situations that may occur in the live shooting, thus helping directors, especially beginners, to better cultivate the consciousness of judging what is the best scheme under any circumstances.

6. Lens Script Design Tutorial

The course "Design of Split-shot Leg" teaches readers the skills of making film split-shot scripts in various media (film, TV, animation and interactive media) through clear concept narration, detailed case analysis and perfect knowledge summary. It also includes interviews with examples of world-famous designers' works and the work experience and practical suggestions provided by the author himself, so that readers can better apply, develop and innovate the design concepts in the book while mastering knowledge.

7. Film Art: Form and Style

The film art 1 page was published in 1979, and has been revised seven times since then, and has long been recognized as a standard work in the field of film science. This book has a wide range of contents, from the technical explanation of film production to the systematic review of the elements that make up the film, to the demonstration of film analysis methods and the summary of film history, which are simple, thoughtful and comprehensive.

The author makes a systematic thinking on the concepts of "form" and "style" of movies, and makes a detailed analysis of the elements of movies with detailed movie examples, explaining how the form system (narrative and non-narrative) and the style system (photography, editing, scene scheduling and sound) interact in movies. This can help readers to understand a film, instead of feeling the technical or emotional highlights of the film in the way of inertia and intuition accumulated by past viewing experience. The film can be regarded as a complete presentation of a creator after condensing his creative ideas in the film, just like poetry, architecture, music, dance and other arts.

It's not the cold feeling after watching nature.

"Nature is not cold" is translated from the third volume of Eisenstein's collected works and six volumes of the Soviet Union. It is divided into four parts: about the structure and passion of the work, and then on the structure and nature of the work. In the book, the author makes a comprehensive discussion on how to make the film achieve the integrity and unity of art, and makes in-depth and detailed explorations in the organic combination of lenses, the harmonious combination of audio and video, and the reasonable reference to other art forms. At the same time, the creation process and successful experience of epoch-making masterpieces such as Battleship potemkin and Ivan the Terrible are analyzed and discussed in detail. This is a classic to interpret the master's film creation experience and theoretical thinking. One characteristic of Eisenstein's writing is that it is too long. The effect is that the logical organization of the article is divergent, and it is widely quoted in order to demonstrate one thing. He is big and full of energy.

Introduction to film photography

Cinematography is a science that studies movies as social and cultural phenomena, artistic phenomena and mass media. In China, cinematography is still a new discipline, and there are different opinions about its definition and research scope. It is generally believed that film photography is a branch of art, and its category includes the development process of film, the aesthetic characteristics of film, the law of film creation, the classification of film works and its social and aesthetic effects.

Cinematography, as an independent discipline, appeared in the world in the late 1940s, and gradually rose with the maturity of cinematography. In its development process, it is not only related to sociology, history and psychology, but also interacts with aesthetics and other branches of art. Since 1950s and 1960s, with the development of interdisciplinary research, film research has been more closely integrated with other disciplines, and some new branches have emerged, such as film aesthetics, film philosophy, film poetics, film psychology, film sociology and film semiotics.

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