What are the characteristics of the script?

The script is mainly composed of lines and stage descriptions. The first-person narrator is used in dialogues, monologues and narrators, and lyrics are often used in operas and operas. The stage description in the script is a narrative word written in the playwright's tone.

Including the description of the time and place of the plot, the description of the characters' image characteristics, body movements and inner activities, the description of the scene and atmosphere, and the requirements for scenery, lighting and sound effects.

1, stage. The direct purpose of the script is to provide a basis for the actors to perform on the stage, so the script can not be separated from the stage and is limited by the stage.

2. The characteristics of contradictions and conflicts. Contradictions and conflicts are the internal basis and motive force of the emergence of scripts and the soul of a play. We often call this kind of conflict a dramatic conflict.

3. The characteristics of scripting language. The language of the script is the language that the actors perform on the stage. This language:

(1) is action-oriented. Script language is closely related to drama action, which shows people's inner activities and is a powerful means to express people's thoughts and feelings, so script language has strong action.

(2) personality. The language of the characters in the script is out of his own personality and thoughts and feelings. The most taboo is the script lines that anyone can say.

(3) poetry. The language of drama should be poetic, implicit, concise, emotional and rhythmic, which is conducive to stage performance.

Scripts are mainly divided into literary scripts and photographic scripts. Literary scripts are scripts that highlight literariness and have a low sense of photography, including spoken scripts (or drama scripts), novel scripts (or drama novels), sketch scripts, cross talk scripts and so on.

Photography script is a script that highlights the sense of shooting, and its literary artistry can be high or low (depending on the comprehensive situation of film theme, market and investment). ), including split-mirror scripts, split-mirror scripts (split-mirror scripts or movie scripts), Taiwan Province scripts, etc.

Extended data

Playwrights talk about their own experience in writing plays;

1, the dramatic situation of the script should have "personality"

Since ancient times, there has been a saying that "three people play one drama", and the actors, environment, stories and drama situations are naturally generated. In drama, the performance of actors and the layout of the environment. The plot structure is controlled by the playwright's script, which shows the importance of scenario setting.

At the symposium, an author suggested that the traditional operas in China need to be supported by performances, and it is very important to simplify the plot as much as possible and highlight the situation in our script creation.

Liu Chaojun, the author of "The Rift Valley", said that no matter what kind of literature, we must always find a theme with great personality. From an actor's normative role, the actor's soul and role are integrated.

When talking about the importance of drama scenes to drama, Liu Chaojun quoted his own story of Chiyou and wolf girl, explaining the background first, so that the audience can keep up with the picture feeling that you found the story reappeared in the script.

Liu Chaojun also said that an aria was quoted in Jiang Jie. When Jiang Jie went up Huaying Mountain, there was a big scene facing the Yangtze River. Under the presentation of the aria, the audience seemed to be in it and resonated with Jiang Jie. People who write plays should pay attention to the creation of dramatic situations before they can have a play. It is necessary to create a prescribed situation, create a great suspense and let the audience's strings explode.

2. Comedy creation should set a "burden"

At the symposium, many playwrights said: among many types of drama, comedy is the most difficult to write. Over the years, comedy creation has faced the dilemma of difficult development because of its great difficulty. Bao Debin, who has been engaged in comedy creation for many years, shared his experience of insisting on writing comedies with his life under difficult conditions and won applause from the playwrights present.

Bao Debin said: "People who know it is a tragedy but insist on it are tragic heroes. I am such a tragic hero myself. "

Bao Debin described the development of comedy in China as follows: "It is said that Quju is the mother of drama. This opera began in the willow scene of Lao She in the 1950' s. Peking Opera Troupe was established, with performances by Liu Shujing and Jian 'an Choir. Its characteristics are mainly folk tunes, which are very popular with the public.

In Shanghai, one of China's economic and cultural centers, another comedy genre, Shanghai Monologues, is slowly approaching people's lives. Some monologues are like cross talk, others are like comedy. Comic sketches are recognized as operas. Rolling Lantern at the opening ceremony of the first Sichuan Art Festival is one of the representative works of Sichuan comedy. "

Script-Baidu Encyclopedia

The playwright's experience on script writing: the situation of script drama should have "personality"-People's Network