Growth habit of willow

Regarding the literary image of Liu, we should start with the word "Liu". The image of Liu:

1. "Liu" and "Liu" are homophonic, often used as a metaphor for farewell. "Where to wake up tonight? Yang Liuan, Xiao Feng and the waning moon "three sentences expressed Liu Yong's yearning for his lover.

2. "Willow" is planted in front of eaves and behind houses, and is often used as a symbol of hometown. "No one can miss his hometown." Expressed Li Bai's infinite concern for his hometown.

3. Willow catkins are erratic and often used as shelters. "Jade Case" "If you ask how much leisure, a stream of smoke, the wind in the city, plum blossom rain." A few words vividly illustrate the depth of He Zhu's sadness at this time ("He refused to marry Chunfeng in those days, but was wrongly blamed by Qiufeng for no reason").

From the perspective of the combination of emotion and scenery, this paper evaluates "past lives and Yangliuyiyi" in The Book of Songs. Today I think of it, it's raining. "

Yi-Liu Yang, the beautiful spring scenery is intoxicating, but it is a sad time to leave; It's raining, it's raining, it's freezing, and it's time for my husband to return home! The former is to write elegies in the music scene, while the latter is to write elegies in the music scene. Writing elegies in the music scene or writing elegies can double their sorrows and joys.

Folding willow-as a farewell image, the earliest book should be Jin's "Folding willow".

I am looking down at the sky. Powerful mines. Has the red dragon been ringing for a long time? Huaguang is no match for Xiqiao. Sunset seems to have happened. Time goes by, but it keeps reminding me. Sadness and good luck. Sit down and watch. There is no chance to re-enter at the gate. Life is too short to live in a bad house. The source is rarely harmonious. Generosity is just the past. I was born a thousand years ago. It's sad to be at the top. Ge became a fragment. Do you sigh when you are sleepy? In the past, my feelings and feelings were not enough, and my words were full of sadness. ("Yuefu Poetry" Volume 37)

Throughout the ages, in the eyes of poets, "willow" is one of their favorite images. Li Yu, a man of the Qing Dynasty, wrote in "Essays": "If Liu Gui hangs down, there will be no Liu; ! Liu Guichang, if it is not long, it will be graceful. " In the Book of Songs, the sentence "Willow is weeping willow" can only be borne by weeping willow. Therefore, the poet chanted the willow tree as a metaphor for people, or used it to bid farewell, or used it to express his feelings, or taught the philosophy of life ... All these made the willow tree a beautiful landscape in China's poems.

First, the petals are like her face and the willow leaves are like her eyebrows. Why don't you shed tears?

Singing willow is a metaphor for people. Among this kind of poems, Li Shangyin's "Giving Willow" is the most amazing:

Willow color on the platform, bright or dark-all the roads, willow branches are dancing like young girls.

Many people have heard the praise of Liu Feng to the extreme, and now what they see is just the same graceful.

The charming willow color has reached the bridge, and my heart is behind me when I watch the willow color cut off and extend across the bridge to the long beach.

Liu Er is really thoughtful, releasing catkins like snow, floating and flying in the brothel.

There are eight sentences in the whole poem, which are purely sketched. There is not a word "Liu" in the whole poem, but what is presented to us between the lines is an affectionate and beautiful image. In fact, chanting willow praises people, and the poet's love for willow is also his attachment and yearning for people.

The following poem "Yang Liuzhi Ci" by Li E, a poet in Qing Dynasty, is also a masterpiece of willow metaphor.

It's not too late for the jade girl window, and the smoke is raining in the cage.

Rou Huang is willing to use it to embroider acacia with gold thread and give it to you.

The beauty of this poem about women's lovesickness lies in the metaphor of willow. The misty rain and soft willows in the cage are a wonderful portrayal of acacia girls.

"Petals are like her face, willow leaves are like her eyebrows, why don't you cry for it" in the Song of Eternal Sorrow by Bai Juyi, a great poet in the Tang Dynasty, is a quatrain, which compares a woman with Liu and describes her beautiful appearance. Zhang Xian, a poet in the Song Dynasty, wrote that "every man is humane because of the benefits of fine willows", which is also a masterpiece of this kind of poetry. No wonder, people often use "Liu Mei", "Liu Yao" and "Liu Yao" to compare the charm of women.

When it comes to Vitamin's poems, we might as well mention a lyric poem by the Song Dynasty poet Wang Guan:

After the bronze camel became a stranger in Xinzheng, the first romantic thing was the willow tree.

Spring is not as good as plum, and people are not as good as wine.

Dong Jun is deliberately biased, and his waist is really thin.

So you don't think about it, because your eyebrows are long and wrinkled.

This word takes Liu as a metaphor for people who are relaxed, lively, beautiful and natural. Through the description of Liu's personality characteristics, he created a romantic, affectionate and feminine image. It reflects the poet's sympathy and even praise for a slutty beauty.

The ancients used willow to compare people. Isn't it the same today? Mao Zedong wrote in a recent reply to Li Shuyi:

I lost my pride, Yang Jun lost her willow, and the willow was light and straight. Asked what WU GANG had, WU GANG held out osmanthus wine. Lonely Chang 'e has wide sleeves, and Wan Li dances for the loyal soul. Suddenly came the news that the world had been dormant, and tears flew down and poured down.

"Liu" here refers to the martyr Liu Zhixun, his lover; "Jiao Yang" refers to the martyr Yang Kaihui, the wife of the poet. Puns are clever.

Taking willow as a metaphor for people, or taking its shape, or its appearance, or its nature, poets have their own needs and lead the way, and have created a series of eternal swan songs.

Second, I used to be absent, and the willows were reluctant.

"Willow hangs to the ground, and flowers fly for a long time. The willows are all folded, the flowers are all flying, and if you ask, you will not return. " This poem "Farewell" came from the Sui Dynasty, and the author has been unable to verify it, but the reluctant feelings expressed by Liu in the poem have been passed down to this day. It is said that the custom of breaking willows to bid farewell began in the Han Dynasty. The ancients gave the willow two meanings: first, the willow grows fast, which means that it can flourish wherever it floats, and the delicate talk symbolizes family ties; Second, willow is homophonic with "stay", and folding willow means "stay". Today, we can see from the poems that "Liu" is used to express the feeling of parting, which is earlier than this "custom". As early as the Book of Songs Xiaoya, there was a stirring poem of "I have been there, and the willows are reluctant".

Let's see what Li Shangyin said:

For the time being, drinking will kill boredom, so don't worry about frowning and waisting.

Before the world dies, there is only farewell, and the spring breeze strives to cherish the strip?

Li Shangyin's poem "Leaving the Pavilion to Give a Folding Willow" belongs to the representative work of farewell willow. The poet has no choice but to temporarily drive away his sadness with a glass of wine. Since it is irreparable, take good care of yourself. Nothing is more painful than parting except death. Don't be stingy with the long wicker in the spring breeze, let the parting people climb to their heart's content! Facing the willows, the branches are swaying, and the feelings are hard to give up. How can you not be disgusted with the fact that your friends are leaving?

As a synonym of "Liu", "Liu" is a bright spot in our national culture. That endless chat, green branches like flying sheep, all fit the parting of the world, and all fit the lovesickness and sorrow of the world. And this emotion continues into our life today. In 2002, the national college entrance examination poetry appreciation included the Tang Dynasty poet Li Bai's "Smelling the flute in Los Angeles on a Spring Night". We might as well review the college entrance examination in 2002 and feel the feelings expressed by the poet again.

The appreciation of ancient poetry in the national college entrance examination in 2002 is a new good question. Its original title is as follows:

Read the following poem and then answer this question.

One spring night in Los Angeles, I heard the flute and Li Bai.

Yu Di's dark flying sound scattered into the spring breeze in Los Angeles.

Who can't get homesick when they hear that there is another village in the serenade?

When commenting on this poem, predecessors once said that the word "folding willow" is the key to the whole poem. What is the moral of "breaking willow" in the poem? Do you agree with the key theory? Why?

The examination questions revolve around "folding willows". It is not too difficult for candidates to answer this question. In the sixth volume of Chinese textbook for senior high school, there is a word "Lin Zhongyu" written by Liu Yong. Among them, the famous sentence "Xiao Feng in Yang Liuan can enjoy the moon" is the best interpretation. Here, "Yang Liuan" is not an ordinary scene, it will make people think of parting, and will think of parting scenes. Of course, for those candidates who have a wide reading range, there will be more associative space to answer this question. Here, we might as well extract a few related poems.

If you don't catch the whip when you get on the horse, you will rebel against Yang Liuzhi.

Dismount and play the flute, worrying about killing guests.

(Northern Dynasty Yuefu "Cross Blowing Songs and Folding Yang Liuzhi")

The mountains in May are still full of snow, only cold, and the grass can't see the grass.

Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality.

The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night.

I hope that the sword hanging around my waist can quickly pacify the border and serve my country.

(Tang Yue Xia Sai Qu)

The Yellow River is getting farther and farther away, because it flows in the middle of the Yellow River, and Yumenguan is located on a lonely mountain.

Why use the elegy of willow to complain about the delay of spring, old Yumenguan, a spring breeze is not blowing!

(Don Wang Zhihuan's "Liangzhou Ci")

The weeping willows are full of silk, and spring comes to weave parting.

Pedestrians climb, and now when my heart is breaking.

(Don Dai Shulun's "Willow on the Dike")

Seeing Yang Liuchun by the roadside, I folded it all again.

This year, I will return to last year's position and will not leave others last year.

(Don Shi Jian, my "Broken Willow"

Among many farewell poems, Linjiang Willow written by Yong, a poet in the Tang Dynasty, has a unique flavor:

The ancient embankment curled up and a tree smoked.

If the silk does not stop, keep the boat.

The heroine in the poem not only didn't bid farewell to the willow, but hoped that the willow would continue, so as to be a lover's boat and never part.

When the green willow branches in people's hands will wither is unknown, but the action of breaking willow branches is repeated every year. Finally, it sublimates into an elegant and sad beauty, a typical image in our aesthetic tradition.

3. Who is in the wild garden in the west corner of Yongfeng all day?

When talking about "image", China pointed out that image is an objective object integrated with subjective feelings, or a subjective feeling expressed with the help of objective things. Based on this, we thought of Liu. As an objective object, when the poet integrates it into his own works, he integrates his own personality interest, aesthetic ideal and his own emotions. As a result, Liu's lyric poems floated into our world one after another.

A tree has thousands of branches in the spring breeze, as soft as gold and as soft as silk.

Always in the west corner of Fengfang, never a day, whose willow is this?

(Tang Bai Juyi's "Yang Liuzhi Ci")

As for Bai Juyi's poem, some people listed it as Liu Yu's work, saying that it was written for a maiko, as evidenced by Bai Juyi's Liu Yao. According to this view, the first two sentences of this poem describe Xiaoman dancing gracefully with the swing of willow branches in the spring breeze, as well as the color and posture of willow branches; In the last two sentences, the willow tree is neglected in the deserted garden, lamenting that Xiaoman will not know who will own it in the future. I am more interested in listing this poem as the seven wonders of singing and expressing will. The first sentence of the poem describes the prosperity of branches and the beauty of dance; The second sentence is extremely graceful and graceful. These two sentences vividly describe the vitality, beauty and lightness of weeping willows. Such a beautiful weeping willow deserves people to appreciate and cherish. But the poet changed his pen and wrote about the desolation of the environment. "West Corner" and "Desert Garden" describe the "loneliness" of willow trees, which is extremely disappointing. Here, the poet's grievances and regrets are fully revealed. The loneliness of the last two sentences is in sharp contrast with the emotion of the first two sentences. Bai Juyi's little poem expresses his regret for Yongfeng Willow. In fact, it expresses his feelings about political corruption and talent burying at that time, and some poets lament their own life experiences.

Coincidentally, poets in the Tang Dynasty also wrote the famous "weeping willow" with the theme of "willow":

Who dares to go into battle light?

The king of Chu planted seeds on the river bank for no reason, and he was so hungry that he lost his waist.

This poem praises weeping willows, which have no finely carved foliage appearance, nor do they render the color of willows. But this poem not only describes the graceful tenderness of weeping willows, but also associates with the story of King Chu Ling's "Love a thin waist and many maids die". It is the unique skill of "chanting willow", pointing the irony at the ruling group, seeing sharp in tenderness and showing sharp edge in implication.

Of course, Liu Yuan's lyricism is not the patent of the ancients. When the clouds of history drift away, the willow is still dancing in the poet's pen.

Golden willow by the river,

Is the bride in the sunset;

Shadows in the waves,

Ripple in my heart.

(Xu Zhimo's Farewell to Cambridge)

When Xu Zhimo, a modern poet, wandered about his alma mater in a foreign country again, "Liu" became the object of the poet's sustenance, and we could not help feeling the poet's deep affection for his alma mater.

Poetry expresses ambition. Like other images, "Liu" provides a lyrical way for the poet, and the graceful "Liu" also expresses the poet's perception of life. "The road in front of the building is divided into branches, a little willow and a little tenderness." Liu is as gentle as possible. There are countless willows, how to calculate love?

Fourth, the snow color invading the mausoleum is also day lilies, and there are wickers in spring.

A folk proverb says, "On May 9th and June 9th, look at willows along the river." Liu Zuochun in Xicheng (Guan Jiangchengzi) and Spring is Liu (La Ri by Du Fu of Tang Dynasty). Since ancient times, willow has been deeply loved by people for its graceful style, and many folk customs and anecdotes related to willow have been formed.

In ancient China, there was a custom of inserting willow branches in front of every house on the Cold Food Festival. In the Song Dynasty, this custom became more popular. You not only put wicker branches in front of the door, but also put a wicker hat ring on your head, sit in a car full of wicker, and go for an outing in the suburbs. Up to now, there are still many people who put wicker on graves in Tomb-Sweeping Day to commemorate them.

Folding willows to bid farewell: The custom of folding willows to bid farewell began in the Han Dynasty. The ancients gave the willow two meanings: first, the willow is easy to grow and grows fast. Using it to breed friends means that it can flourish wherever it floats, and the delicate willow symbolizes affection; Second, willow is homophonic with "stay", and folding willow means "stay".

Yangliu: In 605 AD, the emperor ordered the excavation of Tongji Canal, planted willows on both sides of the levee, and wrote Liu in calligraphy. In this way, the willow tree has the title of "surnamed Yang".

Planting willows for homesickness: When Princess Wencheng of the Tang Dynasty married Songzan Gampo in Tibet, she specially brought willows from Chang 'an and planted them around the Jokhang Temple in Lhasa to express her homesickness. Therefore, these trees are called "Liu Tang" or "Princess Willow", which has become a historical witness of the friendly exchanges between China and Tibet.

Compare beauty with willow: Because willow branches are soft and slender, swaying and very moving, so the ancients often compare beauty with willow. For example, "willow waist" is to persuade women to be slim and waist branches are as soft as wicker; "Liu Mei" means a woman's eyebrows are slender and beautiful, like new willow leaves.

Judging from the folklore we recorded above, the poet takes "Liu" as the protagonist in his poem and has a profound folk culture foundation. In other words, it is the vast cultural soil of our nation that gave birth to the "willow" in the poet's heart. Some people divide the "willow" in ancient poetry into eight categories, and I extract the following as a summary of the above words.

1, "left". Yang Changjun, a poet in A Qing, said in a poem praising General Zuo: "The newly planted willow is three thousand miles away." Willow indicates spring, and green willow is a symbol of spring.

2. Liling Willow. Li Bai said in his poem, "Qin Louyue, the willow leaves fall every year, and Baling is sad." Tang people bid farewell to each other, folding willows and giving each other, intending to "retain". The homonym of "Liu" and "Liu" symbolizes an unforgettable friendship. Zhou Zhihui, a famous sentence in the Qing Dynasty, said, "Crossing the ancient river, you want to attract wanderers, and leave a guest whip away from the pavilion", which is to describe the custom of folding willows to give people away.

3. Sui Liu Di. Li Shangyin's Sui Palace said: "The firefly has gone, and it has left the wind, frost and grass, and it is still living in the weeping willows." Hanging over the past makes people feel that the years are fleeting and things are more frequent. Wei Zhuang's "careless, ten miles of embankment still smoke cage" is the memory of the Six Dynasties.

4. Wancheng Willow. He Zhushi said, "Wan Xiliu, who is still young?" I miss Chun Qing with the metaphor of willow. Wu Wenying has a saying that "a small willow is an inch tender". Zhu's poem, "On the moon, the willows tip their heads, and people meet after dusk" is even more ingenious, revealing the secret love with a bright future.

5. Shen Ji. Lu You's quatrains say, "Dreams are broken and fragrant for forty years, but the old man in Shenyuan doesn't fly." It's hard to complain about Liu Huai's injury.

6. Chapter Six. Han Yi's poem says, "Zhang is too slippery, Zhang is too slippery. Are you green now?" Metaphorically, Liu Shu is a pet prostitute. "Sleeping on flowers and lying on willows" and "Fireworks Liuxiang" refer to prostitutes who fall into fireworks.

7. "Cold Food Willow". According to the chronicle of Jingchu's age, "the cold food festival, the willow is folded." Zhang Yan Shiyun: "If you break a willow, who will you let go when you return?" Send a homesick message to Liu. Ni Zan "hometown should be in Xia Jing, Wu Tong, Zangmen, Liu Yang." Feel the homesickness of wanderers with willows.

8. "Golden Snow Willow". There is a cloud in Li Qingzhao's Song of Eternal Sorrow: "Spread a green crown, draw golden snow willows, and fight with them." Dressing up as a willow adds a bit of beauty to her daughter. As the saying goes, "Beauty is the first, and it is for this reason.".

Famous sentence: Xiao Feng's waning moon (Liu Yong's Lin Yuling)

There are always different opinions about the beauty of the famous sentence "Yang Liuan's Xiao Feng's waning moon", but I think it is not to the point. Where is the "eye" to understand this quip? The word "injury" about "sentimental injury and parting since ancient times" comes after "sober up"

In a word, "worrying is more worrying" lies in the appropriateness of expressing feelings through things and the clever use of rendering techniques.

In order to describe the sadness after leaving more vividly than the scene when leaving, people imagined an "emotional field" after "sober up" in this "field". The author did not directly express his feelings, but borrowed things to express his feelings. Through the surface of objects in the field, people find that these silent scenery can not only give people a trace of warmth, comfort and hope, but also magically sprinkle three handfuls of salt on people's broken wounds. One is "Yang Liuan". If you didn't stop at the Bank of Yang Liuyi after you left, you might not be moved by this scene. The scene of a tearful lover breaking a willow tree in Liling immediately flashes in front of you, and your mood may be calmer. However, it happened that the place where the ship docked was a touching "sad place"-Yang Liuan. How could he not be told to see Liu Siren and feel very painful! "Liu Yang" mercilessly aroused the wave of homesickness. The second one is Xiao Feng. The wind at dawn in autumn is cooler than that in the evening. After "sober up", the cool breeze blows even colder, and the cold skin immediately triggers the sadness of parting lovers. I wanted to get drunk, except for the "cold eyes" when I left the "Clear Autumn Festival", but I didn't want to be "awake" to be blown away by the cool wind. It really makes people feel colder when it's cold. "Xiaofeng" severely wrinkled the lonely heart lake. The third part is the waning moon. How I wish I could go back to the past one day and reunite with that beautiful woman as soon as possible. However, at the thought of going to the vast, misty, vast and vast Chu state thousands of miles away, I have no choice but to return to China. When can I reunite with the beautiful women? I can't bear to think again, only "get drunk and solve a thousand worries." Unexpectedly, the "broken moon" like "second time around" came into view after waking up, which made his hope of "reunion" go up in smoke. It's not desperate. Where will you go? Canyue erected an impenetrable "wall" between the present and the future of people and lovers.

Willow, breeze and waning moon are three typical images to express attachment, sadness and farewell. Together, they form a sad and moving artistic conception: the parting person leans against the ship's rail and caresses the weeping willows floating on the shore, looking at the waning moon hanging on the horizon from a distance, and the cool breeze blows gently, remembering the parting scene with his lover, how can he not be tender? It is true that the weather is colder and people are colder. The original intention of "drinking to drown your sorrows" has not been realized, but it has put you in a more painful situation. It is these three kinds of "salt" that have caused a counterproductive and helpless emotional gap in people's minds, and set off the extremely sad atmosphere of "wine is sweet, leaving sorrow" and "toasting to eliminate sorrow", which makes the feeling of parting over the whole article more intense and touching. It should be pointed out that the reason why this almost careless writing can produce such a strong appeal lies in the fact that the author rubs strong feelings into the three images in this scene without trace, and borrows three typical images with suggestibility and exaggeration to express the feelings of parting. However, this kind of feelings is so ubiquitous and strong that it is difficult for readers to determine whether to focus on writing scenes or expressing emotions, and truly achieve the blending of scenes. Liu Yong took the wonderful use of these traditional techniques to the extreme, making "Yang Liuan Xiaofeng Canyue", together with many of his well-known famous sentences, known as the swan song of the ages.

The saddest time is always low and rambling. The willows are soft, but cool and breezy, and there is a waning moon. This kind of parting seems to be drunk at first, but then it turns cold, which is a cold heart rather than a cold wind. The most unbearable thing is the lack of the moon, which is more than the waning moon. This is a harsh reality: separation! Unconsciously, sadness rises step by step until the years of leaving here have passed and the good times have become nothingness!

It can be seen that for Liu Sanbian, the willow, the breeze and the waning moon are just images, and they have all become empty objects. The real thing is unspeakable sadness and sadness, so I grabbed the willow tree, the breeze and the waning moon at hand, but I didn't know that these three things came to life at once.

Finally, summarize the basic methods of poetry appreciation for everyone to experience and use in their study:

Literacy-mastering the vocabulary knowledge of poetry

● Know people-know the writer's life experience.

About the World-Familiarize yourself with the necessary historical background

● Poetry method-understand the basic knowledge of poetry.

Know-mobilize the corresponding life experience.

Recite-learn to recite the taste of seeking gas by sound.

● Comparison-Accumulate a certain number of appreciation cases.

Poplar and willow

Liu Yang (the super braggart in Miss Li's mouth! ! )

Birthday: July 26th.

Place of birth: Jinan, Shandong Province

Native place: fengqiu county, Henan.

Height: 178cm

Ethnic group: Han nationality

Hobbies: music, movies, travel.

Favorite color: color

Favorite fruit: papaya

Favorite book: Fortress Besieged

Favorite food: Japanese food

Most admired person: teacher.

Liu Yang: Maintenance of Host's Thinking Book

Maintaining the soul is what Liu Yang has been pursuing.

On New Year's Day, the reporter and Liu Yang met in the lobby of Beijing International Club. It is in great contrast with the lively temple fair outside. In the afternoon of the Spring Festival, it is very quiet here. Golden yellow makes it easy to get stuck in the sofa. There is an unexpected surprise in the middle. Every once in a while, someone will play the harp. The melodious classic melody gently spreads in the dust of the air, which can especially fill the gap in our conversation.

As a famous host of CCTV, Liu Yang now hosts two reading-related programs. So when it comes to reading, he is very interested. "Maintaining the mind" is what Liu Yang has been pursuing.

My favorite is Fortress Besieged.

Among the programs hosted by Liu Yang, two should be related to books: Meridian Liuzhu and TV Poetry Prose, which are very quiet programs, watching books with audio pictures on TV. Liu Yang thinks he is more qualified as the host of this kind of program.

When I was a child, I remembered my favorite masterpieces, Liu Yang said "The Water Margin" and The Journey to the West. Probably because of boys' nature, they like reading books on science, such as "100,000 Why" and books on astronomy and geography, and then they will make small inventions and experiments according to the books. When I was in junior high school, I began to read science fiction, such as UFO exploration, and I liked mysterious things. Liu Yang recalled that she was too young to have any money at that time, so she sent all the books to the publishing house for mail order. This reading hobby has been affecting him until now. He said that he especially likes reading books about "mystery", such as Fingerprint of God and Mystery of Crystal Archaeology, and then learn from them.

Liu Yang has a theory that many people will feel the same way. He said he was very excited when he bought the book, hoping to have a good look at it when he bought it home, but he put it there as soon as he took it home. It feels as if he bought books just to buy them, not to read them well. Therefore, he seldom buys books now, whether from friends or reading books, which really answers the old saying "Don't borrow books, don't read them".

Fortress Besieged is Liu Yang's favorite book. He said, "There is humor in China, and Qian Zhongshu's writing strategy is really classic. Some metaphors are very good and profoundly describe love and marriage, including all the feelings between people in the course of life. "

Recently, Liu Yang fell in love with Wolf Totem. He thinks that many ideas conveyed by this book are different from our traditional education. Seeing such a book at this age can make him stop and think, which shows that this book has its unique charm. For example, on the topic of environmental protection, we can see many expressions of nature from Wolf Totem, which is environmentally friendly and adaptable. This state of natural balance, smooth and natural, is much more vivid than that kind of blunt education.

Travel is sometimes equated with reading.

Liu Yang has been to 26 countries, both for work and tourism. On the road to Wan Li's life, Liu Yang has done it ahead of schedule. He said, like reading, is a feeling, a kind of learning. ...

I asked him, what was it like on the road?

He pondered for a while and said, "When people want to go out, their mood will change immediately, which is why so many people like to travel." On the road, even when packing, we begin to expect, because there are many unknowns, and people will expect the unknowns. And most of us live in the same state of life most of the time, so it is also a good psychological adjustment to be on the road occasionally. "Reading thousands of books" and "Taking the Wan Li Road" are both things that should be done. The enjoyment that tourism brings to people's spiritual world, like reading, increases experience and nutrition. "

In the concept of willow, there are several levels of tourism, and the bottom is the photo group and the viewing group. A higher level is to think of yourself as a dry sponge, open all your tentacles, feel and absorb different sunshine, air and every smiling face, and absorb different cultures.

Liu Yang intentionally adjusted the concept of "culture". He thinks that if culture is not mentioned, it must be some theoretical or artistic expression. Eating, communicating, treating people and shopping are all cultures, and the most meaningful thing should be differences. The purpose of going out is to feel why they are different from us. This is definitely not a simple question.

1994, Liu Yang went to Europe for the first time, and then went to the beautiful music city-Vienna. After dinner, he went out with his companions and walked to a tram lane. At this time, a tram began to slow down from a long distance and finally overtook them at a very slow speed. Liu Yang said that he had noticed the people in the tram, who were looking at them through the glass. But with such caring eyes, he knew at that time that they had done something wrong. People must have thought they were going to do something unhappy, so they used that caring eyes to care. Liu Yang said that this kind of feeling is something he can't see in China, and it is also in sharp contrast with the domestic traffic conditions and views. ...

There are many stories in the trip. Listening to the story told by Liu Yang is like a frozen movie screen, which brings you different emotional associations and the feeling of reading.

Every day I ask, "Are you happy today?"

Liu Yang's mobile phone greeting is "Are you happy today?" "Peace of mind is very important, so as to correctly understand the gains and losses in life and the occurrence of various opportunities. Realm is a process of pursuit. The realm is not static, but absolutely dynamic. With the growth of age and the experience of life experience, it changes all the time. "

Liu Yang likes to express his views on things and people with realm.

Just like an interview, he asked for a feeling of equal dialogue before accepting it, and it was natural. If there is anything, it is. If there is nothing, then there is nothing and it cannot be affected. This reminds the reporter that Google searched him before the interview and found that he had no scandal, and there were not many links in the interview report, which was probably related to his attitude.