Are the Seven Laws the same as the Seven Wonders?

In practice, seven laws and seven classics should be separated. The seven laws should be neat, calm and grand. I don't advocate that the seven laws are written too lightly and beautifully. This style does not conform to his physique, and it is also like Li Changji's fantasy style, which is not suitable for writing seven laws. Li Yishan's Seven Laws of Romance is touching and beautiful, but it is still refined and magnificent. Seven sections are suitable for beauty. Reading Xiao Du's seven poems, we are simply a group of fashionable beauties, charming, beautiful and amazing. Lao Du's Seven Laws are unsmiling gentlemen. Imagine a man winking at readers, and I'm afraid no one can adapt. However, there are no absolute things in the world. There are exceptions like Anita Mui and Leslie Cheung, let alone poetry.

The significance of freehand brushwork is that it is suitable for a wide range of perspectives. Taking photography as an analogy, the seven wonders are like macro, the seven methods are like wide angle, and the five words are like telephoto. The ancient style is closer to the standard head. Du Fu's "Zaiwulang" wrote a very small thing, which still reflects the great feelings of the times and compassion. But it should not be empty, especially when writing current events or feelings. I have always felt that the gap between Liu Gaizhi and Xin You 'an in ci can be used for reference. This is not just a gap between literary talent and knowledge. Everyone's experience is different, and some things cannot be forced. When writing feelings, it is inevitable to be sticky and silly. It is often useless to have true feelings. If there is no true feelings, take some beautiful sentences to make up the numbers. The former gives people the impression that the writing is not satisfactory, while the latter is more common. If you can't say it well, it's neat. If you say it, it's just nonsense, and there is no real emotion in it.

From a technical point of view, the key points of the seven verses are the last two sentences, and some of the four sentences are equally weighted, and few of them are focused on the first two sentences. The first two sentences are well played and balanced. Even if there is nothing to recommend them, people should remember that the key lies in whether the last two sentences are improved on the basis of the first two sentences or made a big turn. You can also lay the groundwork for the first three sentences until the last one makes it clear that the big things come later, but it doesn't mean that the first two sentences can be casual. For example, Mutu's "Screen": "Screen Zhou Fang drew a slim waist and sold it for half a day. Leaning against the jade window, I have beautiful hair and envy others. " The first sentence lays out the background, and the second sentence points out the key points in a big tone, covering up the turning point behind it. If this sentence simply continues to write the beauty on the picture, the later turning point will be less powerful. The third sentence shifts the focus to the protagonist, and the last sentence clarifies the main idea and carries forward the sentence. The structure is extremely tight and immovable. This structure is good, you can score 100, and the overall score of the poem is another matter. I don't advocate overemphasizing structure, and the charm of poetry is more important.

Writing seven methods, the foundation of learning and raising is very important, no more than seven stunts, more gas field, can be a little tricky. If you don't read too many books and change your vocabulary and sentences, poetry will be light and easy, and you won't be able to hold your ground. The specific writing methods of the seven laws, such as words, sentences, couplets and chapters, have been discussed in previous dynasties, and there are also special chapters on the Internet, each with its own reasons. You might as well do what you believe, most of which will lead to the same goal. As long as you can write a good poem, the path doesn't matter. Really good poetry has the power to reverse the habit of appreciation, rather than accommodating the common habit of appreciation.