There are so many female stars that she is the only one who calls herself "the emperor"

On the annual Dragon Boat Festival, Gong Li, who recently announced her wedding in Cannes, accompanied by her husband jean michel jarre, was recognized by netizens as traveling in Tokyo, Japan, enjoying a late honeymoon trip.

In China, there are many female stars, but only one actress is called "the emperor". Wherever she went, she walked with the wind, and her gas field was strong, attracting many onlookers. She is Gong Li, and she has a nickname given to her by a fan, called "Gong Huang".

She walked the red carpet in Cannes 18 times.

This is 1993 Farewell My Concubine, and its appearance with Leslie Cheung in Cannes was a blockbuster.

This white shirt shape has become a classic silhouette of China people, which has been imitated and never surpassed.

This is Xin Wei in her youth.

This is Angelababy.

Only Gong Li is qualified to talk bluntly about online celebrities on the red carpet:

If I don't have a movie to participate in the competition, if I walk so many times, I may always think that I have a brain problem.

Nowadays, almost every star is set up by someone. Personal setting is the accurate positioning and delivery of the market. A star is both a creator and a molded person.

Since it has been built, there is always a gap and there is always the possibility of collapse.

Only Gong Li, who has acted in so many plays for so many years, is always in the same strain.

Nobody set it, only Gong Li.

In an exclusive interview, he said:

They gave me a nickname, "A leopard cannot change his spots". They call me Miss Hard to Change. Hello.

Before her, there was Liu Xiaoqing; After her, there is Zhang Ziyi, unique and strong. Why is she the only king?

I believe sir, this is an angle that search can't see.

Simply put:

Gong Li ended two kinds of people: the girl and Su Sihuang.

1.

Gong Li is the first generation of girls.

Her first film with Zhang Yimou was Red Sorghum.

The story of Gong Li's audition is also legendary-

At first, Zhang Yimou was attracted by Gong Li's classmate Smith. Shi Ke is famous, and his personal image is more in line with Mo Yan's sexy description of "big breasts and fat buttocks".

Before filming, Gong Li was introduced.

Gong Li only auditioned for a few minutes. It is said that Gu Changwei's lens is almost empty, so he gave the director a few minutes to focus.

But it was these few minutes that gave Zhang Yimou a "tasteful" impact.

In the end, "my grandmother" became the first girl who was justified.

Sir said that Zhang Yimou's "Looking for Women" has the spirit and pattern of "Mother Earth" to some extent.

The scheming "big woman" is characterized by a strong desire for survival and is often in an oppressed predicament. Finally, she relied on the spirit of "one track mind" to complete the task of resistance and even liberation.

Gong Li's Red Sorghum is the switch of combining rigidity with softness.

Sir, you'll understand in one scene.

"My grandma" (Gong Li) is married.

She was carried to the brewery by a sedan chair.

The scene on that road is full of hints.

Bad guy, sedan chair flies.

At that time, Gong Li showed softness and confusion.

She knows what fate awaits her.

but ...

She didn't want to.

"My grandmother" was bullied because of her gender, forcing her to turn to desperate determination on the bottom line of survival.

At this moment, Yu Zhanao (Jiang Wen) appeared.

The rude old gentleman took a fancy to the beautiful Jiu-Er and was impatient.

Interestingly, Jiu-Er also chose Yu Zhanyi.

She must have a vague feeling that this man is different.

Walking out of the sorghum field, she rode a donkey, a little tired, but her expression was calm and even smiling.

Although Gong Li, whose ancestral home is Shandong, has the generosity of northerners, he also has the comeliness of some southerners, especially when he was thin and shy.

Zhang Yimou's "taste" may be this kind of imagination of combining rigidity with softness.

2.

Gong Li and Zhang Yimou have cooperated ten times.

Most in history.

But this is not the reason why "seeking women begins in Gong Li and ends in Gong Li".

Because the cooperation between the two is unprecedented, (almost certainly) there will be no more in the future.

The Golden Flower in the City is their most underrated work.

In 2006, The Golden Flower in the City was originally inspired by Zhang Yimou's commitment to Gong Li.

Let her play the queen once.

Zhang Yimou also asked Su Tong, the original author of Raise the Red Lantern, to write a notebook. Later, the film was stopped, and Su Tong's "script" was published in the form of a novel.

Mr. Wang has read this book.

I have to say that Su Tong doesn't know Zhang Yimou.

Today, it is an accepted fact that Golden Flower is a variant of Thunderstorm.

Gong Li acted in Fan Yi.

But further investigation shows that the chemical reaction between Zhang Yimou and Gong Li is far more than that.

Further than Thunderstorm or even Su Tong's plays, Gong Li (Fan Yi) in Golden Flower, her revenge, is unprecedented madness.

When she used her feelings to let her son incite court riots.

Gender barriers and blood barriers are gone.

Gong Li in "Golden Flower", two words: murder.

Girls in Gong Li used to burn sorghum fields, red lanterns and dye houses. Not as shocking as this one.

While taking chronic poison to persuade the king to obey, she kept embroidering chrysanthemums.

This is the pledge of the rebels.

Even if the rebels led by her son were wiped out, she was only in the end.

Remember the last scene of Golden Flower?

The medicine was spilled in the air, and the film ended with venom corroding the gold ornaments.

To some extent, Gong Huang's domineering began here.

Later this became her new routine.

3.

From the combination of rigidity and softness to extreme rigidity, Zhang Yimou's description of Gong Li is still very flexible.

Returning is gentle rebellion.

Feng's forgetfulness (played by Gong Li) is an unprecedented choice for girls.

In the past, Gong Li's images in Zhang's works were almost straight and tough.

Only "return", Feng is evasive.

Dementia may be a tacit metaphor.

In the film, Feng (Gong Li) and Master Fang's lover (Ding Jiali) were both injured by one person.

Master Fang who didn't show up.

But for him, the two are worlds apart.

Master Fang's wife, facing her husband's clean investigation, is going to make a scene by pointing her nose.

Even sitting, she has been stubbornly "helping" him.

This kind of provocation is just like the role played by Gong Li in the past.

Has she ever been hurt? Of course there is.

Look at Feng (Gong Li).

What Master Fang did to her, the movie didn't say, but we know it well.

But in the face of injury, she hides, forgets, obeys organizational arrangements, and even seals her memory in the loyal image of waiting for her lover to come home.

If you watch the handover carefully, you will find that there are few details in Gong Li's performance, which is rare for Zhang Yimou.

Dodge, distracted eyes, slow movements and trembling arms.

This girl, reconciled with life, lost today and tomorrow, only yesterday.

4.

If Gong Li gets the freedom that Zhang Yimou never had before.

Then she cooperated with Hollywood, and the space was limited.

But this is limited and extremely rare.

She finished "Su Si Huang".

Su Si Huang, a fictional character, represents the earliest stereotype of oriental women in the western world. She is beautiful but vain, passionate but superficial.

To put it bluntly, Su Sihuang is the victim of simple-minded and emotional games.

The appearance of Gong Li represents the mystery and power of the East.

This is Gong Li from Memoirs of a Geisha.

I'm Gong Li from The Rise of Hannibal.

I'm Gong Li from Miami vice.

This is Gong Li in Spy Storm.

To some extent, these characters are in the same strain as Zhang Yimou's image of Gong Li, that is, they are always resisting the fate that should be borne by women.

A meaningful coincidence.

Gong Li in movies is always closely related to fire.

In Ju Dou, she burned the dye house.

In The Battle of Ancient and Modern Qin Figurines, she ran to the fire.

Memoirs of a geisha She set fire to the house.

What does fire mean?

Destruction or rebirth?

You and I have different understandings. But for Gong Li, this seems to be just a natural expression (declaration).

This is the confidence of an actress who has a lot of traffic but is more supported by her works.

This is the ambition of a female artist who has no women's rights but shows equal rights everywhere.

Unfortunately, such Gong Li is rare today.

Even Gong Li, it has been three years since his last work, Monkey King Thrice Defeats the Skeleton Demon.

For three years, she didn't have any works to meet the public, and the screen was full of all kinds of fake and exquisite female stars.

In the past three years, her biggest news is not her job, but her marriage with her boyfriend, a French musician.

I only hope that Chen Kexin's China women's volleyball team can present another flesh-and-blood "Gong Huang".

Because the loss of Gong Li's big screen is undoubtedly regrettable.

Transfer from Sir movie