He is Jing Wong's father and grandfather of Hongkong movies. When he dies, he can ask Xie Xian Felix Wong Yat Wa to help him.

In 20 10, Jing Wong's father Wang Tianlin died of physical weakness.

Speaking of Jing Wong's father, many people may be confused, but when it comes to The Legend of the Condor Heroes directed by Wang Tianlin, you will be familiar with it.

In Hong Kong entertainment circle, the name "Wang Tianlin" can be said to be a household name, because he is a "granddaddy" figure in the circle.

He won the favor of powerful actors such as Chow Yun Fat, Xie Xian and Andy Lau, and also trained eight famous directors. It is no exaggeration to say that he alone has propped up half of Hong Kong's film industry.

In the film history of China, Wang Tianlin is a rare high-yield director. According to incomplete statistics, he has participated in or directed hundreds of film and television dramas, but he still lags far behind many people.

Therefore, with strong influence and connections, Wang Tianlin's funeral was unprecedented in scale, and famous directors and actors such as Xie Xian, Felix Wong Yat Wa and Du Qifeng brought out by him all helped him.

Wang Tianlin was born in Shanghai. That year was a crucial moment for China's * * * production party to join forces with Jinggangshan and War of Resistance against Japanese Aggression, so Wang Tianlin grew up under the background of war-torn times.

Wang Tianlin, who was born not long ago, has a rich life, and at least food and clothing is not a problem. Until he was ten years old, the pillar of his family fell down, his father died in that turbulent era, and his family's economic situation went from bad to worse.

Therefore, before Wang Tianlin graduated from high school, he went to Guangdong with his uncle and made a living by making movies as a comprador. Later, business failed, and/kloc-left his hometown and came to Hong Kong when he was 0/7 years old.

194 1 year, the first 10 1 Christmas after the fall of Hong Kong took only 18 days. The original luxury hotel has also become a refuge for citizens.

Wang Tianlin, in desperation, can only be transferred to Guiyang. There, he found a job as a handyman in the theater and didn't return to Hong Kong until 1947. At this time, Hong Kong has become the apple of the British eye.

After returning to Hongkong, Wang Tianlin still went to a film company to develop films on the recommendation of his uncle. After working in this job for a while, the recording position on the set was just short of people, so he took over and became a recording assistant, which was the closest he had ever come to film and television production.

Because Wang Tianlin has been engaged in performing arts-related work since she left home, she will also show her unique talents and ideas when making recordings.

In this way, the assistant around the director found that he should not just be a recording assistant and suggested that he try a higher position. Wang Tianlin thought it was reasonable, so he turned to be a reporter for the photography team, which was equivalent to being promoted to the preparatory position of deputy director.

But this is a busier and thankless job than anyone else in the crew, and it also needs endurance and concentration most.

Wang Tianlin needs to record and report the script of each scene to the director, list the appearances of the actors and count the daily workload. Even the placement of props, the makeup of actors, and their positions are all in his charge.

If anything goes wrong, the whole set will only ask him.

Although it was a difficult time, it laid the foundation for his later career as a director.

In the face of the suffering brought by life, Wang Tianlin seldom complains. He always accepts all challenges meekly. Take his first boss, Hong, for example.

Hong is a director with great personality, but he has a big temper and a big shelf. Sometimes when something happens on the set that makes him unhappy, he will be furious on the spot.

As a result, he was asked to clean up the mess left by him, so a play came down. Although Hong's name was hung in the last director position at the beginning of the film, in fact almost all the films were completed from the origin.

Wang Tianlin has many such experiences. After Hong, he also cooperated with other directors.

When they found that Hong's tricks tried and tested, they began to be shopkeepers of cutting. When they are in a good mood and energetic, they will go to the set for two laps. Some people even leave it to Wang Tianlin and let him take charge of everything.

After such work, Wang Tianlin, who has no experience in drama shooting, also learned a lot of skills and shooting techniques.

Over time, he himself realized a set of rules. In this "hard-won" chore, he actually completed the process from quantitative change to qualitative change, and successfully "broke through five customs and chopped six generals" all the way from the field record and stood in the position of deputy director.

Since then, he has been shooting almost every movie. As long as the script is in his hand, he will definitely give the audience an explanation.

Moreover, he is almost willing to accept the theme of the script, whether it is comedy, tragedy or action film, he can shoot it, and all kinds of styles of control are more handy.

Although he is not the most distinctive and top-notch director, people with such strong adaptability are rare in film and television circles.

Perhaps this is related to his resignation, and the cultivation of this character is inseparable from his experience of being displaced in the war since childhood.

After his success, Wang Tianlin's life was almost occupied by movies. But he loves this job, and it is because of this childlike innocence that he can output hundreds of works.

From 65438 to 0973, Wang Tianlin went to work in tvbi, also in tvb, and he received his first martial arts drama.

In order to make the visual impact of the play stronger, and for the personal safety of the actors, he made a groundbreaking decision in China, that is, to use "Weiya" in the process of slapping.

At the same time, he also started the work of Hong Kong martial arts drama, and unconsciously pushed tvb to its "golden age". It is also a single-handedly cast one Hong Kong superstar after another.

In his later years, Wang Tianlin was not idle. Although he has retired from the position of director, he is still on the road of performing arts.

Wang Tianlin, who should have retired with peace of mind, began to make guest appearances in his disciples' plays after training eight directors and countless actors.

He especially likes to play the underworld boss "Deng Bo" in Du Qifeng's series "Gangdom". In the film and television dramas he later participated in, he never received a salary, but only expressed his return in the form of a red envelope.

Wang Tianlin, who is never too old to learn, won the last Golden Horse Award in his life with his superb acting skills in his later years.

Speaking of Wang Tianlin, we can't help but mention his son Jing Wong, who is the director of famous films such as King of Gambling and Macau Fengyun.

As the saying goes, "the son inherited his father's business", and Jing Wong got a biography of his father Wang Tianlin while making a movie. So far, he has directed and supervised more than 400 TV dramas, and is also a rare "high-yield director" in the entertainment industry.

At the same time, he is also a commercial film director. In his films, the concern and thinking about human nature are completely eliminated, leaving only empty and meaningless jokes, from which the name "the king of bad movies" comes.

But does he really only shoot bad movies? Or why did he make these films without nutrition?

In fact, under the influence of Wang Tianlin, Jing Wong had a great passion for drama since he was a child, so he almost watched art films at home and abroad. After becoming a director, he also made many excellent works.

And he will eventually choose to become a commercial film director, which is also related to his father Wang Tianlin.

At that time, the family economy was depressed, and my mother loved gambling. They are almost on the verge of bankruptcy. In order to make his family live a better life, Wang Tianlin often spends the whole year filming outside.

Jing Wong suffered a "poor life" and decided to make a commercial film. Since then, filming is no longer just a job in his eyes, but a business, which is why some people say that he specializes in making bad films.

But in fact, in those days, apart from Jing Wong's dramas, almost no major Hong Kong drama groups started. At that time, the Hong Kong entertainment industry was at a low ebb, and the only one who could make a profit was Jing Wong. It is because of these "bad films" that he supported a group of actors when the market was in a downturn.

When Jing Wong was asked what he thought of the title of "king of bad movies", he responded frankly.

In the face of doubt, Wang Jing proved with a silly child that he could not only make a literary film, but also do it well. He successfully expressed the cruelty of real life and the hope of life.

It is this film that won Jing Wong the Golden Horse Award, and Ye Dexian, who plays the heroine, won the best actress of the year because of this drama.

In the use of Jing Wong's personal property, investing in literary films has always been a big expense. This alone is enough to subvert people's view that he is "mercenary and only shoots bad films"

"If you want to be a literary film, you have to be advanced. If you want to make a commercial film, you have to make money. " This is Jing Wong's view of his career. At this point, Wang Tianlin and Jing Wong have similar views. They all love their careers and respect art.

Now that Wang Tianlin has passed away, I hope Jing Wong can inherit his father and make more good works.

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