Advanced photography skills

In fact, knowing some tips will greatly improve your shooting skills, so it may be helpful to look at some tutorials I have compiled for you.

Tips for shooting candlelight

Candlelight decoration can be a simple start. These themes are lifeless. You can cooperate and take photos in silence and privacy. It is an interesting personal project at first. For many people, candlelight is a comfortable symbol of festivals and holiday decorations. If you are interested in adding some glowing flames to the photo series, please remember the following points:

1. Try to use a higher ISO.

You will be amazed at the advanced capabilities of the camera, which can adapt to the increased settings without adding any obvious noise. Try to increase it slightly until you are satisfied.

Step 2 add some extra light

Unless the room you are shooting is full of candles, you may not want to shoot in complete darkness. If you work in a room with a dimmer, now is a good time to use it. If not, please try to turn on some lights in the adjacent room to provide you with extra light.

3. Consider manual focusing.

When you use a moving flashing flame in such low light, your camera may not be able to focus on its own focus.

Henry, one of the most important photographers in the 20th century, is known as the father of news photography? Cartier Bresson once said? Photography is to put a person's mind, eyes and heart on the same axis. ?

In fact, photography is a very simple thing, as long as you learn some basic skills.

1, sunrise and sunset

The best time to shoot a landscape or street is at sunrise or sunset, or a magical moment half an hour before and after. At this time, the light is charming, and the beautiful street view with the sky can take wonderful photos!

However, because the light may get darker and darker, you should pay attention to maintaining stability when shooting, or use a tripod to stabilize the phone.

Step 2 get up early in the street

When traveling in other places, you can get up early to see the other side of the place! You can see local people go to work, buy food, or farmers get up to work. The grounded sense of life can also shorten the distance from strange cities at once.

And there are fewer people on the street in the morning, so you can take the quiet side of the street.

Step 3 look for interesting light

You can capture the light that is invisible to the naked eye, especially by reducing the exposure, or by changing the focus and exposure mode, and trying to capture the light in the street view and the sky, you may make new discoveries!

In real time during the day or at noon, you can also pay more attention to some interesting light, such as shooting the sun stars between leaves or roofs.

4. Reflection, silhouette and shadow

Take interesting photos in the street, and don't miss taking reflections, silhouettes and shadows! You must keep your eyes open to take pictures and look for subjects everywhere. Remember, where there is light, there is shadow. Don't just look at the surface!

You can skillfully use reflective surfaces and reflections to create a unique composition, and you can also use light and shadow to play more light and shadow games, which can add a lot of color to photos!

5. Shoot the same place over and over again

If the itinerary allows, try to visit the same interesting street or landmark at different times. At different times, the color, intensity and direction of light will be different, and you may find another world!

Step 6 shoot from different angles

To break through the box of photography, you can try shooting from different angles. Whether shooting up, down, facing the sun or against the light, you can always find several good compositions or themes.

Don't always keep the same angle, otherwise it will easily make the photos ordinary.

7. Photography is the art of observation.

To find pleasure in everyday environment, the key is not what you do with what you see, but how you will look at things.

Step 8 start caring

You need to care about things around you. When you have humanistic spirit and sense of humor, you can shoot everywhere. The most important thing is to combine the environment with your concerns.

From Henry. Cartier-Bre

9, don't think too much, shoot!

The more you think, the easier it is for you to miss the shot. Sometimes you just have to shoot without thinking.

10, the camera is always with you.

Take a camera with you everywhere, and then take pictures of everything that attracts you. You must seize the moment of sudden hand.

From Henry. Cartier-Bre

1 1, to capture emotions

The best photos are those that can evoke emotional reactions, capture the emotions of specific situations, and then resonate with the audience and interpret the relevant images by themselves.

12, change the distance

Even if you shoot the same thing, you can get a completely different image when you change the distance.

From Henry. Cartier-Bre

13, choose your camera carefully.

Different cameras have different operation modes and effects. For example, the paraxial lens is very different from the monocular lens, which will also affect your shooting mode. So you must first understand your equipment and establish your own shooting style.

14, practical observation

Pay attention to your surroundings. Even if you don't have a camera in your hand, you can practice shooting by blinking. This technique can help you observe, and you can also practice predicting the motion of an object and press the shutter.

From Henry. Cartier-Bre

15, taking black and white photos

Black-and-white photos can make you pay more attention to the basic elements such as light, story, form, emotion, information, etc., so that you can better capture the true and original aesthetic feeling, instead of strengthening a different way of observation through color.

16, try to find geometry.

In some of Bresson's works, we can see rich geometric patterns, such as straight lines, oblique lines, circles, squares and shadows.

From Henry. Cartier-Bre

The enlightenment here is to try to look at the environment you are used to from different angles or distances, find out the different forms of objects, and try to look at the surrounding environment with an invisible framework.

17, learn to wait

Street photography should learn to wait. Street photography will keep walking with a camera at first, just to find interesting pictures quickly, instead of trying to lock an environment and wait for interesting stories to appear.

From Henry. Cartier-Bre

18, make the camera an extension of your eyes.

When Bresson takes pictures in the street, he almost only uses one lens: 50 mm Just like many sports, he will adjust his posture at first, but after practicing for a long time, it will become an intuitive reaction, making the camera an extension of your eyes.

From Henry. Cartier-Bre

19, trying to film children.

Children's photos are often the most touching, and street photographers often have the opportunity to capture the most authentic expressions and reactions.

But please pay attention to your parents' permission before you keep your job.

From Henry. Cartier-Bre

20. Make yourself invisible

A very important idea of street shooting is to keep a low profile and blend in with the crowd.

When Bresson takes pictures in the street, he tries to keep a low profile. He will cover the camera Logo with black tape and even cover the camera with a handkerchief to make himself inconspicuous.

Ten Skills of Advanced Photography

■ Isn't the photo taken well? There are skills here!

A) layering of the composition pattern

The layering between graphics and elements can not only interfere with vision, but also highlight the theme they want to embody, which is often a more direct and effective way.

This kind of visual interference can not only distract the viewer's redundant sight, but also pay more attention to the theme of this shooting, and the graphics produced by this interference mode are the auxiliary graphics of this theme.

Hierarchical sense of composition graphics

Analysis: Just like this group of films I quoted above, the irregular elements, light, light spots, smoke and sports cars in the works account for half of the composition. Although there are many things in the picture, they constitute a certain sense of depth and layering. These elements distract the audience and focus on the center. This way is a common way to shoot now, and most people may think it's cool.

2) Composition of visual line traction

Draw the viewer's vision with colors or elements, so that the viewer can think and watch the work with the photographer's thinking. Most of the existing works are point-line-surface-oriented, and the works oriented by graphics and elements are rare.

Visual line traction of composition

Analysis: Just like the above works, the visual impact is not on the characters, but the brightest light, but the author divides the picture into traction lines with a net, and the characters appear at the junction of the upper and lower parts, which attracts the viewer's vision to the characters and has more impact.

3) color induction

In fact, the principles of photography and painting are interlinked, and the collocation and position of colors, even a little embellishment, can make the picture have a super impact.

Colour Responser

Analysis: The main color blocks in the above picture are red and black, but the white blocks in the big background in the picture are in sharp contrast with the red lines. Black shoes balance the strong contrast of colors, and also play a certain role in comparison and reuse with red. The author's watermark has also become an ornament, so that the whole picture will not lose weight. (But it must be noted that the proportion of each color block must be well controlled, otherwise the whole picture will be scattered. )

4) Light and shade sensing

Use some commonalities and differences between light and shade of photorefractive, light capture and dynamic light perception to set off the theme.

Light-dark induction

Analysis: In the figure 1, the author uses a lamp as the background, however, the exposure value is lowered, which makes the contrast between light and dark strong, and the refraction in the environment embellishes the main body (the dot on the right in the figure), which strongly attracts the attention of the viewer; The slow shutter in Figure 2 makes the appearance of dynamic light sense and the difference between far and near light and dark make the original inconspicuous shooting distance and inconspicuous figure become the focus.

5) Instant capture

Capture the visual point by using the instantaneous acceptance of vision.

Instantaneous capture

Analysis: The umbrella floats in this work, which can instantly promote the visual response of the dynamic officer. Although this is just a very ordinary scenery, it gives people a sense of shock!

6) Grasp the breakthrough point

By breaking through the visual balance point of the graphic image itself to meet the visual requirements, the main element itself is used to find the starting point of shooting, and some prominent places such as space sense and light sense are used according to the main body itself, thus highlighting the shooting theme.

Seize the breakthrough point

Analysis: As shown in the figure, the mirror in the picture has a strong sense of space. The film breaks the visual convention and focuses on the mirror, but transforms the original subject into? Jewelry? .

VII) Proportional size

According to the proportional relationship of things themselves, we pursue the visual balance relationship, break through the proportional relationship of things themselves, and then launch our own visual focus to make a breakthrough. Just like some exaggerated cartoons, a figure with a big head and a small body, an exaggerated way of distorting the normal proportion, can often create miracles inadvertently.

Proportional size

Analysis: The author only used the principle of small visual error, changed the proportion of subjects, lost the balance relationship, and made a visual breakthrough in ordinary pictures.

8) According to the audience's acceptance and their usual feelings, make full use of some elements in daily life, give full consideration to the audience's ability to recognize movies, and impress the audience's emotions with the natural beauty and cruel beauty that break through the ordinary acceptance, so as to gain people's clear memories of your films.

Acceptability and feelings of the appreciator.

9) Optical illusion

Use the spatial sense of optical illusion to highlight the visual center of the whole shooting.

Visual illusion

Analysis: The object in the work is actually just an ordinary fruit, but the author creates a visual illusion by using lighting and other effects.

X) abstract expression

Abstract expression