Traditional Culture Encyclopedia - Photography major - Miklós Jancsó's main experience

Miklós Jancsó's main experience

Miklós Jancsó

Miklós Jancsó's birth brought a surprise to the world film industry. His talent surged like a volcano in 1967 and 1968, which brought us two works, Red Army and White Army and Silence and Scream, and made the world sit up and take notice of Hungarian movies and Miklós Jancsó. Miclos Janso likes to use a long lens, but his long lens will not cause visual fatigue, because his camera is always moving. Miklos Janso uses this action to create tension in the scene, express his ideas and effectively mobilize the attention of the audience.

Chinese name: Miklós Jancsó.

Nationality: Hungary

Date of birth: 192 1-09-27

Date of death: 2014-01-31

Occupation: Director

Main achievements: Best Director Award at the 25th Cannes International Film Festival.

Golden Lion Award for Lifetime Achievement in the 47th Venice International Film Festival

Representative works: Red Army and White Army and Silence and Shouting.

Main work

Cantata (1963)

My Road (1965)

Red Army and White Army (1967)

Silence and Shouting (1967)

Beacon of God in Budapest (1999)

Overlimit justice (20 10)

Let's fall in love (1996)

The Last Supper of Arabian Grey Horse (200 1)

representative works

Chiragosok in Kadonak: Red Army and White Army/1967

Directed by Miklos Suo Yang,

Starring: Tiber Molnar, andras Kuzak,

Based on the Soviet Union in 19 18, the film depicts the desperate struggle between the Red Army belonging to the newly established Soviet regime and the Russian conservative armed white army. Somewhere along the Volga River, the Red Army and the White Army compete for strategic positions to support the internationalist soldiers of the Red Army, most of whom are Hungarians. Their stronghold was occupied by the white army. In this process, some Red Army soldiers were killed, and some fled to a "neutral" field hospital nearby, and both sides competed for the hospital. However, after being captured, both sides carried out large-scale revenge massacres, and people saw a power-driven massacre.

After a confrontation, the Red Army soldiers arrived with a huge cavalry unit. Facing the battlefield with corpses everywhere, the soldiers drew their swords to pay tribute to their brothers who died.

This film is another masterpiece of Hungarian director Miclos Janso after Rounding Up the Hopeless Man. The film was jointly shot by Hungary and the Soviet Union. It was originally a work commemorating the 50th anniversary of the victory of the October Revolution. However, because Janzo set the story in the Soviet Civil War and the cruel war reality described in the film, the film deviated from the main theme of celebrating the victory of the revolution, and the film was immediately banned in the Soviet Union. But looking at Suo Yang's works, you will find that most of his works come from historical truth and are related to political events such as war, repression, persecution and terror. As a cultural person who has studied ethnology, law and art history, Suo Yang's works will always discuss "people and power" and will not be reduced to simple entertainment products or government propaganda tools.

In addition to distinctive political and historical themes, the biggest feature of Suo Yang's works is the extensive use of long lenses. He often puts the picture in a wide plane, and makes use of the contrast between black and white to make the composition of the film have distinct expressionism and unique personal style. In the dancing mobile phone photography, what you fully feel is the empty grassland and unfathomable desolation, which is unbearable pessimism and desolation for life. By the end of 1960s, Suo Yang's works had completely fallen into this form and even gone to extremes. His other film Silence and Shout has only 1 1 shots.

This film can be said to be Suo Yang's most famous work, but there are still some critics who think that the form of the film is slightly stronger than the content. However, compared with his later works, the film contains a lot of ritual paragraphs and metaphorical details, which are still remarkable, such as "Forest Waltz" and "Red Army Soldiers Kissing Saber".

Winning record