The difference between novice photographers and professional photographers

The difference between novice photographers and professional photographers

Here are 50 differences between novice and master photographers. Let's take a look at them together.

1. Novices have expressed many personal opinions, but they have been said many times by others. Expert opinions are rarely published, and they are all based on their own experience.

2. Beginners ask for directions, tutorials, software, downloads, links, and experts ask themselves.

3. A novice will regard himself as a master if he makes a little progress, and he will regard himself as a novice as he goes further and further.

Novices keep learning the rules, so they can't shoot accurately, so they can't shoot accurately, and experts keep forgetting the rules, so it's ok to shoot like this.

5. Novices should think less and talk more when reading works, while experts should think more and talk less or be silent when reading works.

6, novices are more embarrassed, and experts are more embarrassed.

7. Beginners ask more questions and experts think more.

8. Novices are noisy and experts are quiet.

9. Beginners make excuses and experts find ways.

10, novices compare with others and experts compare with themselves.

1 1, novices delay equipment, and experts complete equipment.

12, novice testing equipment, expert using equipment.

13, novices keep learning the principle of equipment, exposure formula, composition rules and operating procedures, and experts keep forgetting these.

14. Novices are optimistic about their own works and find that they are not as good as themselves. Masters look at ordinary works and find good places.

15. Novices are willing to use some words to convince and refute each other when they encounter different opinions. When encountering different opinions, experts will judge each other's order, make sure that they will not gain anything in communication, and then keep silent.

16, novices always feel that the master has not said what they should say, and the master always feels that everything has been said, but novices just don't understand.

17. Beginners learn photography. Picking up the camera, experts learn photography everywhere in their lives.

18. Novices spend a lot of time discussing, tangled and debating the significance of post-processing. Experts put this time on post-processing study at first, but now they are not bored.

19. The films made by novices are not creative and all serve the needs of the rules. Masters shoot movies with ideas and let all the rules serve the ideas.

20. Novices use many words to describe simple to complex, and experts use one sentence to describe complex to simple.

2 1. Novices like to change their styles frequently, which is regarded as innovation. Masters have also experienced this process, but they already know what they need and gradually settle down.

22. The novice's exposition of photography will branch to several different results. The master's exposition finally reached unity.

Novices are willing to tell the world their achievements, because it is the first time, and experts put them there quietly because they have experienced them several times.

24. Novices like to favor one over the other in photography. Experts think that if you can shoot well, everything will be fine.

25. Novices always like to say that this is a master's word and the rule of a game. Because they are not confident enough and the masters are confident enough, they only tell their opinions to people who are worth talking about.

26. Novices' self-confidence is based on others' recognition, and they are used to getting people who are not recognized through language debate. The master's confidence is based on his own heart, neither more nor less. As long as other people's comments are to the point, they are happy to see their achievements, whether they are praise or disapproval.

27. Novices pay attention to the author's equipment and parameters when reading works, while experts pay attention to the author's way of thinking when reading works.

28. Novices who can't make good films will blame the venue, the light, the equipment, the object and the luck. A master who can't make a good film thinks that he still has something to do badly, finds out his own problems and improves next time.

29. Novice theory-theory-theory, expert practice-theory-practice-theory.

Novices always calculate how long it will take to become masters. When the master suddenly realized that he was already a master, he found that he had been filming for a long time.

3 1, novices pick up the camera and think about how to express themselves like a person, a work, and experts pick up the camera just to express themselves.

32. Novices don't know what to criticize. Most of the tricks of fake PS are not accepted by the real photography industry. Experts know that many beginners are confused by the same elementary PS game cases, but they also know that people who really concentrate on photography break through this illusion.

Novices regard immature works as personality, while experts know that personality can only be acquired after you have the corresponding strength.

Novices use additional words to help the work speak, while experts let the work speak for itself.

Novices like to ask others by taking famous works as the criterion. Masters all know that famous works cannot be copied by the author himself.

Novices are willing to let everyone know that they play photography and seek admiration and respect. The master only talks about photography to people with communication value. Put down the camera and become a normal person.

37. Novices tend to be proud, because ordinary people are humble in their eyes, because the better they shoot, the more they can meet the mountain beyond the mountain, and the more they know that they are far from the peak.

Novices know that this shot will be beautiful, and experts know why it will be beautiful.

39. Beginners often don't recognize masters, because many growth experiences have not been experienced, and masters can easily recognize novices because they have experienced all stages of novices.

40. Beginners believe that anyone can become a photographer as long as they work hard. The truth that experts know is that photographers are doomed, talent determines the highest height you can reach, and the day after tomorrow you try to determine the distance you are close to this height.

4 1, novices wonder that some masters can shoot wonderful films soon after picking up the camera. Masters know that everything they go through before picking up the camera is preparing for photography.

42. Novices always feel that PS has opened the distance between themselves and the masters, so they try to emphasize that PS is meaningless, try to watch the original film, and expect the masters to streaking with themselves. Experts all know that the main gap has appeared in the early stage, and streaking or not can not change the reality of strong muscles.

43. Novices who shoot dozens of films are all jealous of the master's good luck. Masters usually don't tell you how many waste films are behind that good film.

44. Novices' innovations are deliberate, but in the end they are superficial. Masters all know that innovation is a process of slowly accumulating, slowly internalizing and slowly showing, so they only want to cultivate and not reap, and change at will, and change will attract attention.

45. Novices use the late stage to remedy the early stage, and experts use the late stage to improve the early stage.

46. Beginners generally take it for granted that experts help novices. Experts come from this stage and really feel that your own progress is your own business, and no one has the obligation to help you.

47. Novice thinking after pressing the shutter, it is a pity to find this after shooting. On the contrary, the master is right and appropriate.

48. Novices frequently press the shutter at any time, and experts know that sometimes it is meaningless to press the shutter.

49. Novices gather in a group of photographers to shoot, and experts find their own angles that few people shoot alone.

50. Novices like to classify, depict and label works, themes and equipment. Experts think it's meaningless, but they won't convince you. ;