Han Dynasty poems about Hanfu

1. Poems about Hanfu

Origin of the name

The clothes worn by the Han people from the Three Sovereigns and Five Emperors to the Ming Dynasty are called Hanfu. Hanfu is the traditional national costume of the Han nation that has been passed down for thousands of years. It is the costume that best reflects the characteristics of the Han nationality. Every nation has its own distinctive national costume. Hanfu embodies the national characteristics of the Han nationality. In the thousands of years from the Three Sovereigns and Five Emperors to the Ming Dynasty, the Han nation relied on their own wisdom to create a colorful Hanfu culture and developed a clothing system with the unique characteristics of the Han nation - the Hanfu system. Hanfu, which is extensive, profound, complete in system, time-honored and beautiful, is China’s rare wealth and something that every descendant of the Yan and Huang Dynasties should be proud of. Objectively speaking, the national costumes of the Han people in certain historical stages, such as Chinese flag suits/cheongsams/mandarin jackets, etc., can never be called "Hanfu" because they have no normal evolution process with the real Hanfu.

Basic features

The main features of Hanfu are crossed collars and right gussets. They do not use buttons but are tied with ropes, giving people a free and elegant impression. These characteristics are obviously different from the costumes of other ethnic groups. Hanfu can be divided into formal clothes and regular clothes. From the shape point of view, there are mainly "top and lower skirts" system (the skirt in ancient times refers to the lower skirt), "shenyi" system (the top and lower skirts are sewn together), "skirt" system (ru, that is, short clothes), etc. type. Among them, the mianfu with a top and lower skirt is the most solemn and formal dress for emperors and officials; the robe (deep clothes) is the common dress for officials and scholars, and the underskirt is the favorite wear of women. Ordinary working people generally wear short clothes on top and long trousers on bottom. Accessories: Headwear is one of the important parts of Han nationality clothing. In ancient times, when men and women of the Han nationality came of age, they would tie their hair into a bun and tie it with hairpins. Men often wear crowns, scarves, hats, etc. in various shapes. Women's buns can also be combed into various styles, and various ornaments such as beads and flowers can be worn on the buns. Both sides of the temples are decorated with sideburns, and some wear curtain hats and hijabs.

Styles of men's clothing

"The Yellow Emperor hangs down his clothes and governs the world", the kind with a big lapel and right fold collar, a wide robe, big sleeves, a wide robe and a big belt (represented by Qin and Han Dynasty costumes), It continued the Xia, Shang, Zhou (Spring and Autumn and Warring States), Qin, Han, Three Kingdoms and Two Jins, Southern and Northern Dynasties, Sui, Tang, Five Dynasties, Song, Mongolia, Yuan and Ming, and influenced Japan, Korea and other countries. This is the most common style of Japanese kimono.

The round-neck shirt (worn by Tang Taizong Li Shimin) that became popular since the Sui and Tang Dynasties continued in the Tang, Five Dynasties, Song, Mongolian, Yuan, and Ming dynasties, and influenced Japan, Korea and other countries. Taizu of the Song Dynasty and Taizu of the Ming Dynasty both wore this type of clothing. The clothes worn by the Japanese emperor on certain occasions to this day are a variant of this Hanfu.

There are relatively more styles of women's clothing, but there are generally only two basic styles:

The wide lapel with right fold collar (also represented by Qin and Han Dynasty costumes).

The big-breasted and low-cut style that emerged in the Sui and Tang Dynasties is different from the deep clothes of the Qin and Han Dynasties in that the clothing is divided into upper clothes and lower clothes, and the clothes are no longer connected together like the deep clothes. These two styles of women's clothing had a great influence on the national costumes (women's clothing) of the Song and Ming Dynasties as well as Japan and Korea. During the Sui and Tang Dynasties, Han women also wore Hufu with narrow sleeves and tight lapels, but those Hufu were basically worn as fashionable clothes (or out of curiosity) and were not traditional ethnic costumes of the Han people. During the Song and Ming Dynasties, Han women also wore some other styles, but their influence was not widespread.

Everyone has seen that the costumes of Qin, Han, Tang, Song and Ming are slightly different in some places, but the main part is the same. The basic style of the deep clothes of the Western Han Dynasty and the Hanfu of the Ming Dynasty are the same, but they differ in details. The most distinctive feature is the wide robe with large lapel and right fold collar, large sleeves and a wide belt. In fact, Hanfu like the wide robe with big sleeves and wide robe with folded collar and belt was still worn by the Han people during the Tang Dynasty. However, in the north centered on Chang'an, round collars were the dominant style, while in the Wuyue area, both were considered. Similar to Song and Ming Dynasties. The Japanese kimono was developed into today's Japanese kimono after the introduction of Han costumes during the Asuka Nara period (the Tang Dynasty of China).

What is the style of Han costumes? If we compare the Han people with European peoples, we will find that the two are obviously different in many aspects. The overall style of Han costumes for thousands of years has been mainly plain and simple. The ancient robes of the Han people best embody this style. The main features of this kind of robe are wide robes with big sleeves and wide belts. Although the shape is simple, once it is worn on people, they look different and look different. Very malleable. Although we cannot see the various prototypes of this kind of clothing now, we can still get a glimpse of its appearance from the silk paintings of the Han Dynasty and some figure paintings left over from the Wei, Jin, Sui and Tang Dynasties - a simple Han costume coat attached to the The characters with different postures suddenly have a kind of fresh vitality, and the lines are soft and smooth, which makes people think about it. The simple and plain clothing adds a natural charm to them. The robes fully embody the quiet, comfortable, elegant, detached, and calm national character of the Han nation, as well as the plain, natural, subtle, euphemistic, elegant and fresh aesthetic taste. The shoes of ancient Han attire are also very particular, which are reflected in traditional paintings and operas. "Hanfu is a legacy of the Five Dynasties and Jin". When the "History of Liao" was revised in the Yuan Dynasty, a "Hanfu" section was even created specifically for Hanfu.

This led to national integration. After only a few decades, The Xianbei and other ethnic minorities in the Central Plains have basically integrated with the Han people.

2. Looking for sentences describing Hanfu in ancient poems,

Qin Palace Poetry, Tang Dynasty, Li He. Yueluo shirt sleeves welcome the spring breeze, jade-carved unicorn belt is red.

There is a banquet with immortals singing at the top of the building, and the fragrance of sheng is blown under the tent and the fog is thick. The wine in the world is warm and spring is vast, and the branches of flowers are entering the curtains and the days are long.

Flying out the window and returning to the road to prepare drinks, the copper plate is greasy and the candle is yellow for ten nights. The bald and small sleeves are used to tune the parrot, and the purple embroidered hemp is stepping on the roaring tiger.

Cut the osmanthus and burn the gold for the dawn feast, and cook the white deer and green suzhou at midnight. Riding a new horse in Tongying Yongxiang, the inner room is full of colorful paintings.

Use water to measure money if the door is broken. This is a poem written by Li He about the beautiful young man Qin Gong in the Han Dynasty. It seems that there are few ancient poems describing men's clothing.

He Jia Zhisan went to the Daming Palace in the early morning to write Wang Wei of the Tang Dynasty. The nine heavens closed the palace, and all the nations wore their hats and bows. This poem clearly shows the beauty of the clothes of the emperor of the Tang Dynasty and the momentum of the Tang Dynasty.

Mulberry on Moshang Han Yuefu The sun rises in the southeast corner, shining on my Qin family building. The Qin family had a good daughter who named herself Luofu.

Luofu likes sericulture and picks mulberries in the south corner of the city. The green silk is the cage tie, and the cinnamon twig is the cage hook.

The Japanese is wearing a bun on her head, and there are bright moon beads in her ears. Xiangqi is the lower skirt and purple qi is the upper skirt.

The traveler saw Luofu and put down his shoulder to smooth his mustache. When the young man saw Luofu, he took off his hat and put on his turban.

The plower forgets his plow, the hoeer forgets his hoe. Come and return with anger and resentment, but sit and watch Luofu. What else can I say? I believe everyone is familiar with this poem.

Beautiful People Traveling by Du Fu, Tang Dynasty The weather was new on March 3rd, and there were many beautiful people by the water in Chang'an. The posture is strong, the meaning is distant and true, the texture is fine and the bones are even.

The embroidered clothes shine in the late spring, and the golden peacock and silver unicorn frown. What's on the head? The green lotus leaves hang down the temples and lips; what can you see from behind? The beads press the waist to stabilize the body.

The poet describes the Yang sisters' trip to Qujiang Pond. Although the meaning is ironic, we can still see how luxurious the costumes of the Tang Dynasty nobles were.

Yong Yu Le Li Qingzhao of the Song Dynasty The setting sun melts gold, the dusk clouds merge together, where are the people? The willows are dyed with thick smoke, and the plum flute is played with resentment. How much do you know about the spring spirit? During the Lantern Festival, the weather is harmonious, and there will be no wind and rain? Come and summon me, bring you a beautiful car and a BMW, and thank him for your wine, friends, and poets. It's a prosperous day in Zhongzhou, and there is a lot of free time in the boudoir. Remember to focus on the three or five.

Paved with emerald crowns, twisted golden snow willows, and clusters of ribbons to support Chu. Now I am haggard, with windy hair and misty hair on my temples, and I am afraid of going out at night.

Why not go under the curtain and listen to people laughing. Sanwu: refers to the Lantern Festival.

Putui Guaner: a women’s hat decorated with green feathers. Twisted golden snow willow: a decoration on women’s heads during the Lantern Festival.

Tufted belt: means dressing up. This song can reveal the customs of the Lantern Festival in the Song Dynasty and what people wore at that time.

Ouyang Xiu - Expressing Heartfelt Love · Apply light cream on the curtains in the morning. Apply light cream on the curtains in the early morning, and try the plum makeup on your hands. They all have their own separation and hatred, so the paintings and distant mountains are long.

Thinking about the past and cherishing the beauty. Easily injured.

The imitation of a song is the first to hold back, and when you want to smile, you frown, which is the most heartbreaking. ----- This song is about a song girl who misses her lover. Pay attention to the "plum blossom makeup". Plum blossom makeup: Princess Shouyang, the daughter of Emperor Wu of the Southern Dynasties, made plum blossom makeup, that is, she painted a plum blossom between her eyebrows as a decoration.

Xin Qiji - Han Palace Spring · Beginning of Spring Spring has returned, look at the spring streamers curling up on the heads of beauties. Unexpected wind and rain failed to collect the remaining cold.

When I was young, I dreamed of going to the West Garden tonight. Hun is not done, Huanggan recommends wine, and green leek is piled on the plate.

But I laughed at the east wind. From then on, the plum blossoms and willows were stained, and I had no time to spare. When I am free, I come to the mirror again and my beauty changes.

I am constantly worried, who can I ask who knows how to solve the puzzle? I'm afraid I'll see the flowers bloom and fall, and the geese will return first if they come in the morning. ------ This poem uses the unique scenery and customs of the beginning of spring to express the emotion of not waiting for me, and through symbolic metaphors, it expresses the thoughts of the motherland.

Spring banner: In ancient times, on the day of the beginning of spring, women cut ribbons in the shape of swallows and put them on their heads to welcome the spring. They were called spring banners. Dupan: In ancient times, five-spice pans were made on the first day of spring, and yellow tangerines were used to make wine, which was called Dongting Spring Scenery.

Yan Jidao - Linjiang Immortal · Menghou Tower High Lock I remember the first time Xiao Ping met, the double heart word Luo Yi. The strings of the pipa say lovesickness, the bright moon was there at that time, and the colorful clouds once returned.

---- This word describes revisiting the old place after farewell, causing endless nostalgia for the lover. Luoyi with double heart characters: Shen Xiong's "Gu and Jin Ci Hua" says that the collar is bent like the character heart.

National style·Bei style·Green clothes The clothes are green, and the green clothes are wrapped in yellow. The heart is worried, just protect yourself! Green clothes, green clothes and yellow clothes.

My heart is full of worries, and I want to protect my death! It is green and silky, and is cured by women. I think of the ancients, so I can’t help but admire them! The rugs are rusty, and the wind is desolate.

I miss the ancients, and they really won my heart! ----- Clothes: Outerwear Wrap: Underwear Yan (eat): fine kudzu cloth Kui (line): coarse kudzu cloth National style·阘风·Gentlemen grow old together. Gentlemen grow old together, and they have six hairpins. Tuo Tuo Tuo Tuo, like mountains and rivers.

It is appropriate to wear elephant clothes. If the son is unkind, what will happen to him? If it is jade, it is Zhai.

His hair is like a cloud, and he disdains his hair. The jade is also the jade, and the elephant is the ear.

It is clear and clear.

What a shame! Hu Ran is the emperor! The 瑳 Xi 瑳 Xi, its spread is also, covered with other 绻絺, this is the 绢碢.

The son's clear and airy appearance is also the beauty of the state. ----- Use the gorgeous clothes to satirize Wei Xuangong's wife (originally his daughter-in-law) Jiang Xuanhuang for being shameless. Vice: a bun made of wigs, embellished with pearls and jade hairpins: Hairpin Jia: jade ornaments Xiangfu: a gorgeous dress inlaid with jewels and embroidered with colorful patterns Zhai: a dress embroidered with long-tailed pheasant patterns 鬒: black hair like clouds 髢: wig 籱 : Jade ear ornaments: Hairpin exhibition for scratching the head: Red crepe dress in the elephant suit: Underwear, Han Xin Yannian, the fifteenth year of the Han Dynasty.

Spring is unique. Long train and belt.

Acacia jacket with wide sleeves. Blue field jade on the head.

Da Qin Pearl behind the ear. How graceful are the two servant girls?

There is no good in this life. Five million per servant.

There are more than ten million servants. The peacock flies southeast, Han Yuefu, the rooster crows in anticipation of dawn, and the bride puts on her full makeup.

Wearing my embroidered skirt will make everything possible. Silk shoes underfoot, tortoiseshell light on head.

The waist is smooth and the moon is shining brightly. The fingers are like peeling onion roots, and the mouth is like pearl pills.

Slender and delicate steps, exquisite and unparalleled in the world. The long skirt comes with a belt and wide sleeves.

Wu Wenying-Crossing the River Clouds·West Lake Qingming gradually enters the Xianwu maze. The intestines are diffuse and can be seen when separated from flowers, and the back and waist are painful.

--- Bai Juyi Shi Shizhuang, Shi Shizhuang, came from all over the city. The fashion of the time is no matter how far or near, there is no vermilion on the cheeks and no powder on the face.

The lips are painted with black paste and look like mud, and the eyebrows are painted with a low splay. Yan Yao loses her original appearance in black and white, and looks like she is crying with sadness after all her makeup is put on.

The round servant girl has no bun on her temples and has an ocher-like face with a slanting red color. I heard in the past that I was sent to the Yi River, and Xin You saw it and knew that there was a Rong army.

Yuanhe's makeup and combing should be remembered, and the ocher on the top of the bun is not elegant. I don’t know if women in the Tang Dynasty really dressed up like this. It was obvious that they didn’t know how to put on makeup and only knew how to pour cosmetics on their faces.

It should be like a forty-five-foot waterfall in front of the bright moon on Tiantai Mountain. There are wonderful articles in it, and the ground is covered with white fireworks and snow.

Who is weaving clothes and who is wearing clothes? She is a cold girl from the Han Dynasty across the river. Last year, the envoy issued an edict to weave samples from heaven and earth.

Weaved with the colors of autumn geese outside the clouds, dyed with the colors of the spring waters of the south of the Yangtze River. . 3. Ancient style poems and prose about Hanfu

I am looking for ancient poems describing Hanfu. I don’t know if it is possible. Qin Gong Poems, Tang Dynasty, Li He. Yueluo shirt sleeves welcome the spring breeze, and the jade-carved unicorn belt is red.

There is a banquet with immortals singing at the top of the building, and the fragrance of sheng is blown under the tent and the fog is thick. The wine in the world is warm and spring is vast, and the branches of flowers are entering the curtains and the days are long.

Flying out the window and returning to the road to prepare drinks, the copper plate is greasy and the candle is yellow for ten nights. The bald and small sleeves are used to tune the parrot, and the purple embroidered hemp is stepping on the roaring tiger.

Cut the osmanthus and burn the gold for the dawn feast, and cook the white deer and green suzhou at midnight. Riding a new horse in Tongying Yongxiang, the inner room is full of colorful paintings.

Use water to measure money if the door is broken. This is a poem written by Li He about the beautiful young man Qin Gong in the Han Dynasty. It seems that there are few ancient poems describing men's clothing.

He Jia Zhisan went to the Daming Palace in the early morning to write Wang Wei of the Tang Dynasty. The nine heavens closed the palace, and all the nations wore their hats and bows. This poem clearly shows the beauty of the clothes of the emperor of the Tang Dynasty and the momentum of the Tang Dynasty.

Mulberry on Moshang Han Yuefu The sun rises in the southeast corner, shining on my Qin family building. The Qin family had a good daughter who named herself Luofu.

Luofu likes sericulture and picks mulberries in the south corner of the city. The green silk is the cage tie, and the cinnamon twig is the cage hook.

The Japanese is wearing a bun on her head, and there are bright moon beads in her ears. Xiangqi is the lower skirt and purple qi is the upper skirt.

The traveler saw Luofu and put down his shoulder to smooth his mustache. When the young man saw Luofu, he took off his hat and put on his turban.

The plower forgets his plow, the hoeer forgets his hoe. Come and return with anger and resentment, but sit and watch Luofu. What else can I say? I believe everyone is familiar with this poem.

Beautiful People Traveling by Du Fu, Tang Dynasty The weather was new on March 3rd, and there were many beautiful people by the waterfront in Chang'an. The posture is strong, the meaning is distant and true, the texture is fine and the bones are even.

The embroidered clothes shine in the late spring, and the golden peacock and silver unicorn frown. What's on the head? The green lotus leaves hang down the temples and lips; what can you see from behind? The beads press the waist to stabilize the body.

The poet describes the Yang sisters' trip to Qujiang Pond. Although the meaning is ironic, we can still see how luxurious the costumes of the Tang Dynasty nobles were.

Yong Yu Le Li Qingzhao of the Song Dynasty The setting sun melts gold, the dusk clouds merge together, where are the people? The willows are dyed with thick smoke, and the plum flute is played with resentment. How much do you know about the spring spirit? During the Lantern Festival, the weather is harmonious, and there will be no wind and rain? Come and summon me, bring you a beautiful car and a BMW, and thank him for your wine, friends, and poets. It's a prosperous day in Zhongzhou, and there is a lot of free time in the boudoir. Remember to focus on the three or five.

Paved with emerald crowns, twisted golden snow willows, and clusters of ribbons to support Chu. Now I am haggard, with windy hair and misty hair on my temples, and I am afraid of going out at night.

Why not go under the curtain and listen to people laughing. Sanwu: refers to the Lantern Festival.

Putui Guaner: a women’s hat decorated with green feathers. Twisted golden snow willow: a decoration on women’s heads during the Lantern Festival.

Tufted belt: means dressing up. This song can reveal the customs of the Lantern Festival in the Song Dynasty and what people wore at that time.

Ouyang Xiu - Expressing Heartfelt Love · Apply light cream on the curtains in the early morning. Apply light cream on the curtains in the early morning, and try the plum makeup on your hands. They all have their own separation and hatred, so the paintings and distant mountains are long.

Thinking about the past and cherishing the beauty. Easily injured.

The imitation of a song is the first to hold back, and when you want to smile, you frown, which is the most heartbreaking. ----- This song is about a song girl who misses her lover. Pay attention to the "plum blossom makeup". Plum blossom makeup: Princess Shouyang, the daughter of Emperor Wu of the Southern Dynasties, made plum blossom makeup, that is, she painted a plum blossom between her eyebrows as a decoration.

Xin Qiji - Han Palace Spring · Beginning of Spring Spring has returned, look at the spring streamers curling up on the heads of beauties. Unexpected wind and rain failed to collect the remaining cold.

When I was young, I dreamed of going to the West Garden tonight. Hun is not done, Huanggan recommends wine, and green leek is piled on the plate.

But I laughed at the east wind. From then on, the plum blossoms and willows were stained, and I had no time to spare. When I am free, I come to the mirror again and my beauty changes.

I am constantly worried, who can I ask who knows how to solve the puzzle? I'm afraid I'll see the flowers bloom and fall, and the geese will return first if they come in the morning. ------ This poem uses the unique scenery and customs of the beginning of spring to express the emotion of not waiting for me, and through symbolic metaphors, it expresses the thoughts of the motherland.

Spring banner: In ancient times, on the day of the beginning of spring, women cut ribbons in the shape of a swallow and put it on their heads to welcome the spring. They were called spring banners. Dupan: In ancient times, five spicy dishes were made at the beginning of spring and wine was made with yellow tangerines, which was called Dongting Spring Scenery.

Yan Jidao - Linjiang Fairy·Denghou Tower High Lock I remember the first time Xiao Ping met, the double heart word Luo Yi. The strings of the pipa say lovesickness, the bright moon was there at that time, and the colorful clouds once returned.

---- This word describes revisiting the old place after farewell, causing endless nostalgia for the lover. Luoyi with double heart characters: Shen Xiong's "Gu and Jin Ci Hua" says that the collar is bent like the character heart.

National style·Bei style·Green clothes The clothes are green, and the green clothes are wrapped in yellow. The heart is worried, just protect yourself! Green clothes, green clothes and yellow clothes.

My heart is full of worries, and I want to protect my death! It is green and silky, and is cured by women. I think of the ancients, so I can’t help but admire them! The rugs are rusty, and the wind is desolate.

I miss the ancients, and they really won my heart! ----- Clothes: Outerwear Wrap: Underwear Yan (eat): fine kudzu cloth Kui (line): coarse kudzu cloth National style·阘风·Gentlemen grow old together. Gentlemen grow old together, and they have six hairpins. Tuo Tuo Tuo Tuo, like mountains and rivers.

It is appropriate to wear elephant clothes. If the son is unkind, what will happen to him? If it is jade, it is Zhai.

His hair is like a cloud, and he disdains his hair. The jade is also the jade, and the elephant is the ear.

It is clear and clear. What a shame! Hu Ran is the emperor! The 瑳 Xi 瑳 Xi, its spread is also, covered with other 绻絺, this is the 绢碢.

The purity of the son is the beauty of the state, and the beauty of the state is the beauty of the person. 4. Poems describing beauties in Han costumes in autumn

Qin Palace Poems

Li He, Tang Dynasty

The sleeves of Yueluo shirt welcome the spring breeze, and the jade-carved Kirin belt is red. At the top of the building, there is a banquet with immortals singing,

The incense of sheng is blown under the tent and the fog is thick. The wine in the world is warm and spring is vast, and the branches of flowers are entering the curtains and the days are long.

Flying out the window and returning to the road to prepare drinks, the copper plate is greasy and the candle is yellow for ten nights. The bald man with small sleeves is a parrot,

The purple embroidered hemp is stepping on the roaring tiger. Chopping osmanthus and burning gold for the dawn feast, white deer and green suzhou are boiled at midnight.

Riding a new horse in Tongyingyong Lane, the inner room is full of colorful paintings. If the door is broken, the water will be charged.

This is Li He's poem about the beautiful young man Qin Gong in the Han Dynasty. It seems that there are not many poems describing men's clothing in ancient times.

He Jia Zhi Sanren went to the Daming Palace in the early morning

Wang Wei of the Tang Dynasty

The chicken man in crimson skirt sent Xiaochao away, and he went into Cuiyunqiu when he was still wearing clothes.

The Nine Heavens closed the palace, and the clothes and crowns of all nations paid homage to the emperor.

This poem fully demonstrates the beauty of the clothes of the emperor of the Tang Dynasty and the momentum of the Tang Dynasty.

Mulberry on Moshang

Han Yuefu

The sun rises in the southeast corner and shines on my Qin Family Tower. The Qin family had a good daughter who named herself Luofu. Luofu likes sericulture and picks mulberry trees in the south corner of the city. The green silk is the cage tie, and the cinnamon twig is the cage hook. The Japanese is wearing a bun on his head, and there are bright moon beads in his ears.

Xiangqi is the lower skirt, and Ziqi is the upper skirt. When the traveler sees Luo Fu, he lowers his shoulder to smooth his mustache. When the young man saw Luofu, he took off his hat and wore a turban. He who plows forgets his plow, and he who hoe forgets his hoe. I come back angry and resentful, but I sit back and watch Luofu

What else can I say? I believe everyone is familiar with this poem. 5. I beg to introduce Hanfu to the ancient classics about Hanfu and its development history.

The word "Hanfu" was first recorded in the "Book of Han": "Later, several people came to pay homage and enjoyed the Han clothing system. ”

The “Han” here refers to the clothing and etiquette system of the Han Dynasty, that is, the crown and clothing system in "Zhou Li", "Etiquette" and "Book of Rites", because the etiquette system of the Han Dynasty was established by the Emperor Gaozu of the Han Dynasty. Taichang Shusun Tong formulated it based on the etiquette system of Xia, Shang and Zhou dynasties. Hanfu "began from the Yellow Emperor and was prepared by Yao and Shun." It originated from the Yellow Emperor's crown uniform and was finalized in the Zhou Dynasty. Through the Han Dynasty, a complete crown costume system was formed based on the Four Books and Five Classics, and became part of the Confucian Shinto teachings.

"Riding the chariot of Yin and serving the crown of Zhou" is the essence of Confucian governance. Therefore, all subsequent Chinese dynasties all followed the Zhou Fa and Han Dynasties and regarded the inheritance of Han clothes and crowns as a national event, so there was a public opinion in the Twenty-Four Histories.

The Han people’s identification with Han clothing has also become part of the national consciousness. 6. About Hanfu

Hanfu, also known as Hanfu and Huafu, is an overall collection of a series of Chinese national costumes with Chinese national style worn by the Chinese nation from the Xia, Shang and Zhou dynasties to modern times. .

In ancient times when the concepts of nation and country were not clear, it was generally used as a term relative to the "Hufu" in areas surrounding the Chinese civilization. Hanfu is a clothing system with national characteristics formed by the Han people (and the Huaxia people, the predecessor of the Han people) based on national culture and formed in the process of natural cultural development and ethnic blending from the three emperors and five emperors in ancient China to the late Ming Dynasty (the middle of the 17th century).

In terms of clothing system, Hanfu is based on the clothing worn by the people of the Han (Huaxia in the pre-Qin period) dating back to the Yanhuang Dynasty and the Ming Dynasty, and developed and evolved naturally on this basis. A collection of clothing that is distinctly unique in style. [1] Table of contents [hide] * 1 History and development * 2 Origin of the name * 3 Characteristics and styles o 3.1 Basic styles of past dynasties + 3.1.1 Spring and Autumn and Warring States periods + 3.1.2 Qin and Han dynasties + 3.1.3 Wei, Jin, Southern and Northern Dynasties + 3.1. 4 Sui, Tang and Five Dynasties + 3.1.5 Song and Yuan Dynasties + 3.1.6 Ming Dynasty + 3.1.7 Accessories* 4 Various Hanfus* 5 Hanfu and Cultureo 5.1 Hanfu and I Chingo 5.2 Hanfu and Danceo 5.3 Hanfu and Poetry* 6 Influence on the costumes of surrounding ethnic groups o 6.1 The Xianbei people in the Northern Wei Dynasty of China switched to Hanfu o 6.2 Japan’s kimono o 6.3 North Korea’s Hanbok o 6.4 Vietnam’s Yuefu o 6.5 Ryukyu’s Ryukyu suit* 7 References* 8 Related entries* 9 External links[edit] ] History and Development Xuanyuan Huangdi wearing Hanfu (stone carving at Wuliang Temple of the Eastern Han Dynasty in Jining, Shandong) Hanfu is one of the oldest national costumes in the world.

Before there was any archaeological evidence, the earliest appearance of Hanfu should be during the Yin and Shang Dynasties. Some ancient books believe that the Han people (and their ancestors) already have a unique clothing system.

For example, Zhang Shoujie's "Historical Records of Justice" of the Tang Dynasty believed that "Chinese clothes were made by the Yellow Emperor" [2]. About five thousand years ago, during the Yangshao Culture period of the Neolithic Age, China developed primitive agriculture and textile industries. They began to use woven linen to make clothes. Later, silkworm breeding and silk spinning were invented, and people's clothing Becoming more and more complete day by day.

In the legendary Huangdi era, the crown appeared and the clothing system gradually formed. After the Xia and Shang Dynasties, the crown service system was initially established, and during the Western Zhou Dynasty, it was gradually completed.

In the late Zhou Dynasty, due to the rapid changes in politics, economy, ideology and culture, especially the theory of hundreds of schools of thought, which had a certain influence on the improvement of clothing, the clothes and customs of the princes and states were greatly affected. There was a noticeable difference at first. And create deep clothing.

The system of official uniforms and uniforms was included in the scope of "rule by etiquette" and became an expression of etiquette. From then on, the system of official uniforms and uniforms in China became more detailed. "In ancient times, the clothes that were popular up and down were deep clothes, and the clothes that represented the characteristics of the era were also deep clothes. Deep clothes can actually be the characteristics of ancient clothes.

Those who talk about ancient clothes should talk about them first. What is deep clothes? Clothes, "Book of Rites: Shen Yi" Kong Zhengyi said: "So it is called Shen Yi because of the remaining clothes. The top and bottom clothes are not connected. This Shen Yi is connected with the clothes and the quilt is deep, so it is called Shen Yi. "

For details on its system, please refer to "Book of Rites·Shenyi". The most important thing is "continued gussets and hooked edges.

Sew half way down. If the grid is high or low, the elbow can be moved.

The length of the gauze should be as long as it reaches the elbow...the gauze should be round to conform to the rules, curved like a square to conform to the square, and the strap should reach the ankle to be straight...pure gauze, edge, pure edge, wide An inch and a half each. "In short, the system of deep clothing is actually the first of ancient clothing. The leader group clothing of deep clothing is not only in its institutional form, but also in common use. In terms of time, it has been popular for the longest time.

[3 "According to the three dynasties, the clothing system can be found to be different. However, apart from the crown clothing, only Xuanduan (Duanyi) and deep clothing are the most widely used. The Xuan Duan can be worn by everyone from the emperor to the nobles, and the deep robe can be worn by everyone from the emperor to the common people... As for the deep robe, it is cut and sewn with gussets, and the movements are in accordance with etiquette, so the humble can wear it, and the noble can wear it. It can be served by the imperial court, and private individuals can be served by it. The emperor wears it to provide for the elderly, princes serve it to offer food, ministers wear it to treat their private affairs in the evening, and common people wear it to offer sacrifices to guests. There is no hierarchy at all.

Don’t cut your clothes, don’t kill them, don’t round your sleeves, don’t cover them up, and don’t make them extravagant. Its scale is eight feet and eight inches long, and each piece is two feet and two inches long and wide. The four corners are square, so it is called the end.

The clothes, the first three and the last four, must have countless pieces, which is called Weishang. The ancients had a saying: "Go to the dark side in the morning, wear deep clothes in the evening".

[4] It was not until the early Qing Dynasty more than three hundred years ago that this clothing system was forced to be suspended. After the fall of the Ming Dynasty in 1644, during the war between the Qing Dynasty and the Southern Ming Dynasty, in order to weaken the national identity of the Han people and achieve long-term rule of China, the rulers of the Qing Dynasty vigorously promoted Manchu hairstyles and Manchu clothing, and ordered people to prohibit people from wearing Han nationality clothes. Clothing, "leave hair but not hair", and implemented a bloody and brutal policy (known in history as "shaving hair to make clothes easier", "shaving hair" is also called "shaving hair").

For this reason, people across China resisted, causing chaos to spread across China, which had temporarily stabilized. A series of massacres such as the Jiangyin Massacre occurred. More than ten million civilians died under the butcher's knife. This made Hanfu gradually disappeared. As a result, the extremely barbaric practice of shaving one's hair and changing clothes was implemented (known as the "Shaving Order" in history, and "shaving" was also referred to as "shaving"). Its execution slogan was: "Keep your hair but not your head, keep your head but not your hair."

In order to protect the cultural relics and clothes passed down from generation to generation, the majority of the Han people resisted for hundreds of years. They tried in various ways to prevent the Qing government’s national oppression. For example, Yan Shenggong, a descendant of Confucius at that time, Confucius heard that he wrote to Dorgon, asking for the preservation of the Confucius family's clothing, saying: "The ancestors were the ancestors of the ceremony... The most important thing in setting the ceremony is the crown and clothes... But the clothes of the ministers have not changed for three thousand years...", Dorgon refused. Today's cheongsam, gown, and mandarin jacket are all improvements and developments of ethnic costumes based on the Manchu people.

Many peasant uprisings that broke out during the rule of the Qing Dynasty, such as the White Lotus Sect, the Taiping Heavenly Kingdom, and the Nian Army, all wore Han-style clothes and asked people in their ruled areas to restore Han-style clothes. The Ming Dynasty has been destroyed for a long time. Although the peasant army clothes have been largely Qing-style, their headscarves and clothes have still restored the obvious Han style. Some generals of the Taiping Rebellion rejected Qing Dynasty-style war uniforms and preferred to fight in costumes.

Another example is that King Zheng Jing of the Zhengdongning Dynasty in the Ming Dynasty also refused to shave his hair and change clothes as one of the political conditions for surrender. This kind of resistance and resistance came and went during the Qing government until the outbreak of the Revolution of 1911 After the founding of the Republic of China, when people were forced to cut off their braids, the Manchu colonial culture that had lasted for more than 250 years was completely ended. However, it was brutally attacked by the Manchus.