How to create an atmosphere with a large aperture lens in photography

Introduction: In addition to using a large aperture to create a dreamy bokeh when shooting portraits, there are actually many good landscape and sketch photography that use the characteristics of a large aperture to create a beautiful scene with bokeh. Set it off, highlight the subject of the photo, and capture the subtle and delicate atmosphere between the scenery and small objects. Below we will explain to you the bokeh formed by large aperture lenses with different focal lengths, how to compose the picture so that the subject and the background bokeh complement each other, or learn to use different depths of field to express the interest of the sketch at night. . How to create an atmosphere with a large aperture lens in photography

The charm of landscapes with a large aperture in telephoto

As far as landscape photography is concerned, most players are used to using wide angle, ultra wide angle, and narrowing the aperture. In exchange for a deeper depth of field, you can shoot the magnificent scenery of mountains and seas, because as long as you compose the picture properly, you can easily show the spaciousness of the beautiful scenery in front of you. Secondly, in the subject of landscape photography, it is easier to use a wide-angle lens to compose the picture. The shooting angle is not easily disturbed by the bokeh of the large aperture. But having said that, who said that good landscape photos can only be taken with a small aperture and a wide-angle lens? In fact, as long as you carefully observe the environment and add appropriate composition and depth of field arrangements, you can also take fascinating photos with a large aperture telephoto lens. landscape works.

▲In the early morning, water vapor on the mountains can easily produce mist that resembles an ink painting. Players can seize the opportunity and use a large-aperture telephoto lens to take pictures.

As the saying goes: "Photography is an art of subtraction." Compared with wide-angle lenses, the viewing angle of telephoto lenses is usually narrower, and the range that can capture the scenery in front of you is naturally limited. Therefore, when using a large aperture telephoto lens to shoot landscapes, it not only tests the photographer's observation ability for depth of field preview, but also is crucial for mastering the composition ability of simplifying the environment. Therefore, how to find the visual focus from the picture and extend the bokeh Purpose, or the sequence of scenery, is an important issue when photographing landscapes with a telephoto lens. When shooting, the author recommends that players first examine the expression of the image in the composition with a small aperture, and try to find the order in the picture, whether it is the arrangement of the foreground and background, or other elements that can be used as bokeh expressions. All elements can be used, and then by changing the focus point and shooting distance, a superb work with shallow depth of field is constructed.

▲Compressing the depth of field through a telephoto lens can give the scenery a sense of tranquility, appearing before our eyes like a painting.

As for the construction of composition aesthetics, you can usually appreciate relevant excellent photography works, and then think more about or discuss good-quality composition works with friends. In addition, the most important thing is to take more pictures. Even if you limit yourself to shooting landscapes with a telephoto lens for a period of time, until you accumulate a certain number of satisfactory works, only through continuous appreciation, observation, photography and review can you be able to use the telephoto lens to take pictures. The skills of landscapes have been further improved, breaking through the targets that could not be photographed in the past.

▲When shooting, you should use composition to organize the lines that appear in the field of view to avoid too much messy interference entering the picture and destroying the layered beauty that it should have. ?

▲By compressing the background, the distant figures are transformed into depth of field and presented in the picture. This is also a method that can use images to tell stories.

▲Sometimes, the scenery does not have to be completely clear to be considered a good work. It has the feeling of a forest avenue like this, which is actually quite comfortable, right? Canon EOS 5D Mark II+ EF 135mm F2L. Aperture F2.0, shutter 1/1250 second, ISO 100, AV aperture priority, RAW to JPEG.

Use depth of field to take good sketch photography

There is so much beauty in life, hidden in small corners, as long as we know how to appreciate it, a little flower, a puppet, a cup of coffee? It can also be transformed into a timeless image. When shooting this type of image, because the overall environment cannot be designed and moved at will, and the meaning of the original image may be lost after moving, for example, the grass growing in the corner, facing the sunset, blooms with a sacred aura, which is interesting and beautiful Scenery can be seen everywhere in life, but unsightly clutter in the background also often appears at the same time.

▲For sketch photography, depth of field control and bokeh application are both parts that players need to think about.

At this time, if you use a large aperture lens and shoot at a moderate close range, you can easily blur the background and make the subject more prominent. Of course, it does not mean that the aperture must be the largest to achieve the best effect. On the contrary, we recommend that players try to record several images with the aperture reduced by 1 or 2 stops at the same time, so that most of the small things that are the subject can be within the depth of field. Otherwise, the shallow depth of field will cause the image to feel blurry.

▲Use depth of field to blur the lighting in the background into a pink halo.

As for what kind of depth of field range is the best? It depends on each person’s definition and idea of ??the image. Generally speaking, the subject itself is detailed and textured, and it is exactly what we want to express When focusing, we need to narrow the aperture as much as possible while still removing background interference. If the image presentation is mainly focused on atmosphere, you can boldly open the aperture to full aperture and emphasize the sense of space created by the depth of field.

▲The products use shallow depth of field and sequence extension to highlight the theme and give viewers the illusion that the number is greater than the actual number.

Another interesting way to deal with it is that the background is also a part of the subject that we want to use, but we don’t want it to be too clear, just a blurry image. For example, the cosmos in the flower garden of Riverside Park has a wall beam crossing the river on the back. At this time, our subject is the flower instead of the bridge, but we hope to use a vague image to metaphorize the location of the shooting. At this time, we need to try more Use different apertures to record, or use the depth of field preview function before shooting to roughly grasp the depth of field we want.

▲Using a wide-angle large-aperture lens to shoot a narrow store space can not only record a large amount of space and have a moderate depth of field, but also make the space in the picture look more three-dimensional and vast.

▲If the appeal is mainly about atmosphere and situation, players can boldly open the aperture to the full and use depth of field to emphasize the spatial experience.

▲Using depth of field to express the small flowers under the lingering halo of the sunset can make people feel the tenacity and brilliance of life.

(Photography: Johns)