Bai Zixi's Performance Form

White-character operas use the Hailufeng dialect in Shanwei, which is especially popular with local farmers. Beautiful music has the characteristics of duet, roll singing, folk songs and chorus. The repertoire is good at interpreting children's feelings. The performances are rigorous but not rigid, singing and dancing, and full of life. Southern Wushu is used for colorful flags, and the stage art is simple and easy to flow.

Language features: Bai Zixi adopts local language, instead of singing and reciting standard Mandarin in dialect, it makes the living language of Shanwei shanwei people artistic. Including grammatical rhetoric, common sayings, slang, proverbs, two-part allegorical sayings, spoken language, homophones, disyllabic words and so on.

The selection of Guan Yu and riddles adds a strong flavor of life and local flavor to the play.

Style characteristics: Bai Zixi adopts couplet structure, which is close to the "divertimento" and "poem" in Song and Yuan Dynasties. A song is composed of several songs, first come, then come, in a certain order. In particular, there is a certain pattern in which one starts and which ends. The basic tone, sentence board, number of words, punctuation, rhythm and rhyme of a tune have certain rules. The strength of Qupai is fast and slow, and it is cadence. Similar to the rules of lyrics, but more free in arranging the inheritance and integration of lyrics.

Characteristics of roll singing: Wang Qing and Zheng Xiang's "New Twelve Methods of Peking Opera Spectrum" said: "Under a certain song, roll over; Then win a songwriter, called rolling. " Take "Pearl" as an example. By comparing the copy of "Book House Meets Husband" in "Stone Fashion Rolling Pin Club Jade Valley Quchun" engraved in the Japanese Cabinet Library in the 44th year of Wanli (16), we can see the development of this kind of "rolling noodle".

"The library meets the husband" (born) [Jiang Ershui] Looking up, the clouds and mountains are foggy, and the hometown is separated from Wan Li. Since I went to Zhang Qianyi, I haven't seen anything in return, which made me learn to watch fish sink and geese. Recalling my poverty in the past, I am like duckweed. As an east bed, I am grateful to my father-in-law for his help. My whole family thinks I'm a treasure. Today, I am honored to lock my name. Once you forget him, it makes people anxious and can't help crying. It seems that such wealth is unrequited, and I have a top without a bottom.

"Sweeping the Windows" (born) [Four Dynasties Yuan] Looking up, Yunshan is ethereal (heavy), and his hometown is separated from Wan Li. Since I went to Zhang Qianyi, I haven't seen anything in return, which makes me unable to see Yunshan. [Mountain Slope Sheep] I remember that the cold window is poor, and I am like duckweed. Meng Duo's father-in-law is very kind. He recruited his beloved daughter. Family members cherish merit. Fortunately, on the first day of spring, I got a piano, a sword and a bookcase, and I came to Gyeonggi. Fortunately, I was merciful and got a high position. Who knows, when I was forced to be a son-in-law by a traitor, [Shang Lugen] once I left my kindness behind, I was worried. What a good wife! Miss your youth and delay your moment! Your century-old marriage has no tail tip, and there is no top tip.

Wang also said: "All the sad things must be rolled for one or two paragraphs, then love and literature will be in contact, and ostentation and extravagance will be even greater!" This phenomenon is very common in Bai Zixi, and many plays are full of emotion, including singing and white. Singing overlapping songs and making colorful scenes, seven words, five words and three words poured down.

In Bai Zixi's Pingju, the form of roll singing becomes the main form. This kind of rolling singing is a flat drama developed on the basis of absorbing and melting the rap style-songbook and banqiang. In this structure, Qupai is only used at the beginning and end, with "rolling" and "earning" in the middle. This structure, the basic melody is simple and the rhythm is bright; An upper sentence and a lower sentence are called parent-child sentences. This form is easy to write, sing, listen, enrich the stage play and be accepted by the audience. However, if it is not handled properly, it will also cause the drama to be shoddy, thus reducing the artistic quality.

Characteristics of folk songs: There are actually two kinds of folk songs, one is minor and the other is local folk songs. Minor was introduced by orthographic drama, which is a kind of folk song that has already been dramatized. Later, local folk songs were absorbed from public life. For example, the lighting song in Litchi is undoubtedly derived from the fishing song:

Ruan is singing and begging you to listen. Just sit down and listen to the company.

Bai Zixi

When you sit down and walk, wait until you stand up.

There are also transitional fighting songs in Su six niang, such as Deng Hong and Song of December;

In May, people rowed boats, gongs and drums roared in the stream;

Drumming the bow is the son of the husband, and sweeping the rudder at the stern is a slave.

In addition, there are "oral class songs" and "earthworm songs", all of which come from Han folk songs in eastern Guangdong. This makes the language of China traditional operas more lively.

Program Features: Bai Zixi has a wealth of performances. The design of the theater, the arrangement of introduction, where you will go, joys and sorrows all have certain procedures to follow. There are also procedures such as reporting, hearing about the murder, challenging, plotting, separating, mixing water, torturing, escaping and hunting.

Every movement has certain strength, speed and rhythm requirements. Footsteps, postures, techniques and eyes, costumes and props all need to cooperate with each other. Every profession has its own standards. For example, in "La Mountain", there is a proverb: "Face forward, face the eyebrows, and ugliness will overflow your shoulders." There is also a difference between a "mother louse" blouse (that is, the weight of Dan) and a "flea" blouse (that is, lightness). On the basis of all walks of life, shape your own role.

Southern martial arts, inheriting Shaolin school, punching and kicking, rigorous, realistic and aesthetic. Guns, knives, swords and sticks all have real kung fu, similar to orthography.

Bai Zixi's vocal cavity can be divided into three types: Qupai, Banqiang and Folk Song, and its musical tunes can be divided into four types: light three, heavy six, lively five and contrast. Sometimes you can divide it. In the cavity part of the board, the board can be divided into scattered board, head board, second board, third board, gusset board, allegro and so on. There is another kind of folding.

There should be a sound when singing. This is a very important part of Bai Zixi's vocal cavity, and it is also a very distinctive part. Help: some help only the three words at the end of the sentence, and some help the whole sentence; Some help at the end of the sentence; Some people don't sing at the front desk, but they all sing backstage. In the early days of the founding of New China, there was also the singing habit of Nanxi Opera. Several roles were on the same stage, and when one role was singing, other roles could help him sing at will. It's not used now.

Bai Zixi's accompaniment instrument, the side of the big gong opera, originally used the big orchestral string as the main music, and later changed it to two strings (bamboo strings). Its timbre is slightly lower than that of Chaozhou opera, with three strings and violin. Big gongs, drums, etc. Small gongs are mainly suona, with bells and needles. There used to be seven people in the band, just like orthography.

Bai Zixi's accompaniment music and interludes are very rich. The accompaniment string songs are one or two hundred, and the accompaniment brand is one or two hundred. Some are mainly double stringed instruments, and some are mainly small suona or big suona. Some string poems and brands are used to accompany "going through the door", some are used to enhance the atmosphere during the intermission, and some are also used to cooperate with "going through the door" and "introducing", especially the brand blowing, which is more expressive and characteristic.