Jie Bao's personal data

Because of his poor family, he followed his father to Changchun to make a living. After the Japanese invaders invaded Northeast China, my father was taken away as a laborer by the Japanese invaders and died tragically at the hands of the Japanese aggressors. At the age of fourteen, he worked as a handyman in a bank, serving tea and sweeping the floor, and was often beaten and scolded. He did odd jobs for five or six years. After work, he finds time to study culture and photography hard. He made outstanding contributions to the film industry after the founding of the People's Republic of China, and made the first feature film in New China. He is good at shooting movies with war themes and rural themes. His photography style is simple and he often uses thick lines.

194 1 year, after some efforts, he was admitted to Manzhou Huaying Co., Ltd. run by the Japanese as a photography assistant. But at that time, photographers were all Japanese, and he was still doing chores to serve photographers. The Japanese didn't teach China the staff technique, he secretly learned it. When shooting the scene, he pays attention to the photographer's operation and on-site processing; When the photographer is not on the scene, he secretly looks through the photographer's notes and learns how to shoot. Thanks to his efforts, he soon mastered some photography techniques.

After the Japanese surrender, under the leadership of the China Underground Party, Jie Bao took an active part in the struggle to protect the factory and was regarded as an activist of the Party. During this period, he read many revolutionary books and learned some revolutionary principles. With great enthusiasm, he filmed news documentaries such as "Northeast Democratic Coalition Forces Entering Changchun".

From 65438 to 0946, the first film studio led by the Party, Northeast Film Studio, was established in Xingshan City, Heilongjiang Province, with Xie Bao as the captain of the photography team. He followed some photographers and the People's Liberation Army to shoot battlefield news. Jie Bao participated in the filming of The Last Battle of Northeast Liberation, which truly recorded the historical facts of the Northeast People's Liberation War.

From 65438 to 0948, Dongying began to shoot the first feature film Bridge in New China, and the photographer was Jie Bao. The shooting conditions at that time were extremely difficult. The camera he used was an old French "Parbao" camera dropped by the Japanese. It doesn't even have a frame. He has to look through the lens to see the picture. The number of revolutions of the motor often deviates. When shooting, Jie Bao bent down to look at the picture from the lens, and the assistant used a manual motor. A needle often makes them sweat. The lighting equipment is also very simple, and the lighting lamps are not enough, so they are illuminated with flash sticks thrown by the Japanese. There is no protective equipment when the molten iron is shot out of the furnace. They protect their cameras and films with their bodies. The flying iron flowers set everyone's cotton-padded clothes on fire, but they put out the flames and insisted on shooting. Without trick photography's equipment, Jie Bao used his brains and tried again and again with everyone. With simple stunt models and some local methods, he photographed the spectacular scene of the PLA crossing the river and the workers bridging the bridge in the studio. After many hardships, this film was finally filmed in April 1949, and successfully took the first step in the creation and production of the new China feature film.