Yang Yongqiang's works

Yang Yongqiang's works include concentric locks in Sansheng Palace, lifelike flowers and birds, unrestrained Mongolian ape-man, mysterious and solemn Agui White Pagoda, magnificent Sansheng Palace water hub and so on. Yang Yongqiang is the successor of pyrography. The following is a detailed introduction:

Pyrography, also known as pyrography and fire painting, was called "fire needle embroidery" in ancient times, that is, it was painted on objects (such as boards, gourds, rice paper, carpets, etc.). ) By burning hot iron. It is an extremely precious and rare painting in ancient China. Pyrography originated from the "branding" culture in the Warring States period. Branding is a mark used for horses. "Pyrography" in Han Dynasty developed from "branding" and was used for the decoration of wooden utensils. Later, from "pyrography" to "pyrography".

Pyrography not only has the techniques of hooking, painting, dyeing, rubbing and painting in Chinese painting, but also can burn out rich layers and colors, which has a strong three-dimensional sense and resembles brown sketches and lithographs. Therefore, pyrography can not only maintain the national style of traditional painting in China, but also achieve the rigorous realistic effect of western painting.

China pyrography can be preserved for a long time without fading, and its picture colors are mostly natural yellow, medium yellow, brown, brown and black. The painting process makes full use of the natural texture of materials and the painter's unique creative ideas. The picture presents a simple and beautiful, Gu Zhuo and unique temperament, which embodies the natural state of harmonious coexistence between man and nature, has a strong visual impact effect, is of great appreciation and collection value, and is praised as "the living fossil of art" by cultural circles and collectors.

The historical origin of pyrography

Pyrography, also known as iron painting, burning painting or soldering iron painting, is an art form of painting on special materials with soldering iron. The history of pyrography can be traced back to ancient times

Pyrography first appeared in China, and its origin can be traced back to the Warring States Period in the 4th century BC. It is said that blacksmiths at that time painted on wooden boards, bamboo pieces or leather with heated metal irons, creating unique patterns and designs. These works are usually expressed in the form of lines and shallow protrusions, forming a special texture and texture effect.

With the passage of time, pyrography technology has gradually developed and evolved. During the Ming and Qing Dynasties in China, pyrography was further developed and popularized. Pyrography works began to cover a wider range of subjects, including figures, landscapes, flowers and birds. Enriched the expression form of pyrography.