Theme of the documentary "My Mom and Dad"

On the Theme of TV Documentary My Mom and Dad

1. Praise and praise the affection between father and mother, son, the beauty of human nature realized by the love between parents, and the traditional virtues of China. The reason why we are moved is that we are moved by the aesthetic feeling shown in human nature. Jiao Bo used traditional filial piety to explain family affection, while parents used traditional family concept to explain love.

2. By recording the changes of a small farmhouse in the mountainous area of Luzhong in the past 30 years, it reflects the great changes of rural society in China in the past 30 years since China's reform and opening up (including both ideological changes and material changes, and many details are shown in these films).

Three: Photographer Jiao Bo left the mountain village and went back to the mountain village again to find the source of his art-the root of art.

This song sung by Cui Nianhui appears many times in the whole film, which plays the following roles: a) It deepens the third theme of the film (the lyrics are: Comrades should listen to the truth, and we joined the Eighth Route Army to save the people. . . . Revolutionary soldier, don't forget Ben. . The so-called "Ben" is the artistic source of photographer Jiao Bo. When Jiao Bo returned to the mountain village, he suddenly found that the older generation had a correct outlook on life and love. There is a saying among the villagers in his village: "20% is nearly 2 kg." B: participate in the narrative. Cui Nian can sing three times in the whole film, which promotes the development of the story and makes the characters in the film more plump and narrative easier. C: The most direct function: show the environment, show the local customs, make the whole movie full of life breath, and let the audience get closer to the story more truly.

This film has many artistic angles. . . . The narrative tone and structure of the whole film are in place.

The use of film and television sound and so on. . . .