The address or file of the movie "Floating Clouds" (1955 Hideko Takamine).

Name: Ukiyo-e

English alias: floating clouds

Release date: 1955 65438+ 10/5 Japan

Length: 123 minutes

Country/Region: Japan

Dialogue language: Japanese

Color: black and white

Mixed: mono

Director: Mikio Naruse

Screenwriter: Fumiko Hayashi's novel Y?ko Mizuki.

Place of production: Sanezumi Fujimoto.

Script: Y?ko Mizuki

Photography: Masao Tamai

Music: Ichiro Saito

Starring: Hideko Takamine, Mori Yazhong, North Chieko, Mariko Okada, Isao Yamagata and Daisuke Kat?.

Introduction:

"Floating Clouds", played by Hideko Takamine as the heroine in Fumiko Hayashi's original tragedy. The story tells the love story of a young woman and a married man during the war.

Tomokaka Kanji, who has a wife, is a grafting teacher in the Ministry of Agriculture and Forestry. During the war, he was sent to India under Japanese aggression to manage forest resources. I fell in love with yukiko yukata and volunteered to be a typist here because I was raped by my cousin. After the war, Youxiang Xiang Xuehai promised to return to Japan to live with his wife after divorce. Soon, Yukiko went back to Japan to find Tomoka, who panicked and explained to her why she didn't get divorced. Yukiko had to leave silently and borrowed a shabby barn to stay. You Xiang came to Yukiko again, but their lingering feelings were still broken. Youxiang's business failed, so she took Yukiko to the hot spring of Yixiang Castle and had sex with Asher, the wife of the owner of the hot spring bar. Yukiko returned to Tokyo in a rage. Later, when she found out that she was pregnant, she went to Youxiang again. At this time, Youxiang has lived with Ash. Yukiko is in trouble again. She has to borrow money to abort the child. After Ashe was killed by her husband, Tomoko, who was desperate, came to Yukiko again, and Yukiko forgave Tomoko. At this time, Youxiang's wife died, and he returned to the Ministry of Agriculture and Forestry, and was sent to work in the island. Yukiko walked with him. On the way, Yukiko got sick and died soon. Friends have mixed feelings, caressing the body and crying. ...

Japanese film ten-day newspaper ranked second among the best Japanese films in 100.

2005 was an unusual year for the Japanese film industry. This year, many master directors who were all-powerful in the studio era celebrated their centennial birthdays, such as Hiroshi Inagaki, who was good at shooting samurai themes, Shir? Toyoda, who portrayed the subtle feelings of men and women in the street (his "Husband and wife are kind" was published in the disc market), and Mikio Naruse, who portrayed women's inner world with realistic brushwork.

This weekend (August 20th) is the centenary birthday of Sese, and commemorative activities are held in various parts of Japan to pay tribute to the master. Among them, the Tokyo National Museum of Modern Art has concentrated on displaying 6 1 Sese masterpieces since this weekend, which is the largest retrospective exhibition of Sese in Japan since 1979. There are also many fans in China. Since July 9th, the Hong Kong International Film Festival Society has continuously shown 12 representative films 12 weeks, and invited famous film critics, Tang and Li Zhuotao to give lectures. In Taiwan Province Province, there will also be a color film festival in Taoyuan County from June 5438 to February, showing his works 10.

The highlight of the optical disc market is that Dongbao Company released "Selected Works of Mikio Naruse Dongbao" in two episodes on July 22nd and August 26th respectively, including 10 works. This is the largest and most exquisite digitization of Sese's works so far, and I believe I will meet local fans soon.

How good is Sese? Wong Kar-wai Hou Xiaoxian slapped him.

Mikio Naruse, together with Kenji Mizoguchi, Yasujiro Ozawa and Akira Kurosawa, is called the "Four Masters" in Japanese film history. Wong Kar-wai listed his "Floating Clouds" as the first movie in his mind, and it is not difficult to see its shadow in "In the Mood for Love". Hou Xiaoxian even said frankly, "I prefer color to ozu."

Contrary to Ozu's conciseness, Sese pays attention to the diversity of shots, and also actively tries and boldly innovates various film techniques. He is known as the master of "women's painting", and he is good at depicting women's psychology and expressing their fate as floating clouds. Among the 100 Japanese films selected by Japan Film Decathlon, * * * has four films from Mikio Naruse, surpassing Ozu and Kenji Mizoguchi.

A glimpse of Fumiko Hayashi's abnormal psychology

Morita Yu said in Life that she dreamed of Fumiko Hayashi, joined a circus and performed a tightrope walk with an umbrella. Walking the tightrope wobbled, she almost stepped on it, and then struggled to support her feet back to their original positions. The applause thundered, but she got a cold war. "I'm sorry."

Who's Fumiko Hayashi? A Japanese woman writer known as "Xiao Hong of Japan" has the same background and personal experience as Xiao Hong, and her career fate can be imagined. I know her, of course, because of Mikio Naruse's movies. There are five films adapted from quality works, all of which are excellent works, among which Floating Clouds, Wandering Tales and Late Chrysanthemum are the pinnacles of excellent works.

The Tale of Vagrancy is adapted from her autobiography, which describes her wandering life since she was born: as a peddler's parents, she lived a wandering life and did a lot of work: a peddler, a shop assistant, a maid, a waitress ... without a fixed place, she was hungry and full. Because I love writing, I have met many writers and lived with two writers in succession, trying to make a living by writing. Of course, it is as sad as Xiao Hong's fate. The saddest scene that can be seen in the movie is that whenever the family is too poor to open the pot, she only goes in and out again and again to be a comedian, but she is punched and kicked by her husband ... She wandered around the cemetery several times at night. Xiao Hong said: "The greatest pain and misfortune in my life is because I am a woman." Fumiko Hayashi also said that men are bad things, and vowed that if there was an afterlife, he would never marry a writer again.

By chance, Fumiko Hayashi's autobiographical diary novel "The Story of Wandering" written by her own experience was published, which became famous at one fell swoop (thirty-five editions have been published so far) and won the reputation of the first masterpiece of Japanese women's literature in the Showa period (1925- 1988). Morita said that Fumiko Hayashi has outstanding talents. For example, when they go to see an exhibition of brocade patterns, Fumiko Hayashi will make up a story about one of them: "Ah, it's not like brocade patterns at all, it's wool. The piano box was hung in a niche in the living room of the retired army colonel's home in the country. This lady who plays the piano is a rare beauty in the country. The young shop assistant fell in love with her and sneaked in from the front of the chrysanthemum-blooming courtyard. Fluffy braids. The shawl on the floral kimono is white ... "

I don't understand why Fumiko Hayashi died suddenly at the age of 48. Reading Morita's article, it turned out to be like this: "She just kept writing and writing with her brilliant enthusiasm, and finally died in writing. At that time, there was a saying that the criticism of the news media drove her to the wall, but it was not. She has a three-year contract, so it seems that she is exhausted from monopolizing all the novel columns in magazines and newspapers. If she pays a little attention to her health, she may live longer and people feel sorry for her. However, it can be said that her death is in line with her and is a completion of life. "

No wonder Morita Yuki had that strange dream from the beginning. Basically, her writing is a dangerous tightrope performance. There is such a scene in the movie "Wandering". Before becoming famous, a magazine invited Fumiko Hayashi and her good friend, another female writer, and stipulated that whoever writes well should use his manuscript. The woman writer wrote it first, and because she didn't have time, she gave it to her for her to pass on. Fumiko Hayashi pressed down the manuscript and handed over his own manuscript in exchange for some payment. Her work has been published. Later, the writer friend broke up with her completely.

Throughout her life, the shadow of poverty has always hung over her, and even after she became famous, she can't get rid of it. Writing has made her and hurt her.

Among many Japanese film directors who are good at shooting women, there are Kenji Mizoguchi, Keisuke Kinoshita, Shohei Imamura and Masahiro Shinoda, but film critic Donald Ritchie thinks that only Mikio Naruse can best understand the situation of Japanese women and describe their life reality in a respectful and delicate way. In fact, Sese's success is not accidental, except for her sympathy, her ruthless introspection, her excellent film language and style, the excellent acting skills of actresses such as Hideko Takamine, and the creation of female screenwriters such as Y?ko Mizuki. Most importantly, she benefited from the great success of Fumiko Hayashi's original works in depicting the fate of women (it is no accident that Sese's highest representative works are all adapted from Fumiko Hayashi's works). The color depends on the cooperation of almost all female classes to make the best female movies.

Only connect the penguins you want! !