Traditional Culture Encyclopedia - Photography major - Help, what lens is good for a novice Nikon D610?

Help, what lens is good for a novice Nikon D610?

It depends on the purpose and budget.

For home use, 24-85, 28-300 or 22-120 are fine.

AF-S 24-85mm f/3.5-4.5G ED VR is a multi-purpose lens with excellent image quality, but the zoom and focus adjustment mechanisms of the 24-85VR lens are made of plastic, which is new There is no problem at that time, but it is very easy to wear if it is used frequently or for a long time, causing the optical axis of the lens to shift, seriously affecting the image quality.

The AF-S 28-300mm f/3.5-5.6G ED VR lens has a wide range of zoom from 28mm to 300mm. It is a typical Tianya lens (one lens can travel to the end of the world). The image quality of this lens is quite good, and the details are sharp and clear. Even at the telephoto end, the image quality of the lens does not show any obvious decline. The quality of the four corners of the picture is also quite solid. However, the wide-angle The vignetting phenomenon at the end is more obvious. It's just that the rotation stroke of the focus ring is longer, and the focus at the telephoto end is a little unresolute. As a consumer-grade non-professional lens, when zooming to the telephoto end, the lens body will extend forward by 2 sleeves. The lens is extended by nearly 80mm, making the lens more durable and waterproof/dustproof than professional lenses. Class lenses are worse.

The overall optical imaging quality of the AF-S 24-120mm f/4G ED VR lens is not much worse than that of the 24-70/2.8G lens (the biggest difference is in color reproduction, distortion control and edge image quality) (poor), this lens is the most suitable zoom lens for humanities and travel photography. The lens feels good in hand, the VR effect is obvious, and there are no obvious picture defects when the aperture is fully opened. The center sharpness has always been maintained at a very high position, but the edge image quality is slightly worse. The distortion and vignetting at the 24mm end are more obvious, and the vignetting can be solved by closing the aperture by one stop. The imaging effect at the 120mm end is reduced. The 28-110mm focal length effect is still good. The biggest shortcoming of this lens is the design of the two-section barrel (the barrel will extend into two sections when you turn the focus ring), which makes the lens less durable and waterproof/dustproof than professional-grade lenses.

Photographers who are very concerned about imaging quality can choose Tamron SP 24-70mm f/2.8 Di VC USD or Nikon 24-120/4G lens. The optical quality of the Tamron 24-70/2.8 lens is even better than that of the Nikon 24-70/2.8G. The disadvantage is also the design of the two-section lens barrel, and its durability and waterproof/dustproof properties are worse than those of professional-grade lenses. In addition, it is best to add a 50mm f/1.8G lens. The angle of view of the 50mm lens on a full-frame camera is basically the same as the angle of view and perspective effect of a human eye, which can be a good way to cultivate your own photographic eye.