The appearance of time, the beauty in the transformation of light and shadow

The article "Moonlight Handkerchief" by Barguet vilen was read a long time ago, but it has remained in my memory. He said that a Fang Yueguang in the corridor at night is like a white handkerchief.

I have no such memory of moonlight, but I have seen such a small piece of sunshine. When I was a student, I was sleepy every afternoon, especially in the first class in the afternoon. I often stare at a point on the table that is illuminated by sunlight, which is also square. Like a handkerchief, the shadow of the screen window is also reflected in it, just like the warp and weft texture of the cloth. This picture is not static. If you look carefully, you will find that those slender shadows have been flowing rapidly, just like a pair of dexterous hands spinning. It took me a long time to realize that this is the most concrete sign of the passage of time.

In the transformation of light and shadow, we feel the appearance of time and the beautiful interaction between architecture and the sun. Today, let's enjoy it.

Simple chessboard architecture has a repetitive rhythm, which always seems a bit boring in daily life and seems to lack some changes. The movement of sunlight itself creates different images of shadows, different angles of inclination and different stretches, and it is repeated regularly and neatly, so it is no longer boring to move.

It is not only the shadow that falls on the ground, but also the wall with a certain thickness forms the difference between light and shade under the light and shadow, which makes the originally riddled wall suddenly show three different levels of black, white and gray from the black and white state, and the shadow on the ground also becomes scattered small squares, adding many more surprises and rich changes to the whole space.

When a regular skylight falls to the ground, it also becomes bright small pieces, just like a spotlight on the stage, which defines the whole space as many centers.

In addition to plaid shadows, there is also a common shadow, which is stripes. The one-to-one correspondence between light and shadow is dazzling for complex patterns, but it enriches the texture and presents a more interesting side for simple and repeated patterns.

The shadows brought by regular grids are also regular. Roofs made of twigs are generally parallel lines, but the natural shapes are also full of changes. The shadows are more complex patterns, just like parallel lines drawn casually. Such messy shadows bring a different romantic feeling to the space.

The width of the thin seam left by the fabric stretching the roof is also different, which is similar to that of branches. Sparse spacing makes the rhythm and regularity of shadows more enviable. This gradual shadow is like covering a wall with a texture filter. At first glance, there seems to be some concave-convex texture.

Different walls cast different shadows, from straight lines to dotted lines, and draw arcs on the walls.

Compared with the shadows brought by windows, some translucent materials bring more hazy and ambiguous light. Through a thin layer of spun yarn, everything outside is looming, and the whole space is shrouded in a faint sexy light.

The luster of glass brick is another kind. Although it is clear, it is not transparent. Like a mirror, everything outside becomes a mass of color.