Traditional Culture Encyclopedia - Photography major - How to evaluate Tsui Hark's version of Tiger Mountain?
How to evaluate Tsui Hark's version of Tiger Mountain?
As a commercial product, Tsui Hark's version of Tiger Mountain is first-class. First of all, the scene is beautiful. Whether it is endless snowfields, quaint villages, cottages where bandits gather, or continuous forests, it highlights the unique unrestrained beauty of Northeast China. Secondly, the war films introduced martial arts elements. Although there is no hero flying over the eaves, the crisp and neat marksmanship is like flowing water in one go, which is amazing. The wonderful story makes people feel excited and the worship of heroes arises spontaneously. Then there is the actor's superb acting skills, and the characterization is full and vivid. Tony Leung Ka Fai's mountain carvings are fierce and ruthless, Zhang Hanyu's Yang Zirong is heroic, and Kenny Lin's Shao Jianbo is immature and calm.
As an art, Tsui Hark's version of Tiger Mountain is second-rate, but there is a fly in the ointment. Like old stories. This drama follows the plot of the model drama, and even some lines are highly similar and there is no innovation. At first, the crossing was a little jumping, which made people a little foggy for a while. Some plot designs are unreasonable. For example, there is a big difference in the number of both sides in a battle with fewer wins, and the tank is carved into an immovable mountain, which is a bit incredible.
The so-called flaws don't cover up Yu, and Tsui Hark's version of the movie "Outwit Tiger Mountain" is still very successful. This film is impeccable in both style design and technical content. The values of modern young people are firmly grasped, and the positive and negative characters are vividly portrayed, satisfying people's desire for heroes. In a word, Tsui Hark's version of the movie "Taking Tiger Mountain Outward" is worth seeing.
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