Movie review of "Saving Private Ryan"

A brief discussion of the structure, characters, and artistic features of "Saving Private Ryan" "Saving Private Ryan" is a film depicting the Second World War. It tells the story of an eight-man Allied team that sneaked into the German rear. , after going through all kinds of hardships, finally succeeded in finding and bringing back a soldier named Ryan, and returned him to his mother who had lost three of her four sons. Compared with the past, war-themed films tend to have a tight pace, but this film is an exception. It spent a full 40 minutes describing the bloody scenes of the Normandy landing, and many viewers left the film early because they could not stand the visual stimulation. As an "extremely hot" opening, the director undoubtedly created a situation for the audience in front of the screen that was very consistent with the content of the movie. The war was tragic and bloody, and people seemed so fragile at that time. The hail of bullets penetrated helmets and tore them apart. body; soldiers looking for their stumps and broken arms on the beach; after an explosion, only half of the wounded that Miller dragged was left... The restoration of the war scenes reached a rare reality. In addition to the strong atmosphere, the director also shrewdly laid the groundwork, giving a comprehensive preview of the huge dangers of sending a small team of human beings deep into the German army in the future. This first allowed the audience to make a comparison in their own minds, and of course, they would be more eager to think about it. Know how difficult tasks are accomplished. The successful setting of the situational platform opens up space for the development of plot conflicts in the future. After forty minutes of long audio-visual stimulation, the film's rhythm skills began to emerge: the director only used five minutes of film to show the eight-person team on the road to find Private Ryan, and the plot was explained concisely and clearly. The march of a group of people can be regarded as the end of the beginning unit. Up to this point, the character of each member has been reflected. The little translator Urban ran back and forth asking this and that, which not only relaxed the atmosphere, but also revealed the "Mi" for what follows. Le occupation before the war" laid the foundation. The whole film is also in the process of being introduced. The first small climax brought into the unit occurred at the 56th minute. Private Capazzo was shot by a sniper and unfortunately died; the second climax came only two minutes later at the 58th minute. The two sides inadvertently had a confrontation, and finally ended with the enemy. Fang was shot dead. The two climaxes are so closely connected, which seems to indicate that the spirit that should be rested cannot relax. In a war, it should be so. However, blindly emphasizing vigilance and danger not only does not meet the aesthetic needs of the audience, but also inevitably raises the threshold for oneself. Then a new factor intervened - the first Ryan appeared with a funny stupidity. After a little disappointment, the audience was left with more hope. The third climax came, with the number of nameplates as a transition. Another member of the team, medic Dick Weide, died in front of the paratroopers' fortress; then Urban let the Germans go, triggering the fourth action-related uncertainty. Stronger, but more important climax: Private Rubin threatened to leave, but Sergeant Howards raised his gun to stop him. The relationship between the characters at this climax began to change, not only the superiors and subordinates in the team, but also the differences among the team members, and ultimately the ultimate conflict - the question of whether the operation was worth it or not, the director made it on Miller's behalf The most witty answer. This climax can also be seen as the content of the Ministry of Development. The real Ryan appears only halfway through the film, which shows that the director's purpose is very clear - it doesn't matter who he saves, what matters is the act of saving them. Personally, I think the next battle to defend the bridge is already the climax. The Development Department only has ten minutes to complete the transfer of a task - to save Ryan and defend the bridge. Interestingly, the battle at the bridge defense stage is similar to the length of the Normandy landing at the beginning, both about forty minutes. This shows that the director has boldly and accurately grasped the priorities of the film's narrative. As the climax, this part should be the most emotionally intense and tense moment, the climax of the protagonist's fate, the climax of the theme, and the climax of the character. However, due to the war theme, it becomes the climax of audio-visual and other sensory stimulations, so it can be said that The visual climax and thematic climax of this film are consistent in time, making it easier for the audience to understand the theme of the film. The climax is closely connected with the ending, and the end of the actual climax also means the completion of the expression. The final scene of Old Ryan in the cemetery serves more for the integrity of the structure than for the inevitable coherence of the plot. In addition to its reasonable structure, the film's character creation is also very successful. A team of eight, everyone is very different. Sergeant Howarth is Captain Miller's loyal subordinate; Corporal Urban is a little translator who can shout "put down the gun" in the enemy's language even when the soldiers are in close combat; military doctor Dick Weide is very ambitious and often feels that he cannot take on the responsibility that matches his status. He blames himself for his duty; the other four are all privates, and Rubin is not a fuel-saving lamp for Captain Miller. This witty and mean New Yorker does not hide his indignation and doubts about this operation; Capazzo is a kind-hearted man. Australian; Lisch has a great sense of justice, and he was filled with indignation at what the Nazis did to the Jews; Sniper Jackson has an unruly face, but is a devout believer, treating every sniper target as a gift from God. gift. What I want to talk about in detail is the protagonist, Captain Miller, and the soldier he saved - Ryan. Miller. Miller is a hero, but not the only one. If you say this to him face to face, he will definitely laugh and tell the speaker to get out. After all, the word "hero" only has meaning to the living people, and only to the people who care about him. The trembling right hand, the fallen comrades, the deafness, commanding the battle, and the successful beachcombing are not so much the expansion of his character as the recognition of Miller's ability. It can be said that before the military doctor dies, he can be replaced by the commander in any war movie. Obey orders, tolerate subordinates, accept all complaints, and complete all tasks beautifully.

It can be said that the director has created a truly three-dimensional squad leader. He does not rely on hierarchical prestige or a sense of military responsibility to support his subordinates. He misses his wife and wants to go home. He will expose the softest part of his heart as a complete man. People are ashamed to share their experiences with others but are proud and sweet. Of course, he will never forget his duty as a soldier and the happiness of the child waiting for him to save. This film has a strong American color. For Americans, family is almost equivalent to faith. I think Miller must have complained and comforted himself countless times while performing his mission. Perhaps every time he convinced himself, except for " In addition to "Saving Ryan, you are one step closer to home", there is also "Saving Ryan's family is also saving myself." When the military doctor was buried, the man crying alone was suddenly very touching. Ryan. Private Ryan is not a very important character. Even if he is at the core of the incident, his importance has long been overshadowed by the significance of the operation itself. However, regardless of the additional identity of the rescue object, he is also the way for the audience to understand the most ordinary soldier in the United States. Ryan is like a window. Through him, it is not difficult to see the war experiences that ordinary young Americans should have when they are not given special care by society. Those soldiers who guard the bridge with Ryan, even those who go to rescue Ryan's squad. Being saved is an obligation given to him by factors outside his control. It has nothing to do with him. Therefore, the perspective of the film is expanded. Before the battle of guarding the bridge, there is a scene where Ryan Genmiller tells an interesting story about his brother. The director is not While trying to convince the audience to prove that this operation is saving a family worthy of mercy, but through Ryan's mouth, he tells the story of every American soldier - before the war, everyone had a good life, everyone There is something that they feel sad and reluctant to leave when they are hit by a bullet. What is it? Maybe in the United States, it is a family memory, but in other places it is something else. In short, it is something worth cherishing and nostalgic, but yet staying away from. The role of war here is simply to destroy everything that can be destroyed, and the combatants want to take back what they can. Compared with others, Ryan's character is more stereotyped and more realistic. In terms of artistic features, this film's use of lenses is very skillful. The director's intentions are often very clear in the lenses, and have excellent appeal and expressive capabilities. In the first 40 minutes of the film, as with others, the neatly cut-and-dried parallel montages of the squad members rushing to the beach are meant to convey to the audience not just "familiarity" (for those watching the film for the second time), but It is more about the high-intensity audio-visual pressure of war. What the director wants to show here is the process of human beings dying, and the process of some undead people striving to survive. There are no heroes or generals here, and everyone’s life is They are all insignificant and may turn into one of the cold statistics at any time. No one believes in "reason", just as no one consciously tries to dodge a bullet. Another example is the scene in which Cabazzo sacrifices himself. The camera spends most of the time focusing on the enemy's sniper on a high-rise building. The subjective shot and the close-up of the face are frequently switched, showing the character's inner hesitation and uncertainty. His crosshairs finally recognized the shadow of sniper Jackson, but it was also when he died. The use of a counter-perspective tells us that in a one-on-one duel on the battlefield, there is no need to talk about justice and injustice, because at that time, except for life, there is death. The content of the shot is completely consistent with the theme to be expressed. When Urban finally shot and killed the German he had let go, the photographer did not take a picture of the body. This shows that it is not important who died. What is important to emphasize is that he finally Dare to kill a damn person. At the end of the film, Miller dies, and the voice of the congratulatory letter sounds as a voiceover. It is the US government reading a congratulatory letter to Ryan's mother. On the battlefield where the smoke has not yet dispersed, the aerial camera moves slowly, showing the towers blackened by Jackson's bombing, and the battle pits. , the broken bridge deck and corpses, the expressions of everyone moving are calm and peaceful, they are still alive, they are listening, the language of those military praising Ryan is so beautiful, it is also the language of praising all sergeants, all The living include Urban, and the dead, more fearless people. Once war and life are placed on both sides of the same scale, the word "destruction" is destined to carry a heavy weight. Real war movies never shy away from the trauma humans have left for themselves, and behind the haze of war, they also reflect the brilliant light of humanity.

"Saving Private Ryan" movie review~!

1. Structural analysis (family table)

The beginning

1. At the beginning, Old Ryan brings his family to Colonel Miller's grave< /p>

2. Omaha successfully seizes the beach

Development Department

The headquarters received the news that the three Ryan brothers had died, and the colonel decided to save the youngest son of the Ryan family. ——James Ryan;

Miller and his team helped the Alliance defeat the enemy in the rain, and Capazzo died;

Mistakenly identified him as James Ryan

During the two-hour rest on the way, Miller and his men chatted in the dark

Continuing the next day, they learned that Ryan was in Lambler;

Another small-scale battle, Wei German died;

Let go of the German prisoners;

Find Private Ryan and Miller told him his purpose.

Climax

Miller and his party decided not to leave, but helped Ryan keep the bridge and wait for rescue.

The entire battle

The ending

Miller died, and before his death he told Ryan to live well.

Epilogue

Old Ryan told Miller his life in front of his grave.

2. Character Analysis

Ryan - Ryan is not a functional character, but he is a symbol. It is a symbol of victory. To Miller and his team, it means the end of the mission. To the United States, it means a symbol of national humanity, human rights, and democracy. He went from being a simple symbolic figure to a far-reaching and empty symbol. But the script gives him very little. He is just a second-class soldier with no more courage, record or story than others. He is an ordinary, young and frivolous man who has the heart to serve the country with fists. This makes people think about this mission even more, wondering whether it is worth it, whether it is a laborious effort, and whether it is like what Miller and his team discussed in the play: Is it just because he has three brothers who are equally brave and died on the battlefield? Is it just because he is afraid that his mother will be sad? Let me ask: Who doesn’t have parents? Whose death is a good thing for the family? Why can he enjoy such lucky treatment? Why should we waste those precious military supplies for him? Is it just for those little American vanities? To shout about democracy and human rights? Miller said: "For a task, it is worth dying two or three people, but you can exchange the names of twenty, thirty, or even hundreds or thousands of people. It is worth dying like this." But for a mere private Ryan, but three lives were lost, which didn't seem worth it. But fortunately, our Ryan is a tough guy who is afraid of death. Just think: if he was just a weak coward who was afraid of death, would this mission still have its meaning? Can it still achieve the desired effect? Ryan is just the image of a group of soldiers in the American concept, the image of the soldier they long for, the hero in their minds, at least someone worth paying for with his life, an idealized soldier. It is the best example of heroism. His image does not appear to be tall, but he appears to be extraordinary in the ordinary. It does not take much to be different, and it is enough to praise the American soldiers' loyalty to the country and their faith to the death. In addition: Ryan has a perfect family, with many children and grandchildren. It seems that he is really "living well" as Miller said, but his family happiness is the greatest compared to the neatly arranged white tombstones in the tomb. Such a contrast; so much so that at the end of the film, Ryan couldn't help but ask his wife: "Am I a good person?" Is this a question from the origin? He did cause many people to die for him. Although he was innocent and unaware of it, invisibly, he carried a burden, the burden of three lives. This was given to him by the country and by life. . He must passively accept that compared to those who died, Ryan's life is much more difficult. Although he is alive, he can never put down his burdens and live a relaxed life. His life is not in his own hands. He is doing it for the country, for responsibility, and for the sake of responsibility. He lived for three lives, and even lived for Miller's dying words; during the war, his life was in the hands of the enemy's bullets, and he was resigned to his fate; after the war, his life was in the hands of a strong sense of responsibility, and he could not help himself. Ryan has no freedom, he cannot control his own life and death, which is an extremely sad side of him. War destroys human nature. As long as you step on the edge of war, or get involved in it, from that day on, life and death will never belong to you, and you will always have to carry a heavy burden on your back. This is the most profound and terrible pain that war brings to people.

Urban - Urban is a coward in the eyes of most people. In contrast to him, the others in Miller's group look so tall and majestic; but Urban is just a little translator. , has never participated in a battle. In his eyes, facing the enemy, he does not know exactly what hatred is, and does not know that he should rush up and blow his head off. He is just a symbol of the majority of people, he is just an ordinary person. His evasion, cowardice, daring not to face death, not daring to break out of the siege to save the alliance... all of this is human nature and the attitude of an ordinary person facing war. In the eyes of ordinary people, when faced with the blood on the battlefield, dodging and running away is the first thought. How can a person with no power to restrain a chicken rush forward and blow the enemy's head off like a myth? The film here wants to tell us that not everyone who picks up a gun can stand alone, not everyone can be brave when facing the enemy, and this is not something as simple as peeling potatoes that everyone can do. Soldiers are all heroes. They are all supermen. From physical strength to psychological endurance, everything is beyond the reach of ordinary people. It also tells the audience from one side that more attention should be paid to them, and some understanding should be given to those cowardly soldiers who run away. After all, in the face of death, there are very few people who can truly regard death as home. But Urban also has another side. He shot the German soldier who killed Melisi at the end. In the last shot, he walked through the smoke with a long gun in his hand. This image is simply praising that he is the hero, he is the final winner, he did not die, there were no casualties, he also avenged his companions, he is the one worthy of praise, he is the greatest person. I think this is also a mockery of senior officials.

After all, they are the ones who survived and were awarded the honor in the end. Every star on their shoulders was exchanged for the blood of countless soldiers. While they were enjoying the delicious food, the soldiers who died because of him were mourning underground. I cry, this is a small irony for the senior management, for those with big beer bellies, swaying around a body of fat, enjoying the days of peacefully bringing their high salary, generous salary, beautiful women, and fancy cars, but who knows On the killing field, did they cry in front of the enemy, sing loudly that the president of their country should die, surrender in front of the enemy, and lick the enemy's buttocks?

Miller - undoubtedly, he is a hero. In the eyes of Americans, there are many types of heroes. As long as they involve "rescue", they are all heroes. They may not necessarily be very tall or have made many great achievements, but they must at least stand alone and be smart and wise. But heroes are often accompanied by disasters. Without disasters, where would there be heroes? This is just like where there is resistance, there is often oppression. Miller was a hero, but the hero died. But he led his companions and brothers to die. Doesn't the hero even have the ability to protect himself? This may not be too demanding. After all, heroes are not supermen. Heroes are also real people with flesh and blood, heart and lungs. They also have joy, anger, sorrow, and emotions, and they are not gods. Miller's trembling hands tell us that he, like ordinary people, will be troubled by diseases and suffer from pain; after his brother died, he hid in the ruins and cried secretly, unable to make a sound. This also tells us that Miller is a man with a lot of heart. Emotional person. These details undoubtedly make the hero, the man of steel, more relevant to ordinary people. A hero is not a rare thing who lives in high places; when his companions ask him why he is working so hard, he doesn't say: "I am for the country", "for my homeland" or any other reasons that make people on earth feel false. . He wanted to see his wife one day earlier and be reunited with her. "Every time you kill someone, it means you are far away from home." Thinking about it carefully, it is indeed true. The enemy can never be completely annihilated, it can only be killed more and more. The more, the endless. In Miller's eyes, war is not like a plague. People slowly die little by little. When the last person dies, the war is over. In his eyes, war is like a fire, and the more it is incited, the more powerful it becomes. , the more it spreads and people continue to die, it will always lead to more wars and more people to die. This tells us that heroes are not militants, and those who start wars are not real heroes. Heroes should learn how to quell the war and prevent more people from dying. From a conceptual hero to a concrete hero with flesh and blood, emotions and feelings, the film undoubtedly shows Miller's versatility in front of us. But there are also many conceptual elements here, such as: "Not saving children" is undoubtedly the cold and rational side of the hero Miller. He has rich experience and knows the consequences of doing so. This is in contrast to crying for friends later, but But it seemed very deliberate.

Weide——Weide is full of humanistic care. He is a field doctor, both a soldier and a doctor. He can suture patients under extremely poor medical conditions and try his best to save their lives. His attitude towards life was different from others in Miller's group. In the Beginning Department, he appeared to help a soldier stop bleeding, but a missile struck and the soldier died on the spot. "Why don't you give me a chance to save him?" The missile flew past him. At that moment, he showed a kind of anger and resentment that was different from ordinary people. This cannot be just conceptually said to be a doctor's behavior. It's a kind of bounden duty, but the film makes the audience feel this deliberateness. When he was lying in the rain in Capazzo, he rushed forward regardless of the risk of his life, just to see where the card was? This behavior is undoubtedly heroic, exaggerated, divorced from reality, and somewhat symbolic; but on the other hand, in the dark night, he copied letters for Capazzo and recounted his emotional experiences with his mother as a child. , but I feel that this character is not unattainable, and has his own specific emotions, which is not very conceptual. But emotionally one-sided, love for career and care for friends. Even in the end, he saw his companions playing with identification cards in front of the paratroopers. When he was organized in the past, it only made the audience think that he was a very considerate and extremely kind person. But it was this that was somewhat symbolic and somewhat symbolic. An idealized character, but when he died, he moved me to tears. His death really made me feel how weak and fragile life is. As a doctor, I can't save my own life. I can only watch myself die, completely powerless. When he died, he kept shouting "Mom, Mom". That is the most original approach and an instinctive expression. This kind of emotional impact makes people feel that he is not very symbolic. The film exaggerates Weide's considerate, kind and honest side to the extreme, and beautifies it, turning him into a statue. But it can move people and make people feel perfect but real and credible.

Melisi - compared to Weid, the same is true for the Jewish Melisi. The film emphasizes his hatred of German fascism as a Jew. In the tunnel, he held the knife of a fallen German soldier and said: "It used to be a Hitler Youth knife, but now it's a Jewish bread knife." After saying this, he sat there and choked up. This was not deliberate. The Jewish man who suffered deeply was holding the enemy's knife as a trophy. His sense of accomplishment immediately aroused a feeling of sadness. Without the need for more words to explain, he could deeply understand the suffering he had suffered. , and a sense of national responsibility.

Next to the team of German prisoners, he held his identification tag and showed off: "I am a Jew, I am a Jew!" It was a kind of pride and a provocation. In fact, it is also sad and pitiful. The Germans could not understand his language. He only got his own relief by doing this. It was impossible for the dead Jews to be resurrected, and his pain would always be imprinted in his heart. This adds countless bitterness and helplessness. It also tells people the extreme cruelty of war.

3. Central idea

(1) Miller's seven hand shakes

The first time: Miller's appearance started with his hands. A pair of trembling hands holding the kettle;

The second time: after the successful beaching of Omaha, the trembling hands held the kettle;

The third time: two hours of waiting in the dark night , holding the water glass with trembling hands;

The fourth time: two hours of waiting in the dark night, when talking about Capazzo, my hands trembled.

The fifth time: After learning that Ryan was in Lambler, his hand trembled to hold the compass;

The sixth time: After Wade died, Miller hid behind the rock and cried, Holding Capazzo's letter with trembling hands.

The seventh time: Waiting for the enemy tank, before chatting with Ryan, his hands were shaking and he lied that he was keeping time with the music.

Miller's trembling expresses his attitude towards war, which is a kind of mental tension and also a kind of emotional catharsis. His hands tremble when he is scared, in pain, or nervous. The film uses the trembling of Miller's hands to show his emotional changes, but from the outside, he faces everything so calmly, and even his life experience is a mystery. But in fact, he is just an ordinary high school teacher. Like ordinary people, he also hopes to see his wife and reunite with her as soon as possible. He is not as calm and rational as he appears. He has his own views on death. He is the leader of a team and is more calm about death than others. He became indifferent, and it was the war that changed him.

(2) Miller's Silent World

In the film, Miller often enters the silent world. When the bomb explodes behind him, his ears will be temporarily deafened. In Beginnings -

The First Silent World: Miller crawls out of a pool of blood on the beach, bombs exploding behind him. He entered the silent world, and before his eyes appeared——

1. A limp and crying soldier;

2. Three soldiers led by ammunition;

3. A soldier with a broken arm looks for the broken arm among the corpses, and uses his other hand to pick out the arm;

4. Several burning soldiers , running for his life on the beach;

5. A soldier shouted to him.

The second silent world: Miller dragged the injured Bug, and the bomb detonated behind him. He once again entered the silent world. After recovering his hearing, he once again lifted Bug. He had only Only the upper body is left.

At the end——

The third silent world: at the bridge, the bomb detonated behind Miller. This time he entered the silent world for a long time and saw Ryan's Crying, I saw the soldiers shouting loudly, I saw Howie's death, and I saw the pistol nearby.

At the beginning, this technique is very similar to that shown in "Black Lens" - a two-dimensional, instantaneous cutting of the war. The first silent world, crying soldiers - this symbolizes a kind of fear of war. In the rain of bullets, they sit on the ground crying uncontrollably and are at a loss; the soldiers with broken arms use their other hands to bury themselves in the corpse. Looking for the missing arm. Lifting it is like carrying your own backpack. It doesn't feel like a part of your limbs, but just an object. War brings people far more than physical pain. This is completely a manifestation of instinct. He is out of touch with reason. Compared with the heavy mental shackles, physical pain is just a trivial matter.

In the silent world before Miller's death, he saw Ryan's cry and the death of his companions, but more importantly, he saw the gun beside him. He just instinctively picked up the gun. When he was completely incapacitated - he had no extra power to think or analyze. This behavior was also based on instinct. He stood up to get the gun. After being shot, he collapsed on the ground and kept aiming at the tank approaching him. The war changed human nature and attacking the enemy became an instinct.

(3) The seven people who died next to Miller

At the beginning

1. The soldier who was shot in the chest of the helmet

2. A soldier of the 104th Medical Team, his stomach was penetrated and his internal organs were outside the body;

3. Bug whose lower body was blown off

4. The correspondent in the tunnel;

p>

5. The soldier shot twice in the head in the tunnel.

This tragic scene seemed commonplace to Miller. His soldiers were dying beside him, corpses were strewn in the field, blood flowed into rivers, internal organs were lying next to the corpses, and bullets penetrated the head. He still went to Go forward, not sad, nostalgic or afraid. In addition to showing the cruelty of war, this also shows from one aspect the death of Miller's "94" soldiers, which gave him a thorough view of life and turned him into a person who regarded death as home. He once said to Urban: "I'm afraid I won't live long enough to accumulate a thousand, or maybe five hundred."

"As for life, he knew that he could die at any time, so when he died, it seemed to be expected. There was no unnecessary pain. He sat there and died like a living person, without shouting or crying. With a full face, no fear and no nostalgia, he died quietly

Xia Shu2005-10-05 20:52

Time may pass by, but the classics will last forever. If there is really an emotion that can make people soul-stirring, if there is really an action that can make people feel a lot of emotions, then this emotion must be a great friendship that transcends ordinary emotions, and this action must be a great action - video. "Saving Private Ryan" shows such an emotion and such a fearless action

"Saving Private Ryan" is a masterpiece directed by the famous director Spielberg, revisiting the classic. , the feeling is still so strong, both generous and passionate. Tom Hanks' powerful performance makes the film even more exciting.

The film is set against the backdrop of the famous Normandy landing, the most tragic event in World War II. Through a series of naturalistic shooting techniques, the tragedy of the war for freedom in the last century is reproduced. Taking Captain Miller as his order to lead the soldiers to find a soldier named Ryan in the enemy war zone as a clue, a very serious story is presented. Question: Is it worth exchanging the lives of several people for one life? It depicts a series of soldiers fighting for freedom represented by Miller. The theme of the film is clear and positive.

< p>Captain Miller, who had an outstanding command during the beach grabbing operation, was ordered to go to the enemy war zone to find a soldier named James Ryan who served in the 101st Airborne Division. His three brothers were all killed on the battlefield one after another. In order to prevent his mother from After losing this last child, the Allied headquarters decided to find him back. This was an arduous task, because every step forward was one step closer to the enemy's war zone, and the danger they faced increased. There are more and more German troops and a large number of tanks! When setting off, some people raised the question, is this almost absurd action and the series of casualties caused by it worth the risk? The soldier died in action. When preparing to attack the German radar station, the issue of survival and paying huge sacrifices for this operation was once again faced. Captain Miller finally convinced everyone that in his opinion, the accidental attack on the German radar station was the reason. The action and the search for Ryan were the same, they were all fighting for justice and freedom. Finally, the brothers led by Captain Miller found Ryan through hardships, and for the sake of the smooth advancement of the Allied forces, they decided to stay. They came down to participate in the battle to defend the bridge. The balance of power was huge. Although they made careful deployment and made the most reasonable arrangement of their limited manpower, they once stopped the German army from advancing, but they faced the constant influx of enemies. Attacked by the German army and the "Tiger" tanks with powerful artillery fire, they could only fight and walk away. At the last line of defense at the bridgehead, the seriously injured Captain Miller was helpless but determined when the bullets of his submachine gun ran out. The ground fired pistol bullets at the tank, and a miracle happened - with the sound of an explosion, the tank was destroyed - the Allied "Mustang" bombers arrived in time! The bridgehead was saved, and reinforcements arrived one after another. When Captain Miller was dying, he just said softly to Ryan who was leaning over him: Live well and don't let everyone down.

Captain Miller was originally just an ordinary captain. This mission should be said to be just a special mission, but his words moved me. An ordinary word is an officer's ardent entrustment to the soldiers, and it is also the collective voice and words of the soldiers who sacrificed their lives to find Ryan. Miller and his comrades have all died, but Ryan survived. . Their mission was accomplished. Is it worth sacrificing the lives of eight people for one life? From an emotional or rational point of view, this is a wrong or even absurd task, but from a moral and righteous point of view, this is definitely a rescue operation in the true sense and a fearless action. One person's life is worth risking the lives of eight people, and a common request is the best answer. A very plain language, but a lofty spirit and noble character sentiments are vivid in my heart.

The disc has finished playing. But my mood could not be calm for a long time. Captain Miller's last words kept echoing in my ears, and his figure made me more and more in awe.

Rescuing the soldiers is a special and glorious mission. It is because of this ordinary sentence of "live well and don't let everyone down" that I always remember this movie, remember Tom Hanks, and remember this A fearless move!