Exhibition and Collection of Taizhou Museum

Longitudinal 127.5cm, transverse 55cm.

The Lady's Picture of A Qin was written in the second year of Yongzheng, and Huang Shen arrived in Yangzhou in the first year. The author described a woman's action expression with A Qin on her back, which was very vivid. A lady with a piano in one hand and clothes in the other raised her left foot. Looking back, the dynamic performance is natural and delicate. The brushwork of this painting has begun to show the style of freehand brushwork figures, the brushwork of ink blocks has been very comfortable, and the lines are relatively smooth and unrestrained. It is the representative work of his early freehand figure painting. Transparent paper book

Vertical182cm, horizontal140cm.

The boulders in the picture are staggered and layered, which is breathtaking and steep. Deep in the peaks, there are grass pavilions and stone steps, and tall buildings are towering; Nearby, the giant pine is like a cover, towering into the sky, gloomy and terrible. Fine grinding of rocks with short strips, supplemented by sketching and dyeing, shows the texture vividly. Starting from the top right: "Tall buildings are built in the depths of Song Wan, and the cold river clouds close in the sunset. Only idle people come here and watch spring flow along the barren shore. It was written by Chen Zhuo in Daxing on the third day of Qixi Festival. "Zhong" of Zhong and "Li" of Zhu Wen are printed. This passage is the best summary of the artistic conception of Chen Zhuo's painting. According to the publication date, it can be seen that this painting was made by 1672, and the author is 38 years old, which is obviously a masterpiece of the author in his middle age. Transparent paper book

Longitudinal112cm, transverse 56.5cm..

Painted on 1699. In the middle of the picture, a huge stone stands abruptly and is about to fall, occupying almost the whole picture. A Hosta flower stubbornly grows in the gap under the stone and is in bud. The vigorous and moist pen and ink show the vitality of the flower stem. In the whole picture, the proportion of Hosta flowers is very small, but it is this small Hosta flower that brings spirit to the picture. The painter used dangerous stones as a metaphor for the rulers of the Qing dynasty, and used Hosta flowers as his symbol to maintain his integrity under high pressure. Picture composition is eight typical dangerous and weird compositions. Technically, the painter outlined the outline of the dangerous stone with slightly dry pen and ink, and the light pen and ink just showed the turning point of the stone. Then the dry brush is used to express the texture of the stone, which is in contrast with the wet brush of Hosta, and both of them have distinct textures. Transparent paper book

Length 20 cm, width 187 cm.

This is a long scroll that integrates poetry, books and paintings. There are three official script poems in the volume, followed by a long scroll of Mo Mei. At the beginning, there is Luo Zhenyu's calligraphy "Three Wonders in the Nest Forest". Books and poems are written by Wang; The poetic rhythm is steady and the artistic conception is extraordinary. One poem is a painting poem, and the other two are farewell poems, both of which are magnificent and freely written. The official script, based on Han Li, is solid, dignified, pure and delicate. The painted plum blossom is also a long scroll, the trunk is full of ink, the flowers are lush, elegant as chrysanthemum, and the picture is moist and fresh, which is the representative painting method of Wang Meihua. Transparent paper book

218cm in the longitudinal direction and 75.5cm in the transverse direction.

This calligraphy is a masterpiece of Zha Shibiao's large-scale calligraphy, which is rare in his existing works. This work was written by Mi Fei, a great calligrapher in the Song Dynasty. Its characteristics are brushwork, vivid momentum, elegant structure, point and pen in one go, set each other off into interest.