Traditional Culture Encyclopedia - Photography major - Sholbrak's China Films

Sholbrak's China Films

Director: Qicheng Bao

Screenwriter: Yang Renshan

Original: Zhang Xianliang

Art Consultant: Tang Xiaodan

Editor: Li Weiliang

Photography: Ren Zhixin

Art: Zhang Wanhong, Qin Baisong

Composer: Xu Jingxin

Recording: Yang Liangkun. Language rules

Scenery painting: Ye Hongxiong

Imitation sound: Mou Guoqing

Fireworks: Shen Songlin

Deputy photography: Li Taishan

Special effects design: Zheng Weisong

trick photography: Dai Shengchao

Production director: Wang Yongji

Performance: Shanghai Film Orchestra

Conductor: An ... reporter

Wang Jiayi ... Xiaoyuan

Yang Dongyan ... Girl A

Ji Yanmei ... Girl B

Caigen Xu ... Master Chen

Lu Qing ... Pony In 196, Li Shiying, who was only 17 years old, bid farewell to her elderly parents and hungry hometown and went to Xinjiang to make a living alone. In order to help two strangers from his hometown, he sold his clothes and even lost his new job.

By chance, he met an old driver, Master Xu, and the enthusiastic Master Xu accepted him as an apprentice. After the Cultural Revolution began, Li Shiying, who felt depressed and lonely, was full of hope to build a happy family. Under the concern of the drivers of the motorcade, he hastily married Qiaozhen, a girl who fled from northern Shaanxi.

After marriage, although Li Shiying was considerate to Qiaozhen in every way, Qiaozhen was always cold. She waited on Li Shiying like a servant, without a smile on her face all day. A few months later, Li Shiying finally learned from the drivers of the same team that Qiaozhen was having an affair. He was shocked, miserable and unwilling to believe it. Under his angry questioning, Qiaozhen finally revealed the truth. It turns out that Qiaozhen and Chunsheng were childhood lovers. Because of the famine in her hometown, Qiaozhen's parents died, so she had to come to Xinjiang to take refuge in menstruation.

Qiaozhen was living in a sponsor's house, and her fiance was never heard from, so menstruation decided to marry Li Shiying. Shortly after marriage, Chunsheng came all the way to Xinjiang to find Qiaozhen. She loves Chunsheng, but she can't bear to hurt Li Shiying who really loves her. In order to fulfill this pair of lovers, Li Shiying and Qiaozhen divorced.

Seven years later, Li Shiying met a young woman with a baby on her way to southern Xinjiang. She is an educated youth in Shanghai, named Ye Juan, and her son Xiaoyuan went back to Shoerbrak, the company's resident. On the way, Li Shiying found Xiaoyuan seriously ill, so he drove Yejuan and her son to Korla Hospital overnight. Xiaoyuan was saved, but Li Shiying, who had worked hard all night, quietly left. This made Ye Juan deeply moved.

A few days later, Li Shiying went to the hospital to visit Xiaoyuan again, and sent Ye Juan and her son back to Shoerbrak. On the way, Ye Juan told Li Shiying that she was insulted by the company commander after going to the countryside and gave birth to an illegitimate child Xiaoyuan. Ye Juan's strong will not to bow down in adversity and not to sink deeply attracted Li Shiying, and also ignited the spark of love in his heart. Two hearts that were soaked in bitter water and shining like gold collided, and two people who had experienced the hardships of life were happily combined.

The film not only retains the style of the novel, but also composes a touching lyric ode with a simple first-person narrative style, and shows a vivid picture of life with a concise and fluent cinematic space-time structure. It reflects the rough life experiences of young men and women who lived in Xinjiang and went to the Construction Corps in the 196s and 197s, and shows that those who have soaked in bitter water and alkaline water have a heart of gold.

It excavates materials that can arouse people's voices from ordinary life, describes them with colorful scenes and vivid details, and shows the moral sentiments of Li Shiying, Ye Juan, Master Xu and others with simple and philosophical language. The film not only retains the style of the novel, but also composes a touching lyric ode with a simple first-person narrative way, and shows a vivid picture of life with a concise and smooth cinematic space-time structure.

It reflects the rough life experiences of young men and women who lived in Xinjiang and went to the Construction Corps in the 196s and 197s, and shows that those who have soaked in bitter water and alkaline water have a heart of gold.

It excavates materials that can arouse people's voices from ordinary life, describes them with colorful scenes and vivid details, and shows the moral sentiments of Li Shiying, Ye Juan, Master Xu and others with simple and philosophical language.