Foresight

1.？ There's a box in the box? Telelens

The attraction of the telephoto lens is to pay attention to and express a single role, not the position of the role. Therefore, when setting the position and orientation of the role, the teacher is more inclined to put the role in a room or in a scene set by the door, so that the audience's attention can be focused on a role and the psychological state of the role can be better observed when watching movies.

Capture dialogue

The telephoto lens can capture the dialogue well. Most long-range shots use two middle shots and two close-ups alternately. Using this lens language, the audience is placed in the seat of the telephoto lens, so that the audience can be there as if watching the people talking in the picture.

In the process of searching for bobby fischer (1993), two children are playing chess. The space above is a little empty. You can think about it first. In fact, the director emphasized the young character in this way, rather than two adults playing chess.

3. The role of admission

When setting characters in the scene, the teacher suggested using lighting technology to emphasize the appearance of the characters. In the following two pictures, when the figure on the right appears in the scene, you can see a beam of light entering the picture from the door to remind the audience that the figure has entered the scene.

4. Multiple roles in the same scene

In addition to the admission of a single role, teachers are more proficient in the use of multiple roles in the same scene. The shooting scene of "The Road to Destruction" took a long time to analyze, so I won't analyze it in detail here. In the downpour, six outlines filled the picture. Street lamps and protruding steps on the roadside increase the depth of field of this telephoto lens, and you can vaguely feel the corners and ends. This is a frame that contains both three-dimensional sense and plane sense.

5. Big vision: Explain geographical location

What do we call this kind of lens when perspective is applied to a more distant scene (at the same time, the image of the person becomes very small)? Big vision? . Such a grand vision usually takes advantage of the editing time at the beginning, middle transition and end of the film.

For those you don't know about the practical shooting skills of the distant future, Qingtian Bian Xiao is here to share with you. If you have a strong interest in the later stage of film and television, I hope this article can help you. If you want to know more about who believes in that skill, the method and material of post-editing, you can click on other articles on this website to learn.